________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Vocal With Instrumental Accompaniment ------------------------------------------------------------------------ There are 7 messages in this issue #24. Topics in this digest: 1. Steve & Eydie From: John Frank 2. Blame It On the Bossa Nova From: Jimmy 3. Re: Steve and Eydie From: Jamie LePage 4. Cynthia Weil / Carol Kaye From: Glenn Sadin 5. Carol Kaye/Bass From: "jake tassell" 6. that oldies show on Public TV From: Jimmy 7. Dion - Born To Be With You From: Spectropop Admin ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Mon, 21 Aug 2000 21:03:38 -0700 From: John Frank Subject: Steve & Eydie I was lucky enough to find a Canadian compilation on the "Point" label (nevah hoid of it before or since) called "The Best Of Steve & Eydie". It has its share of schlocky songs, but includes all those wonderful Eydie-pieces that I'd been looking for for years. I think the things she did by Mann-Weil and Goffin-King were just great. I wondered if it were the case that they were, indeed, ashamed of that stuff, and some have confirmed here that they are. Such a shame that they were given wonderful songs by some of the most powerful, respected songwriters of the day, did great justice to them, and now they're ashamed of them? Go figure... I'll tape the CD for anyone who wants it. Just e-mail me. The track listing: Footsteps Pretty Blue Eyes Come Back, Silly Girl Loveing Is a Way of Living Why, Why, Why Go Away Little Girl Yet...I Know Walking Proud Don't Be Afraid Little Darling The Banana Boat Song Fabulous The Chicken and the Hawk Party Doll Girls Girls Girls Little Boy Blue Everybody Knows I Want To Stay Here I Can't Stop Thinking About You I Want You to Meet My Baby Don't Try to Fight It, Baby Blame It on the Bossa Nova Yes My Darling Daughter Everybody Go Home Can't Get Over (The Bossa Nova) [with the great line "Manhattan's / Gone Latin" !] You're Nobody Till Somebody Loves You John --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Tue, 22 Aug 2000 20:53:48 EDT From: Jimmy Subject: Blame It On the Bossa Nova "Blame It On the Bossa Nova" was one of those records I played a million times when I re-discovered it back in 1970... I remember playing it over and over and over on a little record player while I cleaned out my boss's yard... Jimmy --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Tue, 22 Aug 2000 00:30:04 -0700 (PDT) From: Jamie LePage Subject: Re: Steve and Eydie Doc Rock wrote: > > By and large, Steve and Edyie's hit 45s are excluded > from LP or CD compilations. They are ashamed of them. Al Quaglieri wrote: > Unfortunately, Steve and Eydie have tried (quite > successfully, it seems) to erase most traces of their > teen-pop days and tried to reinvent themselves as > crooners of sophisticated music. Well, that's how Lennon and even McCartney felt about performing Beatles material after the group disbanded. That changed over time. One often hears of artists who are reluctant to perform songs they made famous but which are inconsistent with their contemporary sound. You can't blame an artist for wanting to project the image they want the public to perceive, but after all this time, I would think Steve and Eydie would be open to considering re-release of this material. At one time the teenage Brill Building sound may have been considered trite by Rolling Stone standards. By now, though, the works of Carole King/Gerry Goffin and Barry Mann/Cynthia Weil have eclipsed much of the rock-era music that came after, and these writers and their works are most highly respected. The popular use of 60s pop recordings and songs in TV, film and commercials should be proof enough. It seems to me that Steve & Eydie should have already reconsidered the idea that this music is "embarrassing." Besides, if the bootleggers arbitrarily sequence and package these recordings, what is accomplished by holding back official release? A good sounding, well prepared package essentially makes a boot of the same material worthless. Take for instance the Barry Mann album "Lay It All Out". In its bootleg form, it was devoid of liners and mastered from vinyl. The brand new edition, officially licensed and mastered from the original tapes, has two bonus tracks and is presented in a wonderful package including advertisements for the album that were used at the time of its first release. In addition, the legit reissue is more reasonably priced than the bootleg. Which would you buy? Ashamed? Get over it! It's like a throwback to the 70s or something where everything that came before was suddenly unhip.To me there it isn't "hip" to deny the past. Discover and appreciate the qualities of the past for what they are and apply (or choose not to apply) those qualities to the present. I've seen Darlene Love roll her eyes when singing "'cause we're only in out teens" and Ronnie chuckle when singing "Why do they say we're too young to go steady". It's OK to laugh at or be embarrassed by the naivete of many songs of the era, it's all in good fun, but it seems conceited and selfish to hoard these recordings in an attempt to rewrite history. Jamie --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Tue, 22 Aug 2000 09:30:03 -0700 From: Glenn Sadin Subject: Cynthia Weil / Carol Kaye Jamie sez... >By the way, for the longest time I pronounced Cyn's family >name as "wheel". I was recently told the correct >pronunciation is "while". Can anyone corroborate? I've always believed it to be pronounced "while." Carol Kaye - Thanks for sharing your knowledge of bass equipment/strings and techniques! As a fellow musician, it's always fascinating and informative to learn what gear the masters use. BTW, did you play on Ritchie Valens' sessions? Is that you playing the 6-string bass on "La Bamba" and others? Great chunky tone! Glenn Sadin Read about JAPANESE POP MUSIC from the 1950s thru the 1990s: http://home.earthlink.net/~glenn_mariko/nihon.htm --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 21 Aug 2000 23:45:03 +0100 From: "jake tassell" Subject: Carol Kaye/Bass Thanks very much for the 'bass gen', Carol. Regards Jake [Non-text portions of this message have been removed] --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Tue, 22 Aug 2000 20:55:57 EDT From: Jimmy Subject: that oldies show on Public TV By the way, I finally caught that oldies show on Public TV: Brian Wilson, Mary Wilson, Dee Dee Kennibrew... Ronnie Spector!! Wow, I tell you... the woman can have fun, eh? She still loves working it! Go Ronnie! Dee Dee looked so classy; hard to believe she's gonna be sixty in a few years. And mary looks happy. Go girls... Jimmy --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Wed, 23 Aug 2000 05:32:23 -0000 From: Spectropop Admin Subject: Dion - Born To Be With You Ace Records in England has acquired the rights to release eight albums by Dion, including the Phil Spector produced "Born To Be With You". SIT DOWN OLD FRIEND / YOU'RE NOT ALONE (2 ON 1 CD) MARCH 2001 SANCTUARY/SUITE FOR LATE SUMMER (2 ON 1 CD) MAY 2001 BORN TO BE WITH YOU/STREETHEART (2 ON 1 CD) JULY 2001 BEST OF WARNER BROS YEARS SEPT. 2001 Also acquired in the deal are the rights to "Reunion: Live at Madison Square Garden" and "Dream On Fire". No release info available at this time. FYI---> all --------------------[ archived by Spectropop ]-------------------- End
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