http://www.spectropop.com ________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ "New Orthophonic" High Fidelity ------------------------------------------------------------------------ There are 9 messages in this issue of Spectropop. Topics in this Digest Number 164: 1. Re: Long Live The Shangri-Las! From: "Tony Leong" 2. Re: Hal Blaine From: Jared Martine 3. Hall of Fame From: Will George 4. Re: Nino and April From: Carol Kaye 5. nino and april and bagpipes From: Alan Zweig 6. RE: Nino & April's All Strung Out From: Alan Miller 7. Nino & April From: "Ian Chapman" 8. Re: Nino & April's All Strung Out From: Ron 9. Nino & April's All Strung Out From: Doc Rock ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Thu, 10 May 2001 03:14:06 -0000 From: "Tony Leong" Subject: Re: Long Live The Shangri-Las! Ron Buono wrote: > I also was lucky enough to see the Brill > Building doc last week. I loved the studio shots of the > Shangs, not to mention the rare demos played throughout. > The two-second clip of the Shangs singing "Out in the > Streets" (on Shindig, I think) was a cruel > teaser.....I want MORE! > > During the all-too-short interview with Mary Weiss, she > mentioned that she was able to convey all that emotion > due to the pain she was in at that time. Mary, WHAT DID > YOU MEAN by that comment? If you are a Spectropop > reader, can you elaborate? Hello Ron, yes, that 2 sec. clip of the Shangs (3 of them) was from an April'65 Shindig where "Out In The Streets" was the "Pick Hit". How 'bout the snippet of the interview on Lloyd Thaxton when Mary taps him on the head and Margie gives him that look like "Whaddya talkin' about???". I would've preferred to see the part of that appearance where at the start of the music for "Give Him.." the three girls turn and do a mean shake!! As for that "pain" Mary conveyed in those songs, it was either her adolescent emotions coming through, or the well reported disdain that the girls had for some of the songs they had to record. Didn't they (esp. Mary and Betty) have screaming fights with Ellie over recording "Leader"??. (Let me stop, I sound like a gossip now!!!). But that emotion is what MADE those songs classic. Just listen to how Mary's voice cracks during "Dressed In Black" as she sings during the second chorus after the monologue ".....I long to feel HIS lips on miiiiine...." Then on "I Can Never, ...She grew so lonely in the end, angels picked huh for their friend.....and that's cawlled, saaad.." If I had to sing those songs, I'd scream and plead and cry too!!! Tony Leong --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Thu, 10 May 2001 14:53:45 -0700 (PDT) From: Jared Martine Subject: Re: Hal Blaine Donny Hampton wrote: > Hal Blaine was interviewed by Terri Gross on the > radio show "Fresh Air" today. Very interesting. <> This interview is mounted on NPR's website. Go to www.npr.org Search for Hal Blaine and you will find three articles. For the recent piece, click on "Listen to segment". Jared [ http://freshair.npr.org/dayFA.cfm?display=day&todayDate=05%2F09%2F2001 ] --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Thu, 10 May 2001 09:41:48 EDT From: Will George Subject: Hall of Fame spectropop writes: > Hal Blaine, by the way, is in the Rock and Roll Hall of > Fame. > > Guess who ain't! A crime, isn't it? Jackie DeShannon isn't in there either, and she should be. There are lots of great artists who haven't been inducted or nominated. --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Thu, 10 May 2001 10:28:47 -0700 From: Carol Kaye Subject: Re: Nino and April > Deep Purple > I'm Confessing That I Love You > Stardust > Whispering Yes, we did all those at Gold Star -- and loved doing them, the arrangements and style were something we could live with (being jazz musicians who played those seriously before that time). Loved working for Nino who wanted to do those songs... > Nino Tempo & April Stevens' All Strung Out single. They were great to work for, Nino being a pretty fair jazz sax man too, good brother and sister team....music was fun to cut. Carol Kaye http://www.carolkaye.com/ --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Thu, 10 May 2001 14:43:02 -0400 From: Alan Zweig Subject: nino and april and bagpipes Steven Prazak wrote: >I'm completely over the moon about Nino Tempo & April >Stevens' All