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Jamie LePage (1953-2002)
http://www.spectropop.com/Jamie.htm
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There are 25 messages in this issue.
Topics in this digest:
1. Help Finding Wirtz Productions
From: Mark Frumento
2. Re: My Name Is Michael
From: Dan Hughes
3. Re: Spin-O-Rama, Coronet and Design
From: Paul Urbahns
4. Kit Stewart takes one last walk down that Country Road.
From: Steve Harvey
5. Re: The Cuff Links - Tracy album confusion
From: Paul Urbahns
6. Re: Stoned
From: Frank
7. unanswered question.
From: Rich
8. Re: Organs R Us
From: Philip Pelgrom
9. Julie Rogers Italian Songs
From: Steve
10. Wayne Newton
From: Michael Edwards
11. Re: RIP Adam Faith
From: Ken Silverwood
12. Re: Round Robin & Yvonne Carroll
From: Mikey
13. Organs R Us
From: Mike Edwards
14. Aldon Music
From: Andrew Jones
15. tikki, takki, suzy, lies
From: Michael Robson
16. Re: Organs R Us
From: John Fox
17. Re: A question for Mike Rashkow
From: Patrick Rands
18. Re: Nanker-Phelge royalties
From: Phil Milstein
19. Re: wayne newton
From: James Botticelli
20. Re: Adam Faith
From: Alan Warner
21. Box Tops
From: Doc
22. David Sandler/Brian Wilson/Am.Spring
From: Kingsley Abbott
23. Re: Canada and British Rock
From: Billy G Spradlin
24. Metropolitan Soul on Soul 24-7 playlist 9th March 2003
From: Simon White
25. The Liquid Room 3/02/03
From: David Ponak
-------------------[ archived by Spectropop ]-------------------
Message: 1
Date: Tue, 11 Mar 2003 02:01:23 -0000
From: Mark Frumento
Subject: Help Finding Wirtz Productions
Anyone with a vast 45 collection may be able to help me locate
the following Mark Wirtz projects. Please write me off-list if
you can help me with:
Jan Panter - One Fool to Another (unreleased?)
The Karlins - It's Good to Be Around/The Spinning Wheel
(Parlophone R5550 - Wirtz arranged)
Symon & Pi - Got to See the Sunrise (Parlophone R5719)
Pat & Penny - Here We Come/Jelly Bean (Page One POF 181)
I'll be glad to return favors/costs to anyone who can supply a
decent quality copy (any format). Information on any obscure,
or hitherto unknown, Wirtz-related projects is also most welcome.
Thanks.
Mark F.
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Message: 2
Date: Mon, 10 Mar 2003 21:03:34 -0600
From: Dan Hughes
Subject: Re: My Name Is Michael
Mike Rashkow writes:
> A few days ago there was a post about Paul Vance that
> mentioned "My Name Is Michael". I think that post mentioned
> that it was done by Michael Vance, Paul's son.
For the record, the song's title is "Playground In My Mind".
--Dan
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Message: 3
Date: Mon, 10 Mar 2003 22:34:10 EST
From: Paul Urbahns
Subject: Re: Spin-O-Rama, Coronet and Design
Mike Edwards:
> The 4 Seasons who recorded for Alanna had only two releases,
> the second of which was a pretty decent up-tempo novelty item,
> "Hot Water Bottle" (1960).
I recently purchased a CD of early Four seasons material (before
they were called the Four Lovers, and I think it included a history
which tied the Alanna Four Seasons with Franklie somehow.
> didn't some of these tracks wind up on budget albums like Spin-
> O-Rama and Design to fool people into thinking they were buying
> Frankie & the boys?
Actually the albums I have on those promotionally priced
(politically correct way to say cheapies) labels were usually old
Frankie Valli songs before the group was known as the Four Seasons.
However two of my favorite Four Seasons songs never appear on any
of the reissues and Rhino probably owns the rights. They are Bermuda
and Spanish Lace. Both are very good records.
Paul Urbahns
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Message: 4
Date: Mon, 10 Mar 2003 19:45:34 -0800 (PST)
From: Steve Harvey
Subject: Kit Stewart takes one last walk down that Country Road.
I just found out that Kit of the Kit Kats died in July of 2001.
