________________________________________________________________________ SPECTROPOP - Spectacular! Retro! Pop! ________________________________________________________________________ There are 10 messages in this issue. Topics in this digest: 1. Darin, Mono/mono Dj copies, "Come Monday" From: Clark Besch 2. Re: French recordings From: Mikey 3. Early UK guitarists From: Frank Murphy 4. Re: The Ronettes' "Chapel Of Love" From: Sean 5. Re: Nanette Workman From: James Botticelli 6. Joe Brown / Early UK guitarists From: John Stewart 7. Recent Orbison Reissues From: S.J. Dibai 8. Re: Charlie Rich From: Doug Richard 9. Toni Wine, Ron Dante Oldies Cruise cancelled From: Allan Rinde 10. More on Al Gorgoni's website From: Country Paul ________________________________________________________________________
________________________________________________________________________ Message: 1 Date: Mon, 10 Jan 2005 02:57:36 -0000 From: Clark Besch Subject: Darin, Mono/mono Dj copies, "Come Monday" That Alan Gordon wrote: > I think "She Knows" is still a great record and holds up well. > I will try to get it to a new artist, after all when Bobby > sings it people take notice. Jack Nitzsche did a brilliant > arrangement. After the session, we met up a a park in Beverly > Hills for a softball game. Bobby drove up in a nifty white > foreign sports car, a convertible. He was with his new squeeze > at the time, who was the ex of A&P heir Huntington Hartford. > Later that night Bobby invited us to see him in concert at a > venue in Anaheim, with Chad & Jeremy opening. Wonderful memories. Alan, thanks SO much for the cool memories of the Darin experience! Hope the movie is as good as yours and Artie's memories! Now, I wanna know how that Chad & Jeremy show went. This being 1967, C&J had become an LA phenom from what I can gather. Their national popularity had lessened, but they seemed to be right at the top in LA with LPs like "Cabbages & Kings" breaking new ground for them. What other artists were you taking in in 67? Phil M. wrote: > I found a record this weekend that was a "double mono," i.e. > the same track on both sides, the same length, etc., and both > sides in mono. I've seen plenty of S/M and double stereos, but > can't recall any other double monos. Was that configuration > more common than I realize? Phil, since I got dj copies from 67-71 from the local AM station in Dodge City, Kansas, most often I got mono/mono copies. Many companies that could afford to put out different styles of DJ copies would often issue mono/stereo "A" side copies to stations that had a mono AM/stereo FM format. Often, a double stereo might go to FM stereo stations. Usually, mono/mono went to mono AM stations. That's how these variations usually happened. Columbia was most often using these methods. Funny, but "my" source, KGNO, got mono/mono, mono/stereo and an occasional mono/stereo from Columbia. Sometimes, if there was no stereo Lp that the 45 was culled from, such as Avant-Garde's "Naturally Stoned", no stereo version was even mixed, so it came mono always. Hope this makes sense. Austin Powell wrote: > Me again.....My copy of "Come Monday" (UK) ABC 4001 relased in > '74 has the "Hush Puppies" lyric. It's one of my favourites - > shame Mr. B never meant more on this side of the pond. Austin, if I can, I will try to send you my UK 45 version separate as musica is currently thwarting the efforts of dial up users like me. This really bugs me, but I am cheap, I guess? Clark -------------------[ archived by Spectropop ]-------------------
Message: 2 Date: Mon, 10 Jan 2005 13:41:01 -0500 From: Mikey Subject: Re: French recordings Artie Wayne: > ... "Je T'aime" by Serge Gainsbourg and Jane Birkin ... To my > knowledge, it was one of the first French language records to > become a hit it the United States. Wouldnt "Dominique" from 1963 have been the first French tune to make the American charts? Mikey -------------------[ archived by Spectropop ]-------------------
Message: 3 Date: Mon, 10 Jan 2005 21:52:41 +0000 From: Frank Murphy Subject: Early UK guitarists Previously: > Reminds of all the poor souls who tried to figure out how Les Paul > played so fast on his records only to find out later that he simply > speed up the tape while making records. I wish I could remember the name of the British guitarist who couldn't work out how James Burton played the guitar solo on Hello Mary Lou and not realisng he was double tracking. FrankM __________________ reflections on northern soul Saturday's two thirty pm http://www.radiomagnetic.com or listen to an archive show http://www.radiomagnetic.com/archive/index.php?genre=&show=65 -------------------[ archived by Spectropop ]-------------------
