________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Special Disc Jockey Record ------------------------------------------------------------------------ There are 13 messages in this issue of Spectropop. Topics in this Digest Number 281: 1. Brill Building Documentaries Tangent From: Jack Madani 2. Monkees Urban Legend From: Stewart Mason 3. Re: Where The Girls Are From: "Jake Tassell" 4. Breakfast of Champions From: LePageWeb 5. AYE UP, ENA, IS THAT MINNIE'S RING YOU'RE WEARING? From: Mick Patrick 6. Re: WHERE THE GIRLS ARE From: Mike Carter 7. STOP, LOOK & LISTEN From: Mick Patrick 8. Variations on a Theme called Hanky Panky From: Stewart Mason 9. Re: Ellie Greenwich From: Mike Rashkow 10. Re: ELLIE GREENWICH From: "Vincent Degiorgio" 11. Re: AYE UP, ENA, IS THAT MINNIE'S RING YOU'RE WEARING? From: Frank 12. Sam The Record Man From: Rip Gooch 13. Donna Loren From: "Ken Levine" ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Thu, 01 Nov 2001 03:18:06 -0000 From: Jack Madani Subject: Brill Building Documentaries Tangent Just catching up on a whole summer's worth of Spectropop digests.... Say, something that I didn't expect that came up out of the A&E documentaries on the Brill Building crowd: Tony Orlando's name and face kept popping up, with the phrase "demo singer" always added on. I didn't know that about Tony. Subsequently, I happened to hear "Knock Three Times" on the radio one day, and it suddenly struck me: that would've made an absolutely killer Spectropop recording if it had come out maybe ten or so years earlier. Cancha just hear it, sung maybe by Jay & The Americans, with a Leiber & Stoller production? jack "twice on the pipes" madani --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Wed, 31 Oct 2001 22:07:13 -0700 From: Stewart Mason Subject: Monkees Urban Legend Jamie asked of the Monkees: >OK. fine - then suppose the backlash was NOT because >they didn't play live at their shows. > >Then where did that "Particular Urban Myth" originate? um, well...speaking as someone who came thisclose to getting a master's degree in the study of urban legends (I've been fascinated by them since I was four and I found a scrapbook my older sister had made of "Paul Is Dead" stories from the fall of '69, including one of the quickie mags on the rumor -- do I wish I still had that!!!!) and could tell you music-related ULs, rumors, myths, and related topics all night long, I gotta say, I have never heard any story that the anti-Monkees brigades were inflamed because the boys didn't play live! Do you have any cites? I could very well have missed it. Are you sure you're not conflating the whole "they don't play on their records" brouhaha with the Monkees/Hendrix DAR legend? (The Experience opened for the Monkees on part of the '67 tour, but the kids didn't dig them and Jimi asked to be let go. So the Monkees and their managers, for giggles, announced that the Daughters of the American Revolution had protested Hendrix's "wanton onstage sexuality" and that's why he was dropped -- to this day, that story is still making the rounds!) S --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Wed, 31 Oct 2001 13:11:46 +0000 From: "Jake Tassell" Subject: Re: Where The Girls Are > That was the first LP I compiled, Jack. It was the > brainchild of my colleague Ady Croasdell and might have > been the first ever girl-group compilation album. Anyone > know for sure? So you quite like it, huh? Every time I > hear "In His Car" by Robin Ward I will picture in my mind > your beloved copy of Kent LP 016 locked between your solid > arms and your pounding chest. Not to mention - "Let's Break up For A While" - what a sound. I've had that L.P. for donks too. I bought it in Rock On about the time it came out. It's a lovely item. By the way, somebody told me you lived in Herne Hill, Mick - is that right? Jake (in SW2) { ADMIN NOTE: Mick Patrick's colleague for the album was Adrian Croasdell. Adrian's name was inadvertently misreported in Mick's original post. Apologies for any inconvenience. ] --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Wed, 31 Oct 2001 22:59:26 +0900 From: LePageWeb Subject: Breakfast of Champions Mick Patrick wrote: > > PS: I hope the above communication won't cause you to > choke on your breakfast again, Jamie! GULP! :-o --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Wed, 31 Oct 2001 23:19:57 +0000 (GMT) From: Mick Patrick Subject: AYE UP, ENA, IS THAT MINNIE'S RING YOU'RE