I had talked with earlier that same year, but fell out of touch.
We seemed to catch up with each other every couple of years.
Anyone listening to Philly AM in the 60s remembers "Let's Get
Lost On A Country Road" being right up with with the Beach Boys,
Spanky & Our Gang,the Hollies, etc. when it came to catchy
melodic pop. They never seemed to break out of the Philly-NJ
scene even though their material really held up well. Check out
the link below. Pretty sad commentary that I heard nothing on
his passing on the radio or in the papers, but found out about
it through a search engine. How quickly they forget.
http://www.jamguy.com/scripts/jamguycom/paper/Article.asp?ArticleID=360
-------------------[ archived by Spectropop ]-------------------
Message: 5
Date: Mon, 10 Mar 2003 22:34:12 EST
From: Paul Urbahns
Subject: Re: The Cuff Links - Tracy album confusion
Peter wrote:
> Ha! but mine's the British version on our very own UK MCA
> label, and I can assure you that the picture on the back
> is once again the delectable Tracy, standing against a tree,
> with no collages or Ronnies in sight. The start of a thread,
> guys.......... how many UK releases of US albums had different
> sleeve pictures and designs, and why?
Now I am confused. My record album is DECCA DL75160, a US release
and it is the same as he describes. I think the Cuff Links had a
second album which may have had the group picture. But my TRACY
album has the lovely girl on front and back.
Paul Urbahns
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Message: 6
Date: Tue, 11 Mar 2003 05:44:30 +0100
From: Frank
Subject: Re: Stoned
I've spent time in the studios with the Stones when they
recorded in Paris and of all the recording sessions I've
attended, theirs were the strangest ones.
Contrary to most artists who'd come in the studio with a
very definite idea of what they were going to record they'd
spend hours and hours just playing around, trying different
things with hardly any specific direction or intention. Then
when they'd find a idea which Mick liked they'd start fooling
around with it until it sort of started to take shape and this
would go on for hours and hours. So actually the songs were
created in the studios. Very interesting no doubt but it could
be extremely frustrating when nothing came out of it.
But the most surprising thing about their sessions was the fact
that they didn't even have a recording time set. For instance
they'd say (or rather Mick would say) we'll record tomorrow.
There's be no time set at all, so they'd all come at their own
time. You'd generally see Bill come in first at around 9 o'clock,
then he'd wait for the others who'd come in one after the other
until everybody was there. Mick, always the last one, sometimes
came hours and hours later. Nobody complained even though they'd
been waiting for something like 5 or 6 hours !
Really the strangest sessions I've ever seen.
Frank
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Message: 7
Date: Tue, 11 Mar 2003 05:41:44 -0000
From: Rich
Subject: unanswered question.
Have a song in my music files I found a while ago and I sent
to a friend, and he swears the lead vocal is by someone he
has heard before. He wanted me to send more info on the group
and I have not been able to find much.
Sudio A - Don't Forget About Me.
Released in 1967 on Kapp records. Did a Google search and
evidently a similiar question was asked regarding this song
about a year ago. But I couldn't find there ever was answer
regarding it. Any further info on the group would be appreciated.
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Message: 8
Date: Tue, 11 Mar 2003 09:14:19 +0100
From: Philip Pelgrom
Subject: Re: Organs R Us
James Botticelli:
> It gives off a pretty groovy sound, sorta halfway between
> a theremin and a moog.
look here:
http://www.obsolete.com/120_years/machines/ondioline/
phil
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Message: 9
Date: Tue, 11 Mar 2003 12:21:26 -0000
From: Steve
Subject: Julie Rogers Italian Songs
Hello folks!!
It's great to be part of the group, and pick up all the bits of
knowledge you share. I need some advice re Julie Rogers and some
Italian songs.......
In 1965 Donatella Moretti recorded Ti Vedo Uscire - sometime later
English lyrics were written and it became Don't Answer Me, recorded
by Lulu and Cilla Black. Julie Rogers also recorded Don't Answer Me -
I know it wasn't a single - does anyone have details? Was it an LP
track or on an EP?
