http://www.spectropop.com ________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Covered in a long lasting PVC to give you years of portable pleasure ------------------------------------------------------------------------ There are 6 messages in this issue of Spectropop. Topics in this Digest Number 228: 1. Re: Cryan Shames From: Billy Spradlin 2. The Avons From: Paul Urbahns 3. The Unreal Reparata From: "Ian Chapman" 4. Reparata From: John Clemente 5. Teenager remake From: Doc Rock 6. Re: latter-day Reparata From: "Tony Leong" ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Sun, 12 Aug 2001 08:03:27 -0000 From: Billy Spradlin Subject: Re: Cryan Shames "Kingsley Abbott" wrote: > Interesting to see the Shames being discussed - leaving > aside the obvious confusion between the Chicago group > and the UK one, the US group certainly did more than > just the rather weak version of "Sugar and Spice". The Shames version of "Sugar and Spice" has been a favorite of mine for a long time since I first heard it on one of Columbia's "Our Best To You" compilation LP's. I don't think its "weak" at all. I especially like the strange key change near the end of the song. The Shames also did a excellent version of "If I Needed Someone" that beats the Hollies lukewarm cover, IMHO. Their second album "A Scratch In The Sky" is a great album, it was re-issued on Columbia in the mid 80's and its pretty easy to find. (BTW: The Shames original 3 Columbia albums are still not on CD at least here in the USA...hey Sundazed WAKE UP!!) Many Chicago garage bands like the Shames, The Ides Of March, The New Colony Six (PS: Check out their awesome '66 single "Love You So Much") and the Buckinghams were greatly inspired by the Byrds, Hollies and Searchers during the mid 60's. If you dig hard into comps from these groups you will find some Jangly Harmony-rich gems! Billy --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sun, 12 Aug 2001 18:02:23 EDT From: Paul Urbahns Subject: The Avons The Avons was a Nashville Based girl group that recorded for RCA's Groove records among other labels. Their records show up on ebay every now and then. One on there now is co-written by Ronnie Wilkin (of Ronny & Daytonas) Does anyone have history on this group, including members names? Paul Urbahns --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Mon, 13 Aug 2001 00:04:27 +0100 From: "Ian Chapman" Subject: The Unreal Reparata David wrote:- > In 1976, RSO released a Barry Manilow-and-Ron > Dante-produced LP called "Beauties in the Night" (#3002 > in the U.S.) by an all-female disco trio called Lady > Flash, of which Reparata was the caucasian third (the > other members were Monica Burruss and Debra Byrd). > Manilow co-wrote about half the album, including the > brilliant doo-wop tribute (its disco leanings > notwithstanding) "Street Singin'". David, That is a good album, especially "Street Singin", and their Pointers-inspired crack at "Jumpin' At The Woodside" is fun. However - and I'm sure John will point this out too - the Reparata in Lady Flash wasn't Mary Aiese - it was ex-Delron Lorraine Mazzola who hi-jacked the name Reparata and only relinquished it when legal action from Mary forced the issue. Ian --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Sun, 12 Aug 2001 12:36:14 -0400 From: John Clemente Subject: Reparata Hello All, When I interviewed her for the book, Reparata told me that she was not part of Lady Flash. That was Lorraine Mazzola, who fought Reparata over the name because Reparata went solo for a while and Lorraine remained in the group until she went to sing with Barry Manilow, but wanted to use the moniker "Reparata" because she thought it had some clout. Despite what we all think of Delrons records, by the 70s, at least in America, there wasn't much interest until the new revival in NYC in the early 80s. Regards, John --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Sun, 12 Aug 2001 10:20:16 -0400 From: Doc Rock Subject: Teenager remake > In 1974, a year before her marginally successful solo > single "Shoes," already discussed here, Reparata cut > a solo remake of the group's smash "Whenever a > Teenager Cries," once again with John Abbott > arranging and with Steve and Bill Jerome producing. I > only have this on a DJ copy with the same song in > stereo on one side and in mono on the other; does > anybody know what was on the flip, assuming that > there was ever a commercial release of > the disc (North American Music Industries 2024)? I've been collecting Reparata since the '60s. The '74 single you mentioned is not a re-record, but the old track with a Country guitar overdub, IMHO. Doc --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Mon, 13 Aug 2001 03:33:26 -0000 From: "Tony Leong" Subject: Re: latter-day Reparata "Spector Collector" wrote: > > In 1976, RSO released a Barry Manilow-and-Ron > Dante-produced LP called "Beauties in the Night" (#3002 > in the U.S.) by an all-female disco trio called Lady > Flash, of which Reparata was the caucasian third (the > other members were Monica Burruss and Debra Byrd). To David and all the "Reparata" fans out there. There are actually 2 women that used the name "Reparata". Mary Aiese IS the original Reparata. That name was taken from a nun in her school (and it DOES make a cool stage name). Mary Aiese was the lead singer of the group from the early-60's until the start of the '70's. In '66, Lorraine Mazzola joined as a Delron. By the mid-70's Mary had a solo record under the name "Reparata", BUT THEN, Lorraine was singing with Barry Manilow and Lady Flash, and SHE also tried to use "Reparata". She billed herself as such in credits and on Barry's LP's. So, the "Reparata" that sang "Shoes" was NOT the "Reparata" that sang with Lady Flash!!! There's more to this story, but you can read it in John Clemente's book!!! Anyhow, Mary Aiese from the mid'70's until recently kept the Delrons performing in the NY area. Nanette Licari (a Delron since '65) was on and off, and the other ladies were local friends( the first group of Delrons on World Artist dropped out of the act after their first tour of the US in '65, and Mary has had no contact with them since). Now, the entire group is defunct. And as for Lorraine---well, maybe she's assumed another alias??? Maybe she's a Shangri-La now?? Or a Token?? :>) Tony --------------------[ archived by Spectropop ]-------------------- End
Spectropop text contents & copy; copyright Spectropop unless
stated otherwise.
All rights in and to the contents of these documents, including each element embodied therein, is subject to copyright
protection under international copyright law. Any use, reuse, reproduction and/or adaptation without written permission of the owners is a violation of copyright law and is strictly prohibited. All rights reserved.