________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Also available on Musicassette ------------------------------------------------------------------------ There are 8 messages in this issue of Spectropop. Topics in this Digest Number 322: 1. Atkins, Emjays From: "Paul Payton" 2. Re: Porpoise Song/Spectropopper media glimpse From: Stewart Mason 3. mojo collections From: John Rausch 4. Crazy Horses!! From: "Martin Roberts" 5. Darlene performs From: John Rausch 6. WEST COAST GIRLS: OMA HEARD From: Mick Patrick 7. Re: Bernie Schwartz From: "Peter Lerner" 8. He's a Rebel From: "Ken Levine" ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Mon, 17 Dec 2001 00:31:51 -0500 From: "Paul Payton" Subject: Atkins, Emjays Re: Chet Atkins - I saw him work in 1967 with Bobby Bare at RCA studios. He was absolutely laid back, professional, offered help to the band but trusted them implicity - and appropriately. And let's not forget he also produced Skeeter Davis as well as the Browns, whose sisters' magic harmonies could easy qualify for "girl groupdom" on many occasions. Say what he would about rock music in Nashville, he created some of the best. Definitely worthy of the RRHOF (more than some already there). Carol Kaye, your turn is coming! Seeking information: Talking with another collector off-list, we got into singles by the Emjays on Greenwich Records. They were earlier that we usually discuss here, but were a co-ed group with dominant female harmonies and were quite genre-leaping. "This Is My Love" is a beautiful doo-wop rock ballad; the flip, "The Pitty Pat Song (Waiting)" is a rockabilly jump with high female harmonies, a slightly-but-wonderfully misplaced bass singer, a searing guitar solo - and no bass player on either side, electric or acoustic! Their follow-up had a cha-cha beat, "Cross My Heart." No names on the label connect it to anything, but if I remember Greenwich Records was in the neighborhood of the Brill Building. The releases were c. 1958, some carrying the sub-heading "Featuring Judy and Billy" (no last names - I don't have the 45's in front of me, but I think that's right). Who were these people, and did any of them go anywhere afterwards? Anyone with any help anywhere, please? Thanks in advance! Country Paul --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sun, 16 Dec 2001 21:06:24 -0700 From: Stewart Mason Subject: Re: Porpoise Song/Spectropopper media glimpse Paul Payton asks: >David Ponak writes: >>... "Porpoise Song" by the Monkees is ... on the >> soundtrack CD to Cameron Crowe's >> new film "Vanilla Sky" How odd! (but cool) > >Full-length (with the great fade) AND stereo, I hope? Nope, just the usual three-minute version. Sorry. (But while the movie is a disappointment, this is the best yet of Crowe's always-remarkable soundtracks, with a remarkable range but a consistency of mood.) Stress-related insomnia caused me to spend a couple early-morning hours in front of the TV last night, where to my shock I discovered our very own Dave Feldman hiding behind a goofy red Zorro mask as one of the tasters/celebrity judges on Food Network's READY SET COOK (imagine IRON CHEF as a low-budget American game show hosted by Ainsley Harriott, a wonderful and extremely odd British cooking show host). Dave unfortunately only got in a couple of sentences, not quite enough to namedrop Lesley Gore or anything like that. Still, it was a startling moment, sitting up on the couch and saying, "Hey! I know that guy!" Stewart, now one of at least two food writers here --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Sun, 16 Dec 2001 22:36:49 -0500 From: John Rausch Subject: mojo collections Can any Spectropoppers help me out? I want a copy of the Mojo Collections publication with the Spector article, I tried purchasing it on line when it was out but after quite a few emails (none returned by them) I finally discovered they never "recieved" my order. If anyone can help me get my hands on a copy please email me privately. Thanks, John Rausch --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Sun, 16 Dec 2001 22:37:44 -0000 From: "Martin Roberts" Subject: Crazy Horses!! Long Haired Lover From Liverpool, Puppy Love, Love Me for A Reason!!!! The Osmond Brothers, oh how the memories come flooding back. TURN THAT S..T OFF!! Don't know Jeffrey Glenn's recommendation "Mary Elizabeth". (Although-sorry!