________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ The ORIGINAL HITS rerecorded by the ORIGINAL ARTISTS ------------------------------------------------------------------------ New! The Chantelles at Spectropop - Ian Chapman reveals the story http://www.spectropop.com/go2/the_chantelles.html ------------------------------------------------------------------------ There are 8 messages in this issue of Spectropop. Topics in this Digest Number 184: 1. Crystals/Metros From: John Clemente 2. Recently released CD of The Crystals From: Ton Borsboom 3. Mystery Record From: Paul Urbahns 4. Re: Chiffons From: "Tony Leong" 5. Re: Sung call letters From: Scott 6. Re: Eddie Hall From: Carol Kaye 7. "Eddie Hoh" From: Carol Kaye 8. "Hoh"? From: Carol Kaye ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Fri, 15 Jun 2001 23:07:50 -0400 From: John Clemente Subject: Crystals/Metros Hello, In answer to Ton Borsboon's question about The Crystals/Metros. There were a few groups, both male and female who held the name Crystals. There was the celebrated female group from Brooklyn, of course, but before that, there was a trio of females from Brooklyn (yes, Brooklyn) who recorded "I Do Believe" for Aladdin Records in 1957. I was told this by a studio singer who knew them. I thought they were a CA group. When I did research for "Girl Groups", I found out that Aladdin had NY facilities. This is how The Cookies wound up on Lamp Records, the Aladdin subsidiary. There was also a Claudia & The Crystals who recorded for Dore Records in 1961. The male groups were The Crystals >from New Orleans who recorded for Specialty in 1958, a NY(?) group who recorded for Felsted in 1959, who may be the same group or a variation of the NY group who recorded for Luna/Deluxe before changing their name to The Opals. Cadillac (Gloria) Earl Wade sang with this group. Another Harlem, NY trio formed out of members of The Cadillacs/Solitaires/Valentines recorded as The Crystals behind Sam Hawkins for Gone Records. (Tired yet?) The Crystals who were The Metros were a mixture of guys >from The Bronx, Queens and Brooklyn, NY. They first recorded as The Crystals for MGM's subsidiary, Metro Records, hence the name change. They also recorded as The Metros for Just Records, then changed their name back to The Crystals, recording for Cub Records in 1960. My good friend and singing buddy, retired NYC detective Don Cruz was a member of The Crystals/Metros, singing lead and 1st tenor. Today, Don occasionally joins The Chantels on stage, singing the old Richard Barrett part on "Well, I Told You". There is even a California instrumental band called The Crystals who recorded for Indigo Records in 1961. Regards, John Clemente --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sat, 16 Jun 2001 22:48:16 -0000 From: Ton Borsboom Subject: Recently released CD of The Crystals Did anybody listen to some of these horrible re-recorded tracks? Unbelieveable that somebody did get the idea (sorry for the word)to rape the original beautiful Wall of Spector Sound!! ... and who are those 3 women? I think they should have know better. Is it all for the money or did they (the producers) think they could do it better then Phil Spector? If you want to listen to some tracks (you better not do it) check them out at http://cdnow.com Appreciate any info on this very strange Crystals issue. Thanks, Ton Borsboom
--------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Fri, 15 Jun 2001 16:14:29 EDT From: Paul Urbahns Subject: Mystery Record Recently I acquired a 45 rpm extended play record apparently made in the late 50s titled, Dick Clark Presents "American Bandstand Favorites" Brought to you by Cheerios. There is no indication who the manufacturer is, but the matrix numbers are CH 1001/1002 respectively (My guess is this relates to Cheerios). The strange thing about the record is Dick Clark's [voice-overs] about the popular songs of the "past 5 years" and mentions more than what is heard. None of the ones heard are the original versions, but rather a studio group (apparently) singing one verse each of Sincerely, Rock Around The Clock, Honky Tonk, Green Door, Butterfly, Don't Forbid Me, Back To School Again, and Melodie D' Amour, as