http://www.spectropop.com ________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ The new direction for the new sounds ------------------------------------------------------------------------ There are 3 messages in this issue of Spectropop. Topics in this Digest Number 61: 1. Claudine Ross?? From: JB 2. Glenn Campbell Query From: "John Hesterman" 3. Re: Hayley, Shelley, Patty et al From: Jamie LePage ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Mon, 20 Nov 2000 09:22:13 EST From: JB Subject: Claudine Ross?? In a message dated 11/20/0 5:17:34 AM, spectropop wrote: >Claudine also turns in a way-cool recording >of Ain't No Mountain High Enough. The music itself is >almost as majestic as the Diana Ross original Ahem, Mr. Nitpick backatcha. Marvin and Tammi worked that sucker to death back in Sexty-Seven....JB --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Mon, 20 Nov 2000 06:17:11 -0800 From: "John Hesterman" Subject: Glenn Campbell Query I have a question to ask Carol Kaye: There was a recording by Glenn Campbell and produced by Brian Wilson called "Guess I'm Dumb" which was relaeased on Capitol, but failed to chart around the same time as Pet Sounds. In fact, it sounds very like a song that might have been included on Pet Sounds had it not been given to Glenn Campbell. It has since become quite a collector's item in its original form. Did you play on this session, Carol? It sounds like your work . . . Thank you! John H. --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Tue, 21 Nov 2000 13:42:33 +0900 From: Jamie LePage Subject: Re: Hayley, Shelley, Patty et al Yesterday I wrote: > [Johnny] Crawford's records are of very high > quality (especially given Del-Fi's usual standards). Someone asked off-list whether I was referring to the original singles and LPs or the compact disc reissues. A fair question - I reply to the group as a point of clarification. I am no expert on Bob Keane - I hope I didn't infer otherwise in my post - but what little I do know of Keane is the stuff of L.A. music biz legend. I was not referring to the reissued CDs; the ones I own that come to mind are wonderful collections - Delphonic Sounds Today (with the bonus original versions) and V/A: Del-Fi Girl Groups - Gee Baby Gee. To restate what I wrote: Crawford's records are of surprisingly high quality considering he was a little kid TV star and not really a recording artist - it is to Keane's credit that Crawford's records sound as good as they do nearly 40 years after the fact - even more impressive given Keane and Del-Fi's tendency to release a lot of product by marginally talented local artists that perhaps otherwise may not have been given the chance to make records. I've read that Keane would record anyone that turned up on Del-Fi's doorstep, and I think this pans out when looking at some of his releases: Vital Organ (Murder at the Keyboard) - Ron Feuer Surfer's Pajama Party - Bruce Johnston's Surfing Band Surfer's Pajama Party - Centurians (???) Hangin' Twenty - Dave Myers and the Surftones Drag Beat - De-Fenders Hotrodder's Choice - Deuce Coupes Do The Slauson - Romancers I don't know enough about the "rock instrumental" genre to assess many of these records, but I do know enough about the Bruce Johnston album to say that except for Johnston's later asociation with the Beach Boys this album is largely forgettable (Ron Holden is a different story...). This is not to criticize, though, because there is a lot to be said for Keane and his operation. At the time (late 50s, early 60s) the LA sound was starting to rival the dominating East Coast sound, and Del-Fi was one of the pioneering LA indies swimming upstream against the current. Surely Del-Fi could not compete effectively against the Capitols and Columbias of the world, yet the significant number of hit singles under Keane's group of labels indicates Keane's A&R sensibility more than compensated for Del-Fi's limited recording and promotion budgets. A few other things I respect and admire about Bob Keane: You Send Me Addrisi Bros David Gates Frank Zappa Bruce Johnston Ron Holden Fifth Dimension Bobby Fuller Four Glen Campbell Eden Ahbez and of course...Ritchie Valens! Jamie --------------------[ archived by Spectropop ]-------------------- END
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