http://www.spectropop.com ________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ The Exciting NEW Way to Enjoy the Music You Want ------------------------------------------------------------------------ There are 8 messages in this issue of Spectropop. Topics in this Digest Number 193: 1. Any info on this record? From: Dan Hughes 2. Re: King of Pop From: Dan Hughes 3. Re: Beatles, Smile, and musique concrete From: Libi 4. Oh, Those Lifted Segments From: John Clemente 5. Jonathan King From: "David Mirich, Ph.D." 6. Stones ripoffs From: Andrew Hickey 7. the Clingers, or the Clinger Sisters From: Patrick Rands 8. Re: Classical lifts From: Watson ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Sun, 24 Jun 2001 21:00:45 -0500 From: Dan Hughes Subject: Any info on this record? I have a Columbia 45 rpm record, 04 -42264, complete with picture sleeve, by Kenny Karen. Side 1: Oh, Susie Forgive Me, written by Mann & Weil Side 2: The Light In Your Window, written by King, Goffin, and A. Ripp Both sides arranged and conducted by Alan Lorber, and produced by Nevins-Kirshner Associates, Inc. >From the record number, it must have been released around January 1962. Who was this guy, how was he able to get songs by these writers and a major label release, and why have we never heard of him? And the big question--is this record worth anything, near mint with picture sleeve? Thanks! ---Dan --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sun, 24 Jun 2001 21:06:33 -0500 From: Dan Hughes Subject: Re: King of Pop Hans asks, > On another note, BJ Thomas: Is he still recording? More than you care to know about BJ ---Dan --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Sun, 24 Jun 2001 20:57:37 EDT From: Libi Subject: Re: Beatles, Smile, and musique concrete Not as well versed as most of you folks seem to be...so I looked up "musique concrete" and thought some others might be interested in this link. Thanks for all the rich information in all the posts. :) Libi http://www.musespace.com/writings/essays/musique.html [Non-text portions of this message have been removed] --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Sun, 24 Jun 2001 22:15:39 -0400 From: John Clemente Subject: Oh, Those Lifted Segments Hello Everyone, I think that the business of accidental or purposeful soundalikes is an interesting strand. I'm thinking more and more that there are finite melodies and arrangements within a particular genre of music. Here are some of my discoveries, some probably obvious to you, that either are the same songs note for note or borrow passages: It May Be Winter Outside - Felice Taylor/Everything Is Good About You - Supremes Makin' With The Magilla - Little Eva (Follow me now ...)/Sweet Seasons (inst. bridge) - Carole King One Wonderful Night - Honey Bees (intro sung slowly)/Come Go With Me (intro) - Dell Vikings The 81 - Candy & The Kisses/In My Lonely Room - Martha & The Vandellas Dancin The Strand (intro) - Maureen Gray/Maybe (intro) - Chantels These are just off the top of my head. Anyone want to add to this list? Regards, John Clemente --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 25 Jun 2001 06:18:33 -0600 From: "David Mirich, Ph.D." Subject: Jonathan King Hans wrote in part: > First, a few things about Jonathan King which most US > readers might not know about... Having interviewed him > in Hong Kong many moons ago when a young journo, all I > can say is that "bit" from Hooked On A Feeling is all > his. Maybe that's what he said. But that is also what George Harrison told the judge about My Sweet Lord. Having lost the case, he then said that maybe He's So Fine was lodged in his subconscious -- but that his lifting of it was not intentional. Dave Mirich --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Mon, 25 Jun 2001 13:09:05 -0700 (PDT) From: Andrew Hickey Subject: Stones ripoffs > And of course, speaking of Stills, you can't fail to > mention Neil Young's blatant cop of the > "Satisfaction" > riff on the Buffalo Springfield's "Mr. Soul." Or > for > that matter, the way he not only swiped "Lady Jane" for > "Borrowed Tune," he wrote lyrics about why he did it. But the Stones ripped off more than their fair share of songs themselves. The Last Time is straight from an old Pops Staples song, and, one that I've never seen commented on, Ruby Tuesday has an almost identical verse melody to a Kinks song (I can't remember if it's called 'Ring The Bells' or 'I'm In Love' but it's on the Kink Kontroversy album)... --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Mon, 25 Jun 2001 19:51:46 -0000 From: Patrick Rands Subject: the Clingers, or the Clinger Sisters Hey All, A combination of places have mentioned the Clinger Sisters - Curt B. from the Millennium produced a side, Kim Fowley produced a side, and one of the Rock Flowers was a Clinger...now my question is - where can I find their recordings? Are they on any compilations? Does anyone have a discography? Patrick --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Mon, 25 Jun 2001 18:12:50 EDT From: Watson Subject: Re: Classical lifts Excuse the nitpick, but Sergei Rachmaninov died in 1943, not 1945. The reason his Second Piano Concerto is so well known is the fact that it was used as the music for the movie Brief Encounter in 1946; this, in turn, started an avalanche of Piano Concerto Movies (Legend of the Glass Mountain, Dangerous Moonlight, While I Live - there are dozens of them), all with specially-composed fake Rachmaninov concerti on the soundtrack. The Eric Carmen horror lives near the top of my personal Ten Most Icky list, but pride of place has to go to the nightmarish Classically Sedaka, unleashed on an innocent world in 1995. Next time we meet, Neil, I am loaded for bear. (The artist formally known as) Watson --------------------[ archived by Spectropop ]-------------------- End
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