Strung Out single. One of my fave 45s ever! >But how's the accompanying White Whale album which I >believe has seen a CD re-ish recently I can't answer that but I must comment on another cut by Nino and April. The record is, I think, on Atco. The tune is "I love how you love me". It starts off with these heavy bagpipes which eventually fade out and then return. But they totally work! I can't think of another pop tune which incorporates bagpipes so well. Not that I wish they'd started a trend or anything. But it was a brilliant touch. Destined to go on every pop compilation I make for years to come. AZ --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Thu, 10 May 2001 17:40:17 -0400 From: Alan Miller Subject: RE: Nino & April's All Strung Out >I'm completely over the moon about Nino Tempo & April >Stevens' All Strung Out single. One of my fave 45s ever! >But how's the accompanying White Whale album which I >believe has seen a CD re-ish recently. As good as the >single or is it loaded with fillers? I would say on the whole the album is good. if you like the "all strung out" title you are bound to like the similarly Spector-ish "i can't go on living (without you baby)" (which in my opinion is better than all strung out) and "wings of love". Personally the stand-out tracks for me would be "you'll be needing me" a swingin', hand clappin' piece of lost A&M-esque soft pop and the strange Bobbie Gentry with a twist of James Brown shuffler "Little Child". There is also a fairly good version of Lyme & Cybelle's '65 minor hit "follow me", a slightly disturbing "sunny" and a rousing version of "bye, bye blues". There are a few run-of-the-mill folk tracks that aren't really worth mentioning but on the whole the album is worth picking up for the good stuff that is on it. If the price is reasonable. Thats my view anyway. Hush. --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Fri, 11 May 2001 00:19:55 +0100 From: "Ian Chapman" Subject: Nino & April Steven Prazak said: > I'm completely over the moon about Nino Tempo & April > Stevens' All Strung Out single. One of my fave 45s ever! > But how's the accompanying White Whale album which I > believe has seen a CD re-ish recently. As good as the > single or is it loaded with fillers? Any comments from > the Spectropop masses? Someone once described "All Strung Out" to me as "Phil Spector meets the Mamas & Papas", which I think is a pretty good observation. Steven, the album also has another masterpiece in "The Habit Of Lovin' You Baby", which is pretty much "All Strung Out" Pt 2, and was also a 45. Nothing else on the album comes close to these two cuts, but I wouldn't necessarily call the rest filler - a particular fave of mine is their hand-clapping swinger "You'll Be Needing Me Baby", the Dave Gates' song which some may know by the Lettermen. and Lindsay..... > Does anyone else here share my weakness for these tracks? > > Deep Purple > I'm Confessing That I Love You > Stardust > Whispering I love all those tracks! And let's not forget "I Love How You Love Me" (complete with bagpipes!), "Coldest Night Of The Year" ("OK?" "Why not?"), Nino's "Boys' Town", April's "Wanting You" and "Teach Me Tiger". No doubt about it, they were one class act!! Ian --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Thu, 10 May 2001 10:53:05 EDT From: Ron Subject: Re: Nino & April's All Strung Out Steven Prazak wrote: > I'm completely over the moon about Nino Tempo & April > Stevens' All Strung Out single. One of my fave 45s ever! > But how's the accompanying White Whale album which I > believe has seen a CD re-ish recently. As good as the > single or is it loaded with fillers? Any comments from > the Spectropop masses? I am a big fan of April and Nino. The "All Strung Out" album has long been a favorite. I feel it has very little filler. "All Strung Out", "You'll Be Needing Me" (David Gates, I believe) and "Follow Me" (Warron Zevon, I believe) are the standouts to me. They even dip into the standards with a similar arrangement to their Atco hits with "Bye Bye Blues". I enjoyed then from the time "Sweet and Lovely" was released. The bagpipes on their Atco version of "I Love How You Love Me" were a little over the top, but I still like it. By the way, there are good reviews of the "All Strung Out" CD on Amazon.com, along with some sound