Also in 1965, Dino recorded Te Lo Leggo Negli Occhi. English words
were written by Norman Newell and the song became Now I Know, also
released by Dino on RCA UK. I'm pretty sure that Julie Rogers also
recorded this song in English, BUT her version is not called Now I
Know. The original songwriting credits are Bardotti/Endrigo - does
anyone have details of a possible Julie Rogers connection?
I have the Mercury single Make Me Belong To You/You Never Told Me -
both fine Italian songs (one also sung by MINA!), but these are not
quite what I'm after.
Can anyone help (please)..........
Cheers
Steve
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Message: 10
Date: Tue, 11 Mar 2003 13:59:17 -0000
From: Michael Edwards
Subject: Wayne Newton
--- Mary wrote:
> Wow! For some reason, I had forgotten all about Wayne's
> "Comin' On Too Strong" record, one of the few Wayne Newton
> songs I could ever stand. The song took advantage of his
> high-pitched voice (much too high-pitched for my taste,
> ordinarily). It's too bad he didn't make more records of
> that ilk. Most of his songs are the blandest of the bland,
> and he actually sounds like a woman in many of them. I think
> my own vocal range is about three octaves lower than his (okay,
> maybe a little bit of an exaggeration). He must have fans
> somewhere, though, or he wouldn't be making the megabucks in
> Vegas. I must admit that I am completely mystified by his
> continuing popularity.
Not the most flattering of write-ups on Wayne, but he did make
records as equally well crafted as the Gary Usher penned, Comin'
On Too Strong. Many of these appeared on an excellent Capitol
Collectors' CD, which is still out there. Wayne's early career
was under the direction of the late Bobby Darin, one of the most
attuned music people of the early 60s. Some of Wayne's songs from
this era that you might want to reconsider are:
Better Now Than Later - the b-side of Danke Schoen and written
by our own Artie Wayne and Ben Raleigh.
Dream Baby - not the Roy Orbison tune but a superb teen ballad
from Bobby Darin and Artie Resnick.
Shirl Girl - this one from Bobby Darin and Rudy Clark
Someone's Ahead Of You, which I believe was written by Bruce
Johnston.
There was simply too much talent behind Wayne for his matterial
to have been "the blandest of the bland" and, of course, it
wasn't. Please take another look.
Mike Edwards (who always tries to use his AARP card when making
reservations at the Bellagio)
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Message: 11
Date: Tue, 11 Mar 2003 15:14:24 -0000
From: Ken Silverwood
Subject: Re: RIP Adam Faith
Like everyone else I was sad to hear of the passing of Adam Faith.
As well as his "pop" career he also carved a niche in the acting
profession. His character "Budgie" was always a treat to watch,
and was compulsive viewing in the early 70s. Plus his appearance
as David Essex's manager in "Stardust" was well studied, and he
was the first "pop" star who was believed to have a brain when
interviewed on "Face To Face" in ooohh 1960 at a guess (it was b&w).
I still love the pizzicato strings of John Barry's on Adam's first
couple of singles, nicked from Buddy Holly's "I Guess It Doesn't
Matter Anymore" & " Raining In My Heart". A couple of others still
make the grade with me, especially the Roulettes backed singles when
Adam tried his best to join the "beat group" crowd, but please spare
me from ever again hearing "Lonely Pup (In A Christmas Shop)" if
you've never heard it, the title tells it all.Yuk.
Ken On The West Coast
(Off to listen to Adam's "Greenfinger")
(What was all that about??)
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Message: 12
Date: Tue, 11 Mar 2003 10:34:30 -0800
From: Mikey
Subject: Re: Round Robin & Yvonne Carroll
Guy, I've got a couple of the Round Robin 45s. But I'm sure
you've got 'em already.
Mikey
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Message: 13
Date: Tue, 11 Mar 2003 09:10:26 -0500
From: Mike Edwards
Subject: Organs R Us
Since we are talking organs, let's not forget that great tune
by Dave Baby Cortez, Rinky Dink. From 1962, it has benn covered
often but never bettered. Question - does anyone think that
Bobby Rydell's The Cha Cha Cha borrowed the riff from Rinky Dink?
Mike Edwards
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Message: 14
Date: Tue, 11 Mar 2003 10:21:25 -0500 (EST)
From: Andrew Jones
Subject: Aldon Music
Bob Rashkow:
> Wasn't Johnny Crawford's remarkable "Cindy's Birthday"
> published by Aldon? Did they publish other penners'
> work besides Sedaka and Greenfield's?