WEARING? Greetings, Just a few of my personal highlights from the Songmakers documentary series: A new interview with a very smart Mary Weiss looking just like Coronation Street resident Diedrie Barlow. Home movie footage of the four Shangri-Las in the recording studio. Carole King acetates galore. Dionne Warwick duetting with her sister Dee Dee on (I think) Shindig. Shirley of the Shirelles looking lovely in the present day and sounding fantastic live in 1963. Brief interviews with songwriters Jack Keller and Rudy Clark and Shirelles' mentor Luther Dixon. A great shot of Little Eva and Carole King carrying matching handbags and several rare glamour stills of Carole dating from c. '59/'60. > Mick, > Could the air fare to London be deducted from the entrance fee? > Frank Yo Frankie, Only if you bring a crate of Dr Peppers, too. Oh, and DONNA LOREN to perform the advertising jingle live in person for me while dancing the Zonk. Otherwise my best offer is five quid minus the bus fare from Trafalgar Square. MICK PATRICK PS: Phil Spector was notable by his absence. As was any music he produced. I assume he priced himself out of this first rate piece of work. More fool him. --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Thu, 01 Nov 2001 02:28:10 -0000 From: Mike Carter Subject: Re: WHERE THE GIRLS ARE MICK PATRICK writes: > I'm presently putting the finishing touches to WHERE THE > GIRLS ARE #5. My pal Mike Carter and all the other "CK > heads" out there might like to know that it will contain > not one, two or three but FOUR Goffin/King compositions. Mike Carter, MICK PATRICK'S pal, says he loves suprises, therefore is hesitant to ask his chum what FOUR Goffin/King compositions are going to be on WHERE THE GIRLS ARE #5. He supposes that he will just have to wait. However, a bit of intuition might become an important clue in another case when Special Agent Patrick is implicated in "The Mystery Of The Missing Demo". In the meantime, MC will pull out his vinyl copy of "Stop, Look And Listen" and ponder those cover girls too. --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Thu, 01 Nov 2001 00:08:35 +0000 (GMT) From: Mick Patrick Subject: STOP, LOOK & LISTEN Greetings, > Mick, Who are the 3 girls on the cover of (the) "Stop, > Look and Listen" (1985 Impact label LP)? Just models > or a girl group? Jan K Those three lovely young ladies were a girl-group, Jan, but not as we know it. They were known as the Del-Monas and recorded for the Big Beat label, a subsidiary of Ace, as was Impact. I have a copy of their 1985 LP "Dangerous Charms" which, alongside a number of original songs, includes versions of vintage gems like "Peter Gunn Locomotion" and (Goffin/King alert!) "Chains". I believe it is in the style young people refer to as "frat rock" (whatever that means). The girls' names are Sarah ("Stop"), Hilary ("Look") and Louise ("Listen"). If only he knew as much about some of the acts featured on the LP, I hear people muttering. How great it was for us Spectropoppers to hear from MIKE RASHKOW the other day. Les Girls' great title track of the "Stop, Look & Listen" LP was, if you ask me, the best ever Greenwich/Rashkow collaboration. The group comprised Ellie plus two of the Rag Dolls; Jean Thomas and Mike Rashkow's wife Mikie Harris. I'm sure I've also seen Mikie's name listed as a back-up singer on some Blondie albums. MICK PATRICK --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Wed, 31 Oct 2001 13:40:41 -0700 From: Stewart Mason Subject: Variations on a Theme called Hanky Panky Mike Rashkow wrote: >YES, THIS WAS OURS. I came up with the concept for >doing Hanky Panky in a variety of musical styles. Ellie >and I worked out the rough arrangements. I'd like to go on record as calling this one of the most brilliant and bizarre songs of its time, and one of my all-time favorites. S --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Wed, 31 Oct 2001 08:42:36 EST From: Mike Rashkow Subject: Re: Ellie Greenwich In a message dated 10/31/2001, Don Charles writes: > The compilation just wasn't thought out very well - > either that or they couldn't get access to certain things. > What disappointed me most about it was the absence of key > singles like "Baby, I Miss You" b/w "I Don't Wanna Be > Your Baby Any More"(The Popsicles), "Friday Kind Of > Monday" b/w "Right Back Where We Started From"(The > Meantime), "Stop, Look And Listen"(Les Girls), and > Ellie's second single for Bell Records, "(It's Like