======================================================= ___ ___ ___ __ ____ ___ __ ___ __ ___ / __)( ,\( _) / _)(_ _)( ,) / \( ,\ / \( ,\ \__ \ ) _/ ) _)( (_ )( ) \( () )) _/( () )) _/ (___/(_) (___) \__) (__) (_)\_)\__/(_) \__/(_) ======================================================= Volume #0056 03/25/98 ======================================================= Rockin' On BandstandSubject: Klein/ABKCO Sent: 3/24/98 11:40 PM Received: 3/25/98 2:22 AM From: ELRON BEE, ELRONXXX@XXXXXXm In a message dated 3/23/98 11:46:54 AM, you wrote: <<Anyone have an opinion on the quality of the ABKCO CDs in terms of overall sound, care in remastering and re-release research?>> I think it was our friend Allen Klein that said that he didn't care about quality of reissues, cause if you redo them every so many years, "they'll have to re-buy em". ---[ archived by Spectropop - 03 /25/98 - 10:48:55 AM ]--- Subject: stones on CD Sent: 3/24/98 9:37 AM Received: 3/24/98 10:00 AM From: dave prokopy, prokXXX@XXXXXX.net le_page_XXX@XXXXXXies.com writes: >I did notice I couldn't find the version of Time is on My >Side that I remember preferring: the version that has no >lead guitar on the intro. Is that version unavailable on >CD? it's available - along with some other rarities (to CD, at least) on the _singles collection_ box set. >What about 2120 South Michigan Ave from the French >Around & Around? that should be on the (US) _12x5_ CD. >Wasn't there a different take of Everybody Needs Somebody >To Love too? there were. one was released on the american _now_ album, the other on the british _no. 2_. the british albums were all available on CD initially (in europe), but they've subsequently been replaced worldwide by the american counterparts, which is totally inane, since the stones' american albums were routinely butchered in the same way the beatles' albums were. (i.e., truncated from 14 to 12 songs, with the singles added, all to make more albums out of the same number of songs.) why abkco stuck with the inferior american line-ups rather than the vastly superior british versions is beyond me. >Also, why isn't Metamorphosis available on CD? probably because no one involved with it really wants to see its release. it was a terrible album, with lots of attrocious overdubs and terrible mixes. it was basically a bootleg at the time, released after the stones changed labels. >I bet a very good rarities release could be put together >(in addition to all the Hot Rocks releases) from >Metamorphosis and several bonus tracks... [...] >Anyone have an opinion on the quality of the ABKCO CDs >in terms of overall sound, care in remastering and re- >release research? they're TERRIBLE. possibly the worst catalog out there by a major sixties artist. aside from the aforementioned problem of using the american mixes, the sound quality is atrocious. these discs were all mastered around 1985, at the dawn of the CD revolution, and no attempt has ever been made to overhaul the discs in the past decade, and there don't appear to be any plans in the forseeable future to do so, either. they appear to have used source tapes several generations removed from the masters, and the choice of mixes is terribly inconsistant. within an album, it will switch from mono to stereo mixes. and some albums feature mono mixes while other albums with the same song will feature the stereo. (for example, _hot rocks_ features lots of stereo mixes that aren't in stereo on their respective albums.) in some cases, the mixes appear to be some freak stereo/mono hybrid. it's not mono, but it's not the "wide" stereo of the sixties. it's almost as if the engineer took a stereo mix and panned the left and right in about half way! very frustrating. ---[ archived by Spectropop - 03 /25/98 - 10:48:55 AM ]--- Subject: Re: Ragamuffins Sent: 3/24/98 5:09 AM Received: 3/24/98 7:55 AM From: BashPop, BashXXX@XXXXXXm In a message dated 98-03-23 12:01:18 EST, you write: << Subject: Ragamuffins ?? From: Javed Jafri, javedjaXXX@XXXXXX.ca A friend sent me a cassette... One of the songs on the collection is called "The Fun We Had" by the Ragamuffins. This group sounds like a cross between Jan and Dean and the Fantastic Baggies. Actually the song sounds a like a re-write of "Summer Means Fun". Does anyone know anything about this group?>> Hi Javed, "The Fun We Had" was on the Pebbles series previous to The Melody Goes On. Here is the section on The Ragamuffins, from the liner notes of the Pebbles Volume 4 CD Reissue, which were compiled by Greg Shaw: "Another studio group, this was a Dunhill production, written and produced by Gary Zekley, a vastly underrated talent whose name crops up on more than a few outstanding California records. For nostaltic (sic) slant and pure spirit this is a real standout". In other words, I guess there isn't too much information out there. -- Spectropop Rules!!!!! Take Care, David ---[ archived by Spectropop - 03 /25/98 - 10:48:55 AM ]--- Subject: Re: Ragamuffins Sent: 3/24/98 9:42 AM Received: 3/24/98 10:00 AM From: Jamie LePage, le_page_XXX@XXXXXXies.com Javed, Your Summer Means Fun comparison is interesting, because I always guessed the inspiration for this track was Farmer's Daughter! This is the A-side of Tollie 9027 and was written (and I assume produced) by Gary Zekley for Dunhill Productions. If memory serves, Jay Lasker headed Tollie before moving (or evolving) to Dunhill, so the connection isn't all that strange. Anyway, it sounds like Gary Z on lead vocal on "The Fun We Had." The B-Side, "Don't Be Gone Long," is credited as being co-written by Zekley and Altfeld (the latter whom we know through his J&D work). One very peculiar thing about this "Summer Place-ish" B-side: Apparently sometime later the rhythm track to "Don't Be Gone Long" was released on Dean's "Brer Bird Records & Other Things" label under the title "The Theme From Leon's Garage," only this time credited as co-written by Torrance and Zekley! I assume "Leon's Garage" refers to Russell Bridges' home studio, can anyone concur? Of interest to fans of Lou Adler; "Theme" was the only one of the three tracks credited as being published by Trousdale Music, in spite of the fact that "Theme" is the identical track used on "Don't Be Gone Long!" Lasker-Adler-Zekley- Altfeld-Torrance-Russell-Blaine. Quite a thread there, and somehow it must all loop back to Waronker and friends over at Liberty... Hmmm....... -- le_page_XXX@XXXXXXies.com RodeoDrive/5030 ---[ archived by Spectropop - 03 /25/98 - 10:48:55 AM ]--- Subject: It's Like A Yellow Balloon Sent: 3/24/98 2:56 PM Received: 3/25/98 2:22 AM From: Javed Jafri, javedjaXXX@XXXXXX.ca Page, The Japanese compilation I mentioned in my original post has the Ragamuffins B-side and also "The Theme From Leon's Garage". The latter BTW is credited to Our Gang who I guess were Dean Torrance and Gary Zekley. This collection has some real "Wilsonian" treats. Other highlights include a previously unreleased version of "Here Comes The Rain" by Gary Zekley which is more Beach Boys influenced than the Jan & Dean version. If BW had evolved in a sunshiny pop as opposed to the more experimental style he took with Smile, he might have made music like this in 1967. That's not to say that this music is not experimental in it own right. Take the early 60's surf/vocal harmony sound, factor in a little substance indulgence and you end with "Yellow Balloon". Factor in a lot of substance abuse and you don't get "Smile" Javed ---[ archived by Spectropop - 03 /25/98 - 10:48:55 AM ]--- END