bites. http://www.amazon.com Ron (who is still waiting for an answer to his query about a songwriter named Craig Smith and his song "Holly" on the Andy Williams "Love, Andy" album. What else did he write? Was that an Andy Williams original? Was Craig a performer? etc.) --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Thu, 10 May 2001 10:30:04 -0400 From: Doc Rock Subject: Nino & April's All Strung Out Here is my review that appeared in Discoveries Magazine in 1996 (I believe) of a Nino and April CD. Is this the one you are thinking of? "All Strung Out" was track 13. Doc NINO TEMPO AND APRIL STEVENS Sweet and Lovely the Best of Nino Tempo and April Stevens Varese Sarabande VSD-5592 This duo was one the best sister-brother acts of the rock and roll era. It's a shame that they are largely forgotten today, for their music has something to offer almost everybody. Nino plays a hot sax and sports a perfect falsetto. April (real name Carol LoTempio) sings sweet and sexy. While their music is definitely rock and roll ("Deep Purple" won the Grammy for Best Rock Record in 1963), they have a strong pop appeal. Virtually all of their material harks back to the Big Band era (and before). Nino played with the Glenn Miller orchestra and April sang with Benny Goodman briefly. Later, Nino also played sax, piano, drum, and/or guitar on most of Phil Spector's Girl Group records. Some of their songs verged on being novelty tunes. And their Wall-of-Sound overdubbed harmonies with backgrounds by the Blossoms and Darlene Love lend their music a Doo Wop/Girl Group appeal that took them clear to #1 in 1963. Few artists straddled as many musical styles as these two! The song selection on the CD is quite good. The earliest recording is April's solo hit from 1959, "Teach Me, Tiger." It sounds as if she is imitating Marilyn Monroe. In reality, this recording is based on a popular TV ad of the time for hair cream. In the ad, a pre-Get Smart Barbara Feldon rolled around on a tiger rug and growled, "Hi, Tiger!" to the camera. The rest of the CD skips their other solo hits and misses, and picks up in 1962 when the two teamed up. They had six Hot 100 records between 1962 and 1967, and all six are included. Of their eight songs that bubbled under the top 100, one is included. The remaining 10 tracks are LP cuts, one unreleased recording from 1985, and one new 1996 recording. The 1985 cut, "I'm Fallin' For You," is uncharacteristically country, with Nino yodeling, and the 1996 track, "Why Don't You Do Right," updates another pre-rock tune. Updating pre-rock tunes was the foundation of the Tempo-Stevens repertoire, with "Deep Purple," "Whispering," "Stardust," "I'm Confessin'," and more coming from the '20s and '30s. Occasionally, Nino and April remade rock and roll songs, such as Bruce Channel's "Hey Baby," not on the CD unfortunately, and the Paris Sisters' "I Love How You Love Me," which fortunately is on the CD. This last cut has to be heard to be believed! The Paris Sisters' barely breathed the song; Nino and April belt it out, complete with bagpipes and electric guitar! Hey, it worked for me when I bought the single in 1965, and it's even greater in stereo CD sound. Speaking of stereo, there are a few anomalies on this CD. "Deep Purple" and "Sweet and Lovely" were both in stereo on the original LP, but here they are inexplicably in monaural sound. And "Stardust," one of their best sides, is not the 45 version. Speaking of 45s, I was disappointed that some good ones, including "I Surrender Dear," ""Our Love," "My Old Flame," "Sea of Love/Dock of the Bay (medley)," and "No Hair Sam" (a great answer record to Charlie Rich's "Mohair Sam") weren't included. Maybe there'll be a volume two? And finally, it's long been rumored that Phil Spector produced "Deep Purple," but could not be credited for legal reasons. The CD liner notes are very informative and have lots of quotes from the duo. But they do nothing to clear up the rumor. In fact, the liners muddy the issue. In the paragraph that describes the recording of "Deep Purple," Spector is mentioned, but not as a participant. Hasn't the statute of limitations run out on that thing yet? These are small points. The CD, of course, sounds great, and the Tempo-Stevens duo never disappoints. --------------------[ archived by Spectropop ]-------------------- End