Aldon Music (Al Nevins & Don Kirschner) is the original name
of the "Brill Building" firm that also published Goffin-King,
Mann-Weil and so many others. It later became Screen Gems-
Columbia Music and is now Screen Gems-EMI Music.
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Message: 15
Date: Tue, 11 Mar 2003 16:55:28 -0000
From: Michael Robson
Subject: tikki, takki, suzy, lies
Anyone have any idea who these girls are? they made two 45s
on the obscure UPC uk label in 1970 - "welcome to my house"
b/w "i believe in love" (written by Ellie Greenwich) and the
excellent "ba-da-da-dum" (very sesame street!) b/w "dream
stealer" - and sound vaguely european.
MICHAEL CLUNKIE VINYL JUNKIE
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Message: 16
Date: Tue, 11 Mar 2003 12:07:43 EST
From: John Fox
Subject: Re: Organs R Us
Jean-Emmanuel Dubois:
> But the real master and promoteur of this musical device
> [The Ondioline] is Jean-Jacques Perrey"
I beg to differ. The real master and promoter was Al Kooper,
who played it first with The Blues Project ("Fly Away", which
was even a single), then Blood Sweat & Tears (Megan's Gypsy Eyes),
on Super Session ("Her Holy Modal Highness"), the Live Adventures
of Mike Bloomfield and Al Kooper (another "holy modal" title), etc.
John Fox
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Message: 17
Date: Tue, 11 Mar 2003 17:36:19 -0000
From: Patrick Rands
Subject: Re: A question for Mike Rashkow
Mike Rashkow wrote:
> Checkout Digest number 365 from January 2002
> http://www.spectropop.com/archive/digest/m833.html
A quick response to Mike's original post about working with Dusty.
As I understand it, she was not crazy about the drum sound on the
entire Dusty in Memphis album - and I bet she wanted to highjack
those tapes and do what she did with your tapes to that album too.
I'm not sure of the chronology - but maybe she learned a lesson
from the Memphis album. But the bottom line is she was fickle about
her percussion. It's funny, what was quite the chore back then with
synching tapes and the off-synched sequence at the end of the song
- with today's technology that kind of thing could take five minutes
to fix. What a hoot if someone were to go back to the originals and
do just that!
:Patrick
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Message: 18
Date: Tue, 11 Mar 2003 12:01:28 +0000
From: Phil Milstein
Subject: Re: Nanker-Phelge royalties
My friend Bill chimes in with this intriguing view of the
Nanker-Phelge split:
> In the Wyman book, he says that the Nanker-Phelge songs
> were split into 12 shares and that Jagger got 7/12s of
> "2120 S. Michigan Avenue", a track that he did not even
> appear on.
--Phil M.
-------------------[ archived by Spectropop ]-------------------
Message: 19
Date: Tue, 11 Mar 2003 15:06:50 -0500
From: James Botticelli
Subject: Re: wayne newton
Mary wrote:
> ... Most of his songs are the blandest of the bland,
> and he actually sounds like a woman in many of them.
Tom Taber:
> I saw Wayne on a Jerry Lewis Telethon probably 25 or
> more years ago. He did a Chuck Berry song, probably
> "Johnny B. Goode," and the man rocked his butt off,
> playing a rather large electric guitar!
His voice was the very model of control in his youthful days.
I never tire of listening to him. I have 5 or 6 of those LPs
and even sprung for the CD of his early days. He was pushed
big time by Bobby Darin and of course the Great One. I read
his autobio a couple of years back. Worth picking up. He
fought the law and HE won! I've never heard him rock, but I'm
certain he could should he choose. His take on "You Stepped
Into My Life" is also worth a listen....IMHO
-- James Botticelli
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Message: 20
Date: Tue, 11 Mar 2003 13:31:36 -0800
From: Alan Warner
Subject: Re: Adam Faith
Yes Tom Taber, you're right: Adam's only Top 40 hit here
(IT'S ALRIGHT on Amy in '65) was the B-side in Britain of
I LOVE BEING IN LOVE WITH YOU which was a Top 40 hit there
in '64 on Parlophone.
