________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Here's the beat and the feel of today's young music ------------------------------------------------------------------------ There are 8 messages in this issue. Topics in this Digest Number 404: 1. Tokens/Anders-Poncia/Warner Brothers/Playing at Musica From: Mark Frumento 2. Thaxton From: "Frank Carmack" 3. Re: The Merseybeats From: Mark Frumento 4. Grass Roots From: Doc Rock 5. Re: Re: Merseybeats USA/UK From: "Peter Lerner" 6. the girls on the beach From: Alan Gordon 7. I stand accused From: Rachel Michaeli 8. RE: Sins Of A Family & History From: Michael Rashkow ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Wed, 06 Mar 2002 00:12:09 -0000 From: Mark Frumento Subject: Tokens/Anders-Poncia/Warner Brothers/Playing at Musica Given the current status of Yahoo I decided to post a few things together: On the recommendation of a few Spectropoppers I picked up the Japanese release of "It's a Happening World". You were all right. It's a wonderful record. I'd say its as inventive in its own way as "Intercourse" but a little more accessible. Thanks for the recommendation! This leads me to my next question: Is Warner Brothers having success in Japan with all of these back catalogue releases, especially the soft pop stuff. Seems like the Japanese are getting some top notch things but I'm having trouble convicing myself that they sell. I picked up the wonderful first album by Chunkie, Ernie and Novi (which I thought would never appear on CD)... again a Japanese release only. Seems that in the UK Warners is starting to release back catalogue albums by the Everly Brothers. Anyone know the story? Is it just a matter of finding a reissue label willing to take the time with the material (i.e. Sundazed?) After all Rhino is under the Warners unbrella. In a related topic I was wondering about the Anders-Poncia catalogue. I love my 2 CD Japanese set but it is clearly incomplete and not of the highest sound quality. Anyone know of plans to get some of that wonderful material out to the masses? Certainly the Tradewinds album deserves to be reissued if nothing else. And last but not least: I forgot to say that Carole King's demo to "Image Collector" is now playing at musica. Any information about the song would be greatly appreciated. If there is interest I can post "Beautiful Movies" as well. -------------------[ archived by Spectropop ]------------------- Message: 2 Date: Tue, 05 Mar 2002 16:39:55 -0500 From: "Frank Carmack" Subject: Thaxton I remember seeing Lloyd Thaxton's show every weekday afternoon, in Roanoke, VA,after WHERE THE ACTION IS. I remember watching in early '66, particularly. His great guests and his way with a prop; like the rat-fink dolls..... I remember seeing him