________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Exemplifying the Best in Popular Music ------------------------------------------------------------------------ There are 17 messages in this issue of Spectropop. Topics in this Digest Number 353: 1. Re: And Then He Sued Me? From: LePageWeb 2. "It Doesn't Matter Anymore" From: "David Ponak" 3. It Doesn't Matter Anymore From: Stewart Mason 4. Re: Status Cymbal update and Kit Kats From: Billy G. Spradlin 5. Re: Fake Party Songs From: "Nick Archer" 6. Re: Kenny Young/San Francisco Earthquake From: "Jeffrey Glenn" 7. Intentionally Deleted By: "Spectropop Administration" 8. CROWD NOISE From: "Warren Cosford" 9. Re: Fuzzy Bunnies From: "Javed Jafri" 10. Re: Fake Party Songs From: Billy G. Spradlin 11. Typo and more Bits From: "Paul Payton" 12. quality From: James Botticelli 13. Re: Kit Kats From: "Justin McDevitt" 14. Re: CD Towers From: Billy G. Spradlin 15. Re: CD Towers From: "Justin McDevitt" 16. It ain't fair From: "Ken Levine" 17. Beach Boys tribute by Loose Bruce Kerr, original From: Bruce Kerr ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Thu, 17 Jan 2002 08:04:41 +0900 From: LePageWeb Subject: Re: And Then He Sued Me? Hello all, Steve McClure wrote: > I just heard Miss Cathy Brasher performing He Told Me He > Loved Me on Spectropop's GirlPop Radio. Was there ever any > litigation concerning this song's uncanny similarity to > Then He Kissed Me? The first time I heard this I couldn't believe it - checked the credits and sure enough, Miss Cathy Brasher claims the songwriting! Never heard of any litigation, but there definitely would have been a justifiable claim - both the melody and lyric of Then He Kissed Me were blatantly lifted for this song. Original or otherwise, the records I have heard by her are top notch. Definitely LA in origin, her records were arranged by Ray Pohlman and A&R'd by Stan Silver. Don't know if this is complete but here is a 45 discography. I've never heard "All I Need To Know," "Little Boys" or "Where Memories Begin." Can anyone play these for us? Jamie Only When I Dream / Where Memories Begin LAP INT'L 1001 64 I'll Remember Jimmy / Too Late To Be Lovers ERA 3129 64 He Told Me He Loved Me / Shh...Listen CHATTAHOOCHEE 690 65 All I Need To Know / Little Boys CHATTAHOOCHEE 713 66 --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Wed, 16 Jan 2002 15:12:26 -0800 From: "David Ponak" Subject: "It Doesn't Matter Anymore" The Burt Bacharach/Hal David song "It Doesn't Matter Anymore" (which appears on the Cyrkle's "Neon") was originally recorded by Ricky Nelson. It was on the Decca LP (since reissued on CD by MCA Japan) called "On The Flip Side," which was the soundtrack to a TV special/musical starring Nelson and Joanie Sommers. It's the story of a has been pop star (Nelson) being helped by a guardian angel. (Sommers.) All of the music was composed by Bacharach & David. Some of the tracks are a bit corny, but there are some lost gems on it, for sure. --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Wed, 16 Jan 2002 16:27:44 -0700 From: Stewart Mason Subject: It Doesn't Matter Anymore Guy Lawrence asked: >There's also a Bacharach/David song I'd never heard of >before - "It Doesn't Matter Anymore" - anyone know of any >other recordings of this? The extremely spotty tribute album WHAT THE WORLD NEEDS NOW: SONGS OF BURT BACHARACH (Big Deal, 1998, out of print since the company went under but still available used pretty readily) has a fine version of this by the Scottish pop group BMX Bandits, which hews pretty close to the Cyrkle's version. This is a petty obscure song for B&D, written for a one-hour musical called ON THE FLIP SIDE starring Rick Nelson (post-teen idol, pre-country rock) as...erm...a washed-up teen idol. It was broadcast on ABC in 1966, and the cast album is Decca 4836, which I'm sure is screamingly out of print. The Cyrkle's NEON also includes a personal favorite of mine, "Please Don't Ever Leave Me," which is notable for being just about the most embarrasingly abject, begging love song ever. I mean, Ginny freakin' Arnell could have sung this, that's how desperate it is! S --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Wed, 16 Jan 2002 23:20:03 -0000 From: Billy G. Spradlin Subject: Re: Status Cymbal update and Kit Kats > On a totally different front, anyone else like the Kit > Kats' "Let's