sound-a-likes in the style of the original hits. I don't have a record jacket or an old Cheerios box so I am really lost at when and who did this record. Any information is appreciated. Paul Urbahns --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Fri, 15 Jun 2001 15:34:41 -0000 From: "Tony Leong" Subject: Re: Chiffons John Clemente wrote: > There was also an East coast group named Ginger and > The Chiffons who recorded "She" for Groove Records in > 1962. > > There are a few songs that the "He's So Fine" Chiffons > recorded where Sylvia is missing (thanks for that info > Tony Leong). She is absent from their version of > "Remember Me Baby" and she is absent from (!!!!!!!!!!) > "One Fine Day", which explains why Margaret Ross of > The Cookies told me that Cookies vocals are present on > that single. They sang the demo with Little Eva. > Cookies vocals were left in to pad the harmony. > Sylvia had a presence as second soprano and her vocal > is sorely missed in "Remember Me Baby". Pat and > Barbara's voices blend much better with a lead singer > in the background. Hello Spectropoppers: Leave it to John Clemente to discover another "Chiffons" grouping (ie. Ginger and the Chiffons). Of course, THEY are not the great quartet that we all know!! About "One Fine Day", the Tokens originally had Sylvia record the lead vocal whilst Barbara, Pat and Judy sang the background. Then, Sylvia's voice was replaced on the track by Judy. So yes, Sylvia was not on the finished Laurie single, but Judy is on LEAD AND BACKGROUND!! I don't think that the Cookies voices were even left on the track. Interesting note, Pat Bennett said she originally sang lead (she had the alto) on "Mystic Voice", but later, the Tokens had the girls sing in unison. Despite the songs that are most associated with the Chiffons, "MY BLOCK" RULES!!!(even though it was released as the 4 Pennies......)OK, so I'll throw in "If I Knew Then What I Know Now"....Nuff said... Tony Leong --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Sat, 16 Jun 2001 16:37:11 -0400 From: Scott Subject: Re: Sung call letters you wrote: > > other songs edited for the inclusion of a radio > > station logo? I seem to remember the Carpenters doing one for KHJ that centered around the opening of "Rainy Days And Mondays" --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Sat, 16 Jun 2001 00:44:15 -0700 From: Carol Kaye Subject: Re: Eddie Hall > Monterey Pop Festival box set he's listed erroneously as > Eddie 'Hall' on the Mamas and Papas page in the booklet). Sharkey Hall's real name was Eddie Hall FYI ("Edward Hall") - I don't think this is the same man as "Eddie Hoh", but I have posts out about this to ones who may know. Carol Kaye http://www.carolkaye.com/ --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Sat, 16 Jun 2001 10:23:07 -0700 From: Carol Kaye Subject: "Eddie Hoh" Here's what Perry Botkin, prolific 60s studio producer/arranger in LA says about "Eddie Hoh": > Eddie Hoh? Never heard of him. For a guy who didn't > exist he sure was busy. I wonder if "Hoh" is short for "Hall", that that name got put down as Sharkey Hall's name was Edward Hall and was that on the contracts.... Sharkey had the LA scene sewn up as #1 call drummer here in LA about the time that Earl Palmer and Hal Blaine got started (late 50s) and continued working quite a few record dates afterwards and including live shows, and even live jazz gigs later on. He could play any style, has to be in his 80s now....he would personally unload his drum kit, place it on a rolling platform and bring in the studio, setting up himself (he then charged for cartage), and he used to wear a serape over his shoulder, a beret and dark glasses (we all had to wear dark glasses to "see" in the brightly-lit studios but with Sharkey, it was part of his persona), a wonderful guy, and excellent drummer who did a ton of hit recordings too.....he played his share of jazz gigs in South Central and other parts of LA too. Carol Kaye http://www.carolkaye.com/ --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Sat, 16 Jun 2001 20:42:20 -0700 From: Carol Kaye Subject: "Hoh"? Does he have a brother named Don? 8-) Carol Kaye --------------------[ archived by Spectropop ]-------------------- End