Message: 4 Date: Mon, 10 Jan 2005 23:52:42 -0000 From: Sean Subject: Re: The Ronettes' "Chapel Of Love" I wrote: > On the Ronettes version of "Chapel of Love" I recognize a lot of > voices on there (Sonny, Cher, Darlene Love, etc.) I was wondering > who is doing the soprano part....... And on their versions of > "Mashed Potato Time" and "The Twist" who is the alto voice that > is right up front? Tony Leong: > Estelle was the alto voice on those cuts you mentioned. I believe > Bobby Sheen is the other prominent voice on the Ronettes' "Chapel > Of Love". Thanks for the info. I never knew Estelle could go that low! Is there any Ronettes songs where you hear any other Blossoms besides Darlene? -------------------[ archived by Spectropop ]-------------------
Message: 5 Date: Mon, 10 Jan 2005 17:08:04 -0500 From: James Botticelli Subject: Re: Nanette Workman Denis Gagnon wrote: > As for Nanette Workman, she was one of the first female rocker to > sing in French in this Province and she's still going strong, > almost 40 years later. Wow...This IS news. A few collectors around here have the Atco single from 1975 called "If It Wasn't For The Money" by Nanette Workman. This is the first thing I've ever heard about her. So she's Canadian, eh? Tres interessant. James Botticelli -------------------[ archived by Spectropop ]-------------------
Message: 6 Date: Mon, 10 Jan 2005 20:19:35 -0000 From: John Stewart Subject: Joe Brown / Early UK guitarists Anyone even remotely interested in UK guitarists, or pop music in general, of the 50s and 60s should take a look at "17 Watts" (for some reason also published as "Play Like Elvis") by Mo Foster - himself a session bassist. The book has numerous tales from sessions of the period and the struggles of later-famous teenage guitarists to sound like Chuck Berry or Scotty Moore often with only a cheap Spanish guitar, a WWII RAF pilots microphone and a radiogram. More details on: http://tinyurl.com/4rqfy and: http://tinyurl.com/5urxb Great fun and very informative, JS -------------------[ archived by Spectropop ]-------------------
Message: 7 Date: Tue, 11 Jan 2005 00:31:55 -0000 From: S.J. Dibai Subject: Recent Orbison Reissues Howdy, fellow Spectropoppers! Just noticed that Roy Orbison's MGM albums have been reissued on CD by Edsel or some related label. Has anyone heard these? I'm not concerned about the quality of the music because I'm familiar enough with his MGM output to know what to expect. What I AM concerned about is the sound quality. I've wasted my money before on Orbison reissues with mediocre-to-terrible sound quality, and am not about to do that again. Can any of you comment on this issue? Thanks, S.J. Dibai -------------------[ archived by Spectropop ]-------------------
Message: 8 Date: Tue, 11 Jan 2005 01:06:53 -0000 From: Doug Richard Subject: Re: Charlie Rich Pres wrote: > Does anyone know the original track order of "The Best Years" LP? Charlie Rich - The Best Years Mercury SRS-67078 (Stereo) 1. No Home 2. So Long 3. The Best Years 4. Party Girl 5. You Can Have Her 6. Have I Stayed Away Too Long 7. Hawg Jaw 8. Something Just Came Over Me 9. Double Dog Dare Me 10. Just A Little Bit Of Time 11. Blowin' Town 12. Tears A Go-Go Doug -------------------[ archived by Spectropop ]-------------------
Message: 9 Date: Tue, 11 Jan 2005 01:32:41 -0000 From: Allan Rinde Subject: Toni Wine, Ron Dante Oldies Cruise cancelled Just got word that the cruise mentioned in my earlier post today has been cancelled. -------------------[ archived by Spectropop ]-------------------
Message: 10 Date: Mon, 10 Jan 2005 22:54:09 -0500 From: Country Paul Subject: More on Al Gorgoni's website Me earlier: > Check out http://www.gorgoni.net This is Al Gorgoni's new website. It's not as deep as we here at S'pop would probably like it to be, and the audio samples are all of his recent classical guitar work. However, what he has listed is indeed impressive. There is also an e-mail address. Perhaps if a couple more of us encouraged him to join S'pop, he might consider it. (He told me a while ago he was seriously thinking of it once he had moved and the website got up and running.) Mick Patrick, thank you for the Kathy Lynn/Rebels story. What a twisted - yea, braided - tale! Country Paul -------------------[ archived by Spectropop ]-------------------
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