-I would treat anyone who rates "The Saddest Bank Robbery Culver City Ever Had"'s judgement with caution! But I can not believe it is better than "My Mom" on "The New Sound Of The Osmond Brothers" MGM Album. Sandwiched between "Chim Chim Cher-ee" & "Hello Dolly" this track is just gorgeous!!!!! Co Written 'Mr Supper Club' Bobby Darin with Terry Melcher who also Cond & Prod. "My Mom" is a soft wistful Beach Boys "In My Room", Robin Ward "In his Car" and Susan Lynne "Don't Drag No More" surfing styled weepie. Weepie? Evertime I hear it I shed a tear. One other track on the LP again Prod. by Terry is also excellent an uptempo surfin' styled "Mr Sandman" my son's just come in the room and he reckons 170BPM! (He'd no more about this than me!). Would have made a wonderful single. Martin --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Sun, 16 Dec 2001 21:13:08 -0500 From: John Rausch Subject: Darlene performs According to the cbs website, Darlene performs on Letterman on Wed 19th. John Rausch --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Sun, 16 Dec 2001 21:17:21 +0000 (GMT) From: Mick Patrick Subject: WEST COAST GIRLS: OMA HEARD Greetings, > Original Message from Jimmy Crescitelli: > OMA HEARD....great to see her name in print again! I agree. Oma's one and only Motown 45 is among my most prized possessions. Yes, if you like Brenda Holloway you'll love Oma's MR. LONELY HEART and the B-side was a fantasic female Beatles soundalike. I kid you not, Jimmy boy. Unfortunately it's a bit rare and has never been legally reissued. Oma should be of particular interest to all Spector buffs out there - check out the small print on the Back To Mono box set and the Leonard Cohen's "Death Of A Ladies' Man" LP, for starters. Here's a bit more info about her culled from the book L.A. R&B Vocal Groups 1945-1965 by Steve Propes and Galen Gart. Go to their website for further details on this book: www.lavocalgroups.com Oma began her recording career on the Play label in 1959 in a girl group called the GAY CLIFFS. She moved on to THE SWEETHEARTS (Hi III), THE UTMOSTS (Pan-Or), THE SA SHAYS (Alfi and Zen), THE DYNELS (Dot and Natural), THE POSTALETTES (Dore), THE DARLINGS (Dore) and THE DELICATES (Celeste and Dee Dee). Full personnel details of all these groups are given in the book. And here's a liitle extra info about Oma not filtched >from that book but told to me by (name dropping alert!) Darlene Love and her sister Sandy Wynns (Edna Wright). Oma was married to guitarist Phil Drake and often used her married name. She recorded a few duets with Marvin Gaye before Motown sacked her for busting her diet. When the company eventually released the tracks many years later they erroneously billed her as Oma Page thinking she was arranger Billy Page's sister. Oma Page and Oma Heard-Drake are two completely different people. It took some nerve for me to talk about Motown now that John Lester is on board the good ship Spectropop. MICK PATRICK --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Sun, 16 Dec 2001 17:40:57 -0000 From: "Peter Lerner" Subject: Re: Bernie Schwartz "Paul Payton" wrote: > I think that the CoBurt (MGM-distributed) > pressings I heard of the Bernie Schwartz LP came from the > same bad batch, because the harsh distortion is there - > but MGM in that era was not known for quality control. > Also, European pressings were known to be of much better > quality. And the performances are excellent. I also > didn't know that Bernie Schwartz was "Adrian Pride"; "Her > Name Is Melody" on WB is another old fave of mine - > beautiful "raga rock" written by the Phil Everly! So who on earth is Bernie Schwartz. US WB 45 5651 has him singing the Jackie DeShannon / Sharon Sheeley composition Baby Bye-Oh (so popular in the UK that it gave its name to the best selling tomato fertiliser), the label saying it's a Phil Everly / Sharon Sheeley production. It sounds so Everlys that there is clearly one or more of the Brothers singing along with Bernie. So why, when 5651 was released in the UK, was the singer re-named Bernie Balentine? I'd previously heard that Bernie S was actor Tony Curtis (his real name, I believe - but unlikely) or former Searchers drummer Chris Curtis (a short-term collaborator of Sharon's) - but I didn't realise that this guy had a career and some more pseudonyms. The clues seem to indicate that he's really the lost Everly Brother, Curtis Everly. (So I made that bit up...but does anyone have a proper answer?) Peter --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Sun, 16 Dec 2001 22:38:30 -0800 From: "Ken Levine" Subject: He's a Rebel Just got the book "He's a Rebel" about you-know-who written by Mark Ribowsky. Any good? --------------------[ archived by Spectropop ]-------------------- End