Get Lost On a Country Road" as much as I do? I love that song too - I was in a Wichita KS record store (Yesterday Discs) last year and spotted a used copy of the "Its About Time" CD. David Bash has raved about this CD and I decided to preview it and was "knocked out" by "Lets Get Lost..". My favorite track by them is "That's the Way" which answers the question "What if Phil Spector produced the Tokens, Randy & The Rainbows or The 4 Seasons? (with Jerry Lee Lewis on Piano)" The stereo remix on the CD is great, but I love the original mono LP/45 mix which has more thundering echo-reverb! I have a feeling that the master tape didn't have any reverb and was added in the mixdown. The CD remix tries hard to duplicate that sound but you can hear a difference with the digital reverb. --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Wed, 16 Jan 2002 17:05:33 -0600 From: "Nick Archer" Subject: Re: Fake Party Songs What about all of the Johnny Rivers "Live" at the Whiskey LP? Was the intro party on Psychedelic Shack the same as I Can't Get Next To You? How about Down at Papa Joe's by the Dixiebelles? Nick Archer --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Wed, 16 Jan 2002 16:34:18 -0800 From: "Jeffrey Glenn" Subject: Re: Kenny Young/San Francisco Earthquake > Kenny produced a 1969 album in the UK for Clodagh > Rodgers - Midnight Clodagh - sung on some of the tracks > and wrote most of them, including a couple of UK hits, > Biljo and Goodnight Midnight. Probably not Martin's cup > of tea but she did also sing a nice Jackie DeShannon > song on the album.... > > Peter Here are the Kenny Young-related 45's I've got (I suspect the Clodagh Rogers one is on the 1969 LP): Patti's Groove: 1. It Won't Last Too Long (K. Young)/ Tears (Fill The Hours)(Bruce Milner-Barry Milner) Columbia 4-43484: 1966, Produced & Arranged by Bob Hughes The Squirrels: 2. Who's The Bird! (Kenny Young)/A Girl's Imagination (Kenny Young) RCA Victor 47-9127: 1967, Produced by Kenny Young The Seagulls: 3. Don't Go Out Into The Rain (You're Gonna Melt)(K. Young)/Hitting The Moon With A Sling Shot (K. Young) Date 2-1536: 1966, Produced by Kenny Young, Arranged by Kenny Young 4. Twiggs (K. Young)/Charlie No One (K. Young) Date 2-1551: 1967, A Kenny Young Production, Arranged & Conducted by Jimmy Wisner 5. Death Of A Clown (R. Davies-D. Davies)/Anabel (K. Young-B. Yardley) Date 2-1573: 1967, A Kenny Young Production San Francisco Earthquake: 6. Sophia (K. Young)/Hold The Night (K. Young) Smash S-2203: 1968, Produced by Bill & Steve Jerome for Real Good Productions Inc., Arranged & Conducted by Herb Bernstein 7. The Day Lorraine Came Down (K. Young)/Everybody Laughed (K. Young) Smash S-2218: 1969, Produced by Steve & Bill Jerome, Arranged & Conducted by Herb Bernstein The Marshmellow Highway: 8. I Don't Wanna Live This Way (Ogerman-English)/Loving You Makes Everything Alright (Young-English) Kapp K-904: 1968, Produced by Claus Ogerman & Scott English, Arranged & Conducted by Claus Ogerman Clodagh Rogers: 9. Spider (Young)/Biljo (Young) RCA 47-9779: 1969, Produced by Kenny Young, Arranged by Ian Green, Vocal Arrangement by Kenny Young The Happenings: 10. Me Without You (Kenny Young)(Mono/Stereo Promo) Big Tree 153: 1972, Produced by Jimmy Bowen for Amos Productions, Inc. These are all quite good - very talented guy! And note that this is the original version of "Don't Go Out Into The Rain (You're Gonna Melt)" which Herman's Hermits quickly covered, scoring a #18 US hit in the process. And of course "Me About You" is a completely different song than the Bonner-Gordon composition, a lush orchestrated ballad in this case. Jeff --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Thu, 17 Jan 2002 11:10:31 +0900 From: "Spectropop Administration" Subject: Intentionally Deleted --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Wed, 16 Jan 2002 21:30:02 -0500 From: "Warren Cosford" Subject: CROWD NOISE > And thinking of the Vibrations reminds me that > somebody should do a compilation of records using fake > audience/party noises as an effect, e.g. the Miracles' > "I Gotta Dance (To Keep From Cryin')", Shirley Ellis's > "The Nitty Gritty" and the CODs' "Michael". Any more? My favorite is "Stand By Me" by David and Jimmy Ruffin. Great cut. --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Wed, 16 Jan 2002 22:44:14 -0500 From: "Javed Jafri" Subject: Re: Fuzzy Bunnies David Gordon wrote : > John Turi - didn't he play in a band called Bulldog > with a couple of ex- Young / Rascals. This would be > around 73 - 75. Gene Cornish and Dino Danelli from the Rascals were in Bulldog. They had one hit called "No" in 1972. Sorry but I don't know anything about John Turi. Dino and Gene formed Fotomaker in the late 70's with Wally Bryson of the Raspberries. > "No Good To Cry" - is that the Al Anderson song he > wrote for the Wildweeds and subsquently covered by a > whole bunch of people including John Fred and the > Playboy Band ? A version of "No Good to Cry" by the Poppy Family was a hit in Canada. Javed --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Thu, 17 Jan 2002 04:16:32 -0000 From: Billy G. Spradlin Subject: Re: Fake Party Songs One of my favorites is a southern "frat party" version of "In The Midnight Hour" by a group called "The IN" on Hickory, with some nice shreaks at the beginning of the record and in between verses. Another great party croud is on the "live" side of Paul Revere & The Raiders "Here They Come" LP! Billy --------------------[ archived by Spectropop ]-------------------- Message: 11 Date: Wed, 16 Jan 2002 19:10:00 -0500 From: "Paul Payton" Subject: Typo and more Bits In my last post re: Magic Lamp, a typo crept in - or actually out, as there was an omission. I wrote: "And Carol Kaye: thank you for the background on Joe Osborn. One of the reasons his group is so outstanding is having first-person resources like you on it." The error, of course, is the missing "t" before "his." I'm sure Joe Osborn's team was great but THIS group benefits from Carol et al.... (Lest we return to the Ronnie Spector debacle of a few months back! :-) JB: I've got the Jimmy James & The Vagabonds 45, too; good, but not as great as Big Al IMHO. Nick Archer: PLEASE pass along the Status Cymbal info as soon as you get it; that would be great. And yes, I like the Kit Kats too, but my fave is the track they did as the New Hope, "Won't Find Better Than Me." Peter and Martin: in light of your comments, I can then assume the Kenny Youngs we are talking about are one and the same? RonnieOldiesGuy: WOW! Janie Grant AND Shelby Flint?!? Two all-time favorites!!!! Both "Triangle" and "Angel On My Shoulder" are two of those rare not-one-note-wasted masterpieces! And Gerry Granahan, too?!? I'm sure many of you know he was also Dicky Doo of Dicky Doo and the Don'ts ("Click Clack" - another superb Philly track). (Two other Shelby Flint 45's of great note: the beautiful waltz "I Will Love You" and the mournful "Pipes For Keith," complete with bagpipes.) Mike Rashkow introduces an interesting thread - the country side of soft pop. Indeed, in early rock days, "country" wasn't the "bad word" in pop it became at various times. I'm particularly warm about early George Hamilton IV (his ABC Paramount sides) - just found "Only One Love" without having to spend $240 for the Bear Family box set - and in his early RCA days he was part of a "folk country" movement which led him to record some superb covers of "Early Morning Rain," "Changes" and more, all with the Anita Kerr Singers, of course. One last thought - a fake Archies?!? Covering the hits of a group that never existed?? Without the actual original lead voice??? Who will be as "beloved" as 'NSync??? I writhe in painful anticipation. Marshall McLuhan was indeed right: the medium is the message. Country Paul --------------------[ archived by Spectropop ]-------------------- Message: 12 Date: Wed, 16 Jan 2002 23:29:42 EST From: James Botticelli Subject: quality I agree with a previous assessment that the quality here has increased exponentially in the last few months...I've been here a while and enjoyed it--at least three years I think--and these days, I submit, may be the Golden Days...Keep it up y'all... JB/full of buttercups and rainbows --------------------[ archived by Spectropop ]-------------------- Message: 13 Date: Wed, 16 Jan 2002 22:49:19 -0600 From: "Justin McDevitt" Subject: Re: Kit Kats > On a totally different front, anyone else like the Kit > Kats' "Let's Get Lost On a Country Road" as much as I do? THREE CHEERS FOR THE KITKATS; If my memory serves me correctly, I first heard LET'S GET LOST ON A COUNTRY ROAD in January-February 1967. I believe that the group hailed from the Philadelphia area. I only wish I could have seen them perform at the Main Point or one of the other small clubs that were operating in the Philly area during that time. I have a 45RPM of COUNTRY ROAD with WON'T FIND BETTER THAN ME on the B-side. In fact, LET'S GET LOST ON A COUNTRY ROAD is included on the first of a series of 12 soft pop-rock collections on cassette that I began putting together in the late 1980's' Justin --------------------[ archived by Spectropop ]-------------------- Message: 14 Date: Wed, 16 Jan 2002 23:47:34 -0000 From: Billy G. Spradlin Subject: Re: CD Towers I put together a simular compilation for my last SOTT (son of Tape Tree). Its a group of 25-30 people who trade CD's mostly of Power Pop, but with my comp I went all 60's with it. It's a grab bag of longtime and new favorites with a garage band slant. 1) The Cryan Shames - I Wanna Meet You 2) The Morticians - Little Latin Lupe Lu 3) The Inferno - The Hurt Doesnt Go Away 4) The Fugitives - She Believes In Me 5) The Vouges - 05 O' Clock World (split track stereo mix from Varese Sarabande's "Stereo Oldies" CD) 6) Los Shakers - Smile Again 7) The Beach Boys - Good To My Baby (stereo mix from bootleg!) 8) The Beatles - And Your Bird Can Sing (alt take remix) (From the "Anthology II" CD - my own mix, I removed John & Paul's laughing using Sound Forge) 9) The Who - Subsitute (the Atco USA single version which has different lyrics and is 45 seconds shorter) 10) The Robbs - Race With The Wind 11) The Ballroom - Spinning Spinning Spinning (Stereo Synch-Up remix - I combined the original mono mix with the stereo backing track from Sundazed's "Magic Time" CD - Sounds nice!) 12) The Cowsills - A Most Peculiar Man 13) S.N. And The C.T. - The Pleasure Of Your Company 14) Peanut - Im Waiting For The Day 15) Ola & The Janglers - I Can Wait 16) Every Mothers Son - The Proper Four Leaf Clover 17) The Dave Clark Five - Concentration Baby (for shock value - Stereo!) 18) The Ventures - Wild Child 19) The Gants - I Wonder 20) The Ides Of March - Im Gonna Say My Prayers 21) The Five Americans - Stop Light 22) Colours - Lovin' 23) Herman's Hermits - Wings Of Love 24) The New Colony Six - Hold Me With Your Eyes 25) Gary Lewis & The Playboys - Happiness 26) The Caravelles - The Other Side Of Love (I had to get at least one girl group in there) 27) Neil MacArthur (aka Colin Blunstone) - It's Not Easy 28) The Magic Lanterns - Shame Shame 29) The Hollies - Please Let Me Please 30) The Flying Machine - Maybe We've Been Loving Too Long 31) Zoot - Better Get Going Now --------------------[ archived by Spectropop ]-------------------- Message: 15 Date: Wed, 16 Jan 2002 23:19:08 -0600 From: "Justin McDevitt" Subject: Re: CD Towers SECOND THAT EMOTION; Javed, reading through your track list was intriguing since as Alan states, it brings together music from different genres and eras. I was thinking about stepping up to the plate and requesting a copy. However, this felt a little like imposing, though I recognize that sharing music is one of the key elements that brings this group together. So let me know if this is doable for you right now. Justin Alan Zweig wrote: > "Javed Jafri" wrote > >: > >Ok here goes. Here is a comp I made for my car player: > > > >Superman--The Clique > >It Could Be We're In Love--The Cryan Shames > >Questions and Answers--Apples In Stereo > >Sausilito-Ohio Express > > You offering copies? --------------------[ archived by Spectropop ]-------------------- Message: 16 Date: Wed, 16 Jan 2002 22:53:55 -0800 From: "Ken Levine" Subject: It ain't fair Doesn't it seem odd that the two best singers of the Brill Building composers (Ellie Greenwich and Barry Mann) didn't have big recording careers while other less, well "gifted" singers did? --------------------[ archived by Spectropop ]-------------------- Message: 17 Date: Thu, 17 Jan 2002 03:47:10 EST From: Bruce Kerr Subject: Beach Boys tribute by Loose Bruce Kerr, original Members, The musica section has available my original tribute to the Beach Boys from '93: "No Gold in California." Done on my 4 track TEAC cassette in the garage, me on 5 vocals, bass, electric & acoutic guitar, telling the story of California losing its glow in the Recession that year, very much like now. Hope you enjoy the Beach Boys type harmony. best regards, Bruce --------------------[ archived by Spectropop ]-------------------- End