Rock on!
Alan Warner
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Message: 21
Date: Tue, 11 Mar 2003 17:54:46 -0500
From: Doc
Subject: Box Tops
Two items:
1. The group appeared in the studio on my radio show around '88.
They were appearing locally, and were falling-down drunk. When
I asked if any were originals, the drummer said he'd done live
gigs with some of the originals, but that was it. Their live
show was tremendous. They did Beach Boy songs that sounded like
the dang records!
Later, I was interviewing an agent for my book, Liberty Records,
and I mentioned the Box Tops. The agent hit the roof. Seems the
guys I met were unauthorized phonies!
2. The first time I heard "The Letter" on the (car) radio, I
thought it was a remake. I could have sworn I'd heard it before.
Was there an earlier version, by ANY chance?
Doc
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Message: 22
Date: Tue, 11 Mar 2003 23:53:58 -0000
From: Kingsley Abbott
Subject: David Sandler/Brian Wilson/Am.Spring
Hi Watson - good to have you back!
I'm not sure I want to get involved in the whole debate
about on the Ace Pet Projects - I'm just happy to see an
intelligent package of that stuff out. They did intend it
to be a bit longer, but from what I understand they couldn't
get clearance on a couple of extar tracks (eg Ron Wilson)
that they had in mind to include.
Regarding the American Spring album, it is certainly clear
that David Sandler did the bulk of the work there, but it is
also pretty clear that Brian did do at least some/most on four
tracks. I have recently done notes for an as yet unreleased
Toshiba Japan reissue of the album, at that point speaking to
both Brian & Marilyn (Brian being quite lucid about it), so
unless they are both telling porkies independently Brian was
and is proud of the work they did there. Having said that of
course, memory plays tricks...
David 'where is he now?' Sandler is in Minneapolis area. If you
recall the Northern Light 'Minnesota' track from the California
USA double album from years ago, you'll be pleased to know that
Northern Light is alive and well, with a newish harmony filled
CD called 'Sweet Sunny Day' - shortish but very nice. Check it
and them out at http://www.glacierdisc.com Sandler is involved
playing and singing, and selling the CD from that address.
Kingsley
PS The Kustom Kings album that Claus mentioned wasn't purely
instrumental - it did have a few of Bruce's most rudimentary
vocals on it... the budget must have been small and the time
short - whole album in a 3-hour session perhaps - those were
the days!!
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Message: 23
Date: Wed, 12 Mar 2003 00:07:38 -0000
From: Billy G Spradlin
Subject: Re: Canada and British Rock
The Guess Who's Randy Bachman was a huge fan of The Shadows'
Hank Marvin and always was on the lookout for UK records his
band could cover. He said he was the guy that discovered and
introduced the group to "Shakin' All Over" - which was recorded
in a local TV station's studio with one microphone on a mono
reel-to-reel with lots of slapback echo! In fact I still prefer
their wild version over Johnny Kidd & The Pirates original.
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Message: 24
Date: Tue, 11 Mar 2003 20:30:23 +0000
From: Simon White
Subject: Metropolitan Soul on Soul 24-7 playlist 9th March 2003
For those who missed the show....
sandy nelson - time wont let me -drum beat
corner boys - take it easy soul brother -neptune
furys band - I'm satisfied with you inst -mirwood
sounds of lane - tracks to your mind -cobblestone
soul runners - charley -mosoul
patrice holloway - stay with your own kind -capitol
pat lewis - genie -goldmine connoisseures
brenda holloway - how many times did you mean it -tamla
clydie king - bout love - lizard
the wonderettes - I feel strange -ruby
mamie lee - I can feel him slipping away - mgm
little anthony - it's not the same - bgo cd
keith - our love started all over again -mercury
freddie scott - where does love go -colpix
dee dee sharp - the night - cameo
pat thomas - I can't wait until i see my baby's face -verve
little anthony - they call me the joker - bgo cd
eden kane - magic town -decca
percy sledge - heart of a child -atlantic
the showmen - you're everything -action
ray barretto - mercy mercy baby - london
willie bobo - juicy - verve
the high keyes - que sera sera - london atlantic
hector riviera - I want a chance for romance -horaces
benny gordon - a kiss to build a dream on - rca
timmy willis - mr soul satisfaction -veep
wilson pickett - born to be wild -atlantic
belmonts - you're like a mystery -sabina
spindels - ten shades of blue -abc
ad libs - NY in the dark - inferno
the charts - desiree -wand
benny gordon - you found a new love -capitol
bob and earl - fancy free -tempe
dori grayson - never let go - murco
sabrina marie - home again -alley
n f porter - keep on keepin on -lizard
bobby wilson - feels good -volt
isley bros - got to have you back - tamla
the manhattens - what's it gonna be -carnival
superlatives - I don't know how - westbound
the tripps - love can't be modernised - soundville
tony and tandy - bitter with the sweet -atlantic
diplomats - I can give you love - dynamo
Two tracks have been played to musica!
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Message: 25
Date: Mon, 10 Mar 2003 16:29:08 -0800
From: David Ponak
Subject: The Liquid Room 3/02/03
The Liquid Room, (usually) hosted by David Ponak (me), airs
every Saturday night from Midnight to 3AM (PDT) on 90.7FM KPFK
Los Angeles, as well as streaming at http://kpfk.org.
Sorry, but I'm running a week behind on the playlists!
Please join me this coming weekend for a live performance from
Franklin Castle recording artist Kim Fox, celebrating the May 18
release of her new CD, Return To Planet Earth.
The Liquid Room 03/02/03
1.Kahimi Karie/Tornado
Trapeziste (JVC Victor-Japan)
2.The 88/After Life
Kind Of Light (EMK)
3.Mister Rogers/Everybody's Fancy
Mr. Rogers Sings (Columbia House)
4.The Sea And Cake/Sound And Vision
One Bedroom (Thrill Jockey)
5.The Rotary Connection/Memory Band
The Rotary Connection (Cadet Concept)
6.The Karminsky Experience/The Wayward Canal
The Power Of Suggestion (POD)
7.John Barry/Aki, Tiger And Osato
You Only Live Twice s/t (remastered and expanded) (Capitol)
8.Fantastic Plastic Machine/Euphoria
Too (Avex-Japan)
9-18: The 88 Live in KPFK studio "B"
After Life/Elbow Blues/No Use Left For Me/How Good It Can Be/Bowls/
Jesus Is Good/I'm A Man/Sunday Afternoon/Hard To Be
19.Lemon Jelly/Soft
(single) (XL-UK)
20.Arif Marden/Glass Onion
Glass Onion: The Songs Of THe Beatles (Warner-UK)
21.Sketch Show/Chronograph
Tronika (Daisy World-Japan)
22.Dengue Fever/Shave Your Beard (demo CD)
23.Minikon/Mini Game
Minikon (KiraKira)
24.The Paris Sisters/It's My Party
Pixie Girls (WB-Japan)
25.Jerry Goldsmith/The Foxes And Hounds Affair
The Man From Uncle (Film Score Monthly)
26.Puffy/Angel Of Love
Nice (Sony-Japan)
27.Armando Trovajoli/Cananova '70
Triple Feature (Epic)
28.Jason Moran/Planet Rock
DJ Smash: Phonography Vol. 2 (Blue Note)
29.Seksu Roba/Intersexual Overdrive
Eenie Meenie sampler (Eenie Meenie)
30.Steve & Eydie/Walk On By
This Is... (RCA)
31.The Human League/Being Boiled (Fast Product Version)
Reproduction (Caroline)
32.Hazel Nuts Chocolate/Mahou Tsukai
Pop Comes Up (Bluebadge-Japan)
33.The Hellers/Take 46
Spinout 6T's (Universal-Japan)
34.Simian/When I Go
We Are Your Friends (Astralwerks)
35.Ingried Hoffman/Guten Flug!
Robbi, Tobbi Und Das Fleewatuut s/t (Diggler-Germany)
36.Cody ChestnuTT/The World Is Coming To My Party
The Headphone Masterpiece (Ready Set Go)
37.The Inner Dialogue/I Go To Life
The Inner Dialogue (Vanguard)
38.New Order/Theme From Best & March
Retro (bonus disc) (Rhino)
39.Paul Williams/Mornin' I'll Be Movin' On
Someday Man (Reprise)
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End