A) > Sad Old Kinda Movie." I wish it had been completely > singles and demos-oriented. Boy, do you know a lot about Ellie. As I remember it, Sad Old Kind Of Movie was done at Larry Uttal's urging (Pres. of Bell Records). It was pitched way too high for Ellie to sing comfortably. Whatever you want to know about Les Girls I can tell you. Stop Look and Listen was suppossed to be the B side. It was done over the original track Chiffons???, The guys at the record company gave it to us and the girls, Ellie and Mikie Harris just put on the vocals. James Botticelli wrote: > > Two questions: A. Was this the "Washington Square" > > recorded as an instrumental in the early Sities > > featuring a banjo by--if memory serves--The Village > > Stompers? No, different tune > > B. Is J. Cymbal in fact Johnny Cymbal, worbler of > > the famed "Mr Bass Man"? Yes, in fact one and the same. The recent contact with the Spectropop group motivated me to go back to the archives and confirm some information. Some of it is proof positive that memory is a fleeting thing, to wit: The arranger on Variations On A Thing Called Hanky Panky was Sammy Lowe--none of the people I previously thought had done it. The engineer was Tori Brainerd--again not one of the people I had mentioned. Ellie and I also produced these acts: The Fuzzy Bunnys, The Other Voices and The Daily News--could any of those have been "The Down Five" in Britain?? The arranger on DRC, I Hear The Grass Singing, was Bob Schiff who also did the charts for Ellie's record of "Sad Old Kind of movie", which incidentally was written by Tony Macaulay (Love Grows Where My Rosemary Grows, etc). Thanks again for your interest, Mike Rashkow --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Wed, 24 Oct 2001 23:59:10 -0400 From: "Vincent Degiorgio" Subject: Re: ELLIE GREENWICH One can only wish that the labels will actually listen to consumers and actually give us what we need. Van McCoy has to be reissued, as his tremendous body of work only leads people to the Hustle and they don't have a clue beyond that....and the other Warwick being Dionne...one day we'll hopefully see the Track of the Cat WB '74 album on CD..in glorious stereo... Vince "Mick Patrick" wrote: > > I've had anti-bootleg rants in the past but serious > collectors and enthusiasts like myself just gotta have > items like this. Put 17 unissued Ellie demos on a legal > CD and I'd buy it. Let's face it, that ain't gonna happen. > Until it does I applaud Brill Tone (whoever they really > are) and eagerly await their next release. Who will the > next object of their attention be? Tony Orlando? Neil > Sedaka? Dee Dee Warwick? Van McCoy? We shall see. --------------------[ archived by Spectropop ]-------------------- Message: 11 Date: Thu, 01 Nov 01 07:44:27 +0200 From: Frank Subject: Re: AYE UP, ENA, IS THAT MINNIE'S RING YOU'RE WEARING? >> Mick, >> Could the air fare to London be deducted from the entrance fee? >> Frank > >Yo Frankie, Only if you bring a crate of Dr Peppers, too. >Oh, and DONNA LOREN to perform the advertising jingle >live in person for me while dancing the Zonk. Otherwise >my best offer is five quid minus the bus fare from >Trafalgar Square. I can't wait to receive the DVD, it's on its way from LA. > >PS: Phil Spector was notable by his absence. As was any >music he produced. I assume he priced himself out of this >first rate piece of work. More fool him. Yes Phil was out of reach for these people. Too bad. Frank PS I'm trying to locate Donna Loren. [ Try here, Frank: http://adasa.com/60s/images/DPAd2Large.jpg ] --------------------[ archived by Spectropop ]-------------------- Message: 12 Date: Thu, 01 Nov 2001 09:14:58 +0900 From: Rip Gooch Subject: Sam The Record Man Sam The Record Man is closing its doors. If any of you are in Toronto in the next couple of weeks, don't forget to pay a visit to the store in Yonge Street. Could be your very last chance to pick up those obscure CDs. To say I'm distraught is an understatement. Sam's is one of the reasons I moved here in the first place ... ;-) Rip G --------------------[ archived by Spectropop ]-------------------- Message: 13 Date: Wed, 31 Oct 2001 23:46:24 -0800 From: "Ken Levine" Subject: Donna Loren Last I heard Donna Loren was living in Hawaii designing clothingware. She's got a website. But whatever happened to Robin Ward?? --------------------[ archived by Spectropop ]-------------------- End
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