________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ utilizes a vertical tracking angle between cartridge and groove ------------------------------------------------------------------------ There are 8 messages in this issue. Topics in this Digest Number 340: 1. CHARLES FOX From: "Justin McDevitt" 2. more soft pop From: Alan Zweig 3. Re: You're So Good To Me From: pollicesteeve 4. Studio "A" From: "Phil Chapman" 5. Re: Riff pioneers From: Michael Rashkow 6. Covers, lists and other things From: "Kingsley Abbott" 7. Good Vibrations From: Carol Kaye ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Sun, 06 Jan 2002 23:35:49 -0600 From: "Justin McDevitt" Subject: CHARLES FOX Hello Spectropop Group friends, In the late 1960's and into the early 70's ABC TV here in the states aired a weekly sitcom called Love American Style. On the whole,the episodes were silly and innocuous though this didn't keep me from tuning in each week, and more recently catching some of the episodes as reruns on Nicolodeon's Nic At Night. One of the key elements of the show that drew me in as a regular viewer was the great background music, scored by Charles Fox who also scored the music for the film, Goodbye Columbus, also featuring some tracks by The Association. To me, Fox's music for Columbus and Love American style was reminiscent of The Now Sound which I'm sure many of you are familiar with. Groups like The Brass Ring, (I recently picked up their first three LP's on vinyl), Herb Alpert and The Tijuana Brass, The Baha Marimba Band, Mes Last, and so on. Charles Fox's music was original whereas much of the Brass Ring and Tijuana Brass tracks were covers. Fox's melodies on Love American Style had a hippie-dippie-trippie quality that captured my ears and my heart, and drew me into the particular episode without much resistance. My question is: has any of Charles Fox's music been released on compact disc? For that matter, was any of it ever released on vinyl? Ideally, I would really like to get a hold of the Love American Style music, though I highly doubt that this was ever released. Any information would be appreciated. Justin McDevitt --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sun, 06 Jan 2002 18:44:39 -0500 From: Alan Zweig Subject: more soft pop Paul wrote: > Great to hear other people with The Match album, Love > Years Coming is also pretty fabulous.. Other softpop > rarities-Green Lyte Sunday, Does anyone know The > Collage Lp-Fuzz, Acid & Flowers doesn't like it but I > think it's great, especially'Rainy Blue Memory Day'. Sounds like we have similar record collections, Paul. I agree about the Collage. Like I said recently, I think "Fuzz, Acid.." is kind of slanted towards psychedelia - or some definition of it - and so records that are mostly "soft" with hints of psychedelia get slagged for not being psychedelic enough. This is pretty well the only kind of vinyl I'm looking for these days. My last genre before I finally retire >from vinyl accumulation. And it's kind of "dangerous" since, number one it puts you in competition with the psychedelic collectors who will apparently pay huge prices for anything that smells of psych, especially if it's vaguely obscure. But it's also problematic since a lot of this stuff teeters on the edge between accidental brilliance and run-of-the-mill rock. And if there's no way to hear the record before you buy it, sometimes the only thing you have to go on is hair length. JimmyB knows what I'm talking about. I find that if they have true hippie length hair, it's probably not for me. But if they look like they just decided a couple of weeks ago to let their hair grow over their ears, it might be great. And for great Beach Boys covers, I vote for Andy Williams' "God Only Knows". AZ --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Sun, 06 Jan 2002 16:54:13 EST From: pollicesteeve Subject: Re: You're So Good To Me I perfectly agree with your list, Richard (I particulary like Free Design "Endless Harmony"), even if I'd like to listen to what I didn't have the opportunity to, but I would add Jim O'Rourke "Falls Breaks & back to winter" cover on Smiling Pets: it captures the feel & the structure of the song without "stealing" any melody at all. One of a kind. --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Sun, 06 Jan 2002 13:55:25 -0000 From: "Phil Chapman" Subject: Studio "A" While we're surfing around here, can anyone identify the vocalist on the following 45 from 1967: Studio "A" - Don't Forget About Me (Kapp K-840). Arranged:Al Gorgoni, Engineeer:Brooks Arthur (A Daughter's Music Production). Opening with a wave of surf and an "Ebb Tide" vibe note, it's the Goffin-King tune done over a slow surf-style track complete with cascading backing vocals, and a rock/pop chorus. The flip, with meditation-tape surf throughout, is an equally appealing guitar instrumental over the backing track. Any information welcomed. You can hear both sides currently. Phil --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Sun, 06 Jan 2002 20:56:42 EST From: Michael Rashkow Subject: Re: Riff pioneers Hans wrote: > Perhaps it's time for a poll: The 20 Greatest Pop/Rock > Basslines of all time. Without giving it much thought, I'll throw Rescue Me...Fontella Bass into the ring. Rashkovsky --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Mon, 07 Jan 2002 10:59:22 -0000 From: "Kingsley Abbott" Subject: Covers, lists and other things Since we seem to be opening the new year with a delightful outbreak of list-making, I'll add my two'pennth: Fave Beach Boys covers (these ones are pretty constant): You Still Believe In Me - Kirsty MacColl Guess I'm Dumb - 'Mints or Louis Philippe Cuddle Up - Sean Macreavy Caroline No - Antony Thompson She Knows Me Too Well - Jeff Foskett Don't Worry Baby - Chris White Do You Have Any Regrets - Darian Sahanaja Let's Go Away For Awhile - Sean Macreavy Little Girl I Once Knew (version 2) - Harmony Beach and for the giggles - Landy You Need Me - Will Brison & the Shocking Shrinks And a few fave Sunshine tracks (for today at least!): Baby Baby It's You - Yellow Balloon The Jet Song - The Groop I'm Hypnotised - Little Anthony & Imperials Brand New Old Friends - California Music Mrs. Bluebird - Eternity's Children Love Years Coming - Strawberry Children (Jim Webb) And She's Mine - Spanky & Our Gang (I'm) Taken - Tommy James & Shondells (Baby Baby) I Can't Take It No More - Tommy James & Shondells The Day Turns Me On - Innocence Finally a question for the group - does anyone have any info on The Fifth Avenue Band - I have one album I love on Reprise, and would love to know if there are any others to track down. They were vaguely in the Spoonful/Youngbloods vein, with some great NY urban pop songs. Kingsley Abbott --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Mon, 07 Jan 2002 17:16:23 +0900 From: Carol Kaye Subject: Good Vibrations Any recording contract projected in that book did not come from Russ Wapensky as he doesn't allow copies to get out and indeed does not have copies of contracts but stored data information derived from Union-archived contracts. Carol Kaye http://www.carolkaye.com --------------------[ archived by Spectropop ]-------------------- End