__________________________________________________________ __________ __________ __________ __________ __________ S P E C T R O P O P __________ __________ __________ __________________________________________________________ Volume #0296 July 25, 1999 __________________________________________________________ A million units in JanuarySubject: laff of the day Received: 07/20/99 11:17 pm From: Big L,xxxxx.snowcrest.net To: Spectropop List, spectxxxxxities.com http://www.geocities.com/Heartland/Acres/3072/camera2.html Big L --------------------[ archived by Spectropop ]-------------------- Subject: Phantom Songs/Gonna Get Married Received: 07/25/99 3:28 pm From: Richard Globman, rglxxxxxomm.net To: Spectropop List, spectxxxxxities.com Dave "I used to know this stuff before I got senile" Feldman SED: >In the early 1960s, Dick Clark played a song called "I >Want To Get Married" and he identified the artist as Titus >Turner. I've never been able to find the record. Titus >Turner sounds very much like Lloyd Price... > > "I want to get married > [you're too young] > Your name I'll carry" > >Any ideas? ============================================= Well, I never heard of Titus Turner either but the opening lyrics sure sound like the Lloyd "Stagger Lee" Price song to me. Stone Cold DickyG --------------------[ archived by Spectropop ]-------------------- Subject: RE: Phantom Songs Received: 07/25/99 3:28 pm From: Marc Miller, mxxxxx.com To: 'spectxxxxxities.com', spectxxxxxities.com Dave - The song you mentioned IS the Lloyd Price song. I don't know if Titus Turner recorded it too. Marc --------------------[ archived by Spectropop ]-------------------- Subject: BUYING ORIGINAL 60's GIRL GROUP VINYL Received: 07/25/99 3:28 pm From: CHRIS KING, cxxxxxnet.co.uk To: Spectropop List, spectxxxxxities.com Greetings all. I run a monthly girl group club in London called DA DOO RON RON and wondered whether any Spectropop subscribers could help me with a query. I contantly need to add to my vinyl collection and hoped that you could advise me as to where I can buy original 60's girl group records. Either on-line or via mail catalogues, shops et al. Many thanks in advance, Chris King --------------------[ archived by Spectropop ]-------------------- Subject: Question To Carol Kaye Received: 07/25/99 3:29 pm From: John Hesterman, Zacxxxxxoffice.worldnet.att.net To: Spectropop List, spectxxxxxities.com Hi Carol :) Today, on the Dave Clark Five Message Board, your name came up as having played on some of the recordings by the Dave Clark Five. I was surprised by this, because they were a British band, although I know that studio players were used by them just as they were by American artists of the same period. Then it occurred to me, it might be possible, since the DC5 spent a lot of time in the United States between 1964 and 1970. So again I wondered.... If you have in fact recorded DC5 material, would you specify which selections? Thank you in advance for your response :) Regards from a HUGE Kaye Fan, John H. A San Diego Grape :) --------------------[ archived by Spectropop ]-------------------- Subject: Studio Musicians' Hours Received: 07/25/99 3:28 pm From: Carol Kaye, caroxxxxxhlink.net To: Spectropop List, spectxxxxxities.com Michael mentioned something about the hours in a studio. Our record dates were governed by our Musicians Union (local 47 in Hollywood) and were 3-hours with OT in 1/2 hour increments. It was cheaper to call a break and do two 3-hour sessions than to do one 5 hour session. Our usual hours were 10-1PM, 02 -5PM, commercial probably from 6PM to 7PM, and last date of the day 8-11PM, every day and night some weeks. You may want to check my FAQ page on my website for what it was like to be a studio musician back in the 60s, a far cry from what it's like today where musicianship is not as crucial as it was then. Of the 60's pop/rock groups, only Brian could write most of his own parts, the rest we had to do instant arranging on, even for the later-written charts....they still counted on our group of studio musicians (known as the "clique" back then, 50-60 of us out of the pool of successful 350 or so total studio musicians) for musical ideas to make a record "happen". That all started subsiding at the start of the 70s. No-one today can do what we creatively did back then -- we were all from the trenches of big bands, chordal experiences (no note-scales back then), ear and experienced successful musicians before any of us set foot in the studio work dates. The TV film and movie score calls usually started either at 8AM or 9AM, (sometimes at 7:30AM) but still the 3-hour date was in place there too. I've done over 10,000 studio calls; it was a business with studio musicians paid about 3-4 times more than the hottest road musicians. It was not an "art-form" as such, but it certainly was a heavy art-form to create a hit recording. Sometimes the hits had not that much to do with the singer, the song, etc., the background always had to be there. Carol Kaye http://www.carolkaye.com/ --------------------[ archived by Spectropop ]-------------------- Subject: Re: The Sunshine Company Received: 07/25/99 3:29 pm From: WASE RADIO,xxxxxt.org To: Spectropop List, spectxxxxxities.com To Stewart Mason: The Sunshine Company were a Southern California pop quintet. Their sound is very similar to the Mamas and the Papas and/or Spanky and Our Gang. The Sunshine Company only had one top forty hit, "Back On The Street Again", a great song that only peaked at #36. The song was top ten in the Louisville Ky. area. They did have one other chart single, "Happy". But there was a competing version by the Blades of Grass. I think the compettion hurt that song's potential. The Blades of Grass' version went to number 87. The Sunshine Company's went to #50. --------------------[ archived by Spectropop ]-------------------- Subject: Re: The Sunshine Company Received: 07/25/99 3:28 pm From: Chuck Limmer, CLxxxxxcom To: Spectropop List, spectxxxxxities.com On July 20, Stewart Mason wrote: > > ...I found two albums by some group called the Sunshine > Company... I'd say album #1 is from 1967 and the follow-up, > SUNSHINE AND SHADOWS, is from late '68... So who did > I just buy two albums by? Stewart: The Sunshine Company recorded three albums on Imperial from September 1967 through December 1968, all of them in the same gentle folk-pop vein, with layered harmonies featuring lead vocalists Mary Nance and Maury Manseau. It sounds like you got their '67 debut, _Happy Is the Sunshine Company_ , which includes the group's only Top 40 single, "Back on the Street Again," as well as their version of "Up, Up and Away," nicely-done covers of the Beatles' "I Need You" and "Rain," and the SC's first chart record, " Happy." Very pretty stuff. I don't know much about _Sunshine and Shadows_, except that I believe it was their last album release. Worth looking for, however, is the Sunshine Company's self-titled second album for Imperial (LP-12368, released 2/68), which contains what was probably their best recording, the John & Terry Boylan composition "Look, Here Comes the Sun." TRIVIA NOTE : After the Company ended its run, bassist Larry Sims and drummer Merle Bregante went on to record with Loggins & Messina in the early-mid '70s. Chuck Limmer n.p. _The Sunshine Company_ --------------------[ archived by Spectropop ]-------------------- Subject: Symphonic SMiLE Received: 07/25/99 3:28 pm From: Big L,xxxxx.snowcrest.net To: Spectropop List, spectxxxxxities.com I'm afraid this is not a joke, friends, as earlier reported: http://www.angelfire.com/la2/BBBoard/symphsmile.html Big L --------------------[ archived by Spectropop ]-------------------- Subject: The Ribbons Received: 07/25/99 3:28 pm From: Ian Chapman, iaxxxxxalnet.co.uk To: Spectropop List, spectxxxxxities.com JimmyB wrote:- > Anyone know anything about this group called The Ribbons? > They recorded "Ain't Gonna Kiss Ya" which I first heard > covered by the Searchers on their "Needles & Pins" album. > I have it on a re-release-styled single on ERA, flip-sided > with Toni Fisher's "The Big Hurt " which I DO know about. > Anyone?... Jimmy.... I can't give you a line-up for the Ribbons, but their recording of "Ain't Gonna Kiss Ya" (a PJ Proby song) is the original, and was produced by ex-Teddy Bear Marshall Leib. Backed with "My Baby Said", it was released on his own Marsh label, and made #81 in '62. The record was later reissued on Charger, but for some reason, the group name was changed to the Sandpapers. The Searchers cover was one of several......others by Suzie Clark, Jean Martin (UK) and Simone Jackson (also UK) The Ribbons did another 45 on Parkway in '64, "Melodie D'Amour"/"They Played A Sad Song", but there was no Leib involvement on that one. Ian --------------------[ archived by Spectropop ]-------------------- Subject: Ribbons and Bonnets Received: 07/25/99 3:28 pm From: WILLIAM STOS, xxxxxet.com To: Spectropop List, spectxxxxxities.com > Anyone know anything about this group called The Ribbons? > They recorded "Ain't Gonna Kiss Ya" which I first heard > covered by the Searchers on their "Needles & Pins" album. Was this song a hit? I think it's pretty good, but I didn't know it would be rereleased. Another question. Who are the Bonnets? Their song Ya Gotta Take A Chance is dynamite! It's way too short for my liking, but it certainly packs a punch for the time it plays. This is faux-Spector at it's best. Very Crystals like. Almost Da Doo Ron Ronish quality! --------------------[ archived by Spectropop ]-------------------- Subject: Western Fair/Pixies Received: 07/25/99 3:28 pm From: Tom Waters, shangxxxxx.com To: Spectropop List, spectxxxxxities.com Will, Unfortunately, I'm not in charge of the Western Fair, I just e-mailed the Pixies to see if they could possible perform there. The Pixies sent a promotional package to the fair, so it's up to them, although I think the guest roster is full for this year. I wish I was in charge of it, because I would book acts like the Pixies Three right away. Sadly, most of the acts performing this year are not at all interesting. Acts like 98 Degrees, Tea Party, Charley Pride (guess he's good if you are into country) etc. In past years however, there have been some more interesting acts like Peter Noone of Herman's Hermits, Tony Bennett, Bobby Vee (it really bothered me that I missed that one!) and Lou Christie. Who knows? Maybe the Western Fair Association will book the Pixies next year. The fair is held in mid-September but don't waste your time coming all that way this year, it doesn't sound like it would be worth it. Tom --------------------[ archived by Spectropop ]-------------------- Subject: Jeffrey Foskett Received: 07/25/99 3:28 pm From: chuck, chxxxxxo.com To: Spectropop List, spectxxxxxities.com > I spent a few wonderful days last week, because I saw > Brian Wilson tour in Japan. > All the chorus work was so gorgeous, especially Jeffrey > Foskett!! "Better than Beach Boys" some people said. Jeffrey Foskett has 5 albums available in the US and others in Japan. For those who might not know his name, he toured with the Beach Boys from 1980-90 and his voice is so similar to Brian's that he was given lead vocals at some concerts. Some of the songs on his albums capture the 1965 Beach Boy sound perfectly. You'd think they had uncovered some new tapes. I did not realize he was touring with Brian but I think he is a great choice. Easy listening in the Big Easy Chuck --------------------[ archived by Spectropop ]-------------------- Subject: Re: (Tokyo) Life with Brian Received: 07/25/99 3:28 pm From: Jamie LePage, le_pagxxxxxities.com To: Spectropop List, spectxxxxxities.com >When we saw Brian live we didn't miss Joe at all; my >friend said "Maybe Brian doesn't need Joe Thomas anymore." Some might even go as far as to suggest Brian didn't need Joe Thomas in the first place! ;-) >All the chorus work was so gorgeous, especially >Jeffrey Foskett!! Jeffrey's own records, especially his first album "Thru My Window", are absolutely great. I am surprised no one mentioned this during Dave Mirich's recent thread on current music infuenced heavily by '60's music. In any event, when I heard Brian had ditched the Paley tapes in favor of Imagination, I had in mind the "dream team" to work with Brian, namely Sean O'Hagan, Wondermints and Jeffrey Foskett. Guess I got two out of three wishes granted...not bad! >...I never saw Mike Love. Am I missing something? Now you are trolling!!!!!!!!! Don't get me started! :-) [delete long diatribe about dog ears, Transcendental Meditation, cash registers, car song medleys, woo woo machines, Monster Mashes, Stars & Stripes, cab rides in Salt Lake City, Man in the Boat, "When I wrote Good Vibrations with Brian", etc., etc., etc.] Brian Wilson rules!!!!! All the best, Jamie LePage <http://www.geocities.com/RodeoDrive/5030> --------------------[ archived by Spectropop ]-------------------- Subject: Re: THIS IS NOT A JOKE..... Received: 07/25/99 3:28 pm From: Big L,xxxxx.snowcrest.net To: Spectropop List, spectxxxxxities.com Folks, I knew full well this was a hoax, had known it for weeks. I wanted to expose this in a way that would embarrass the perpetrators. There are going to be many people who don't see that JOKE disclaimer down at the bottom hidden in the links. One of the perpetrators is spreading this link around Beach Boys chat rooms as I type this. I don't find it funny. Big L --------------------[ archived by Spectropop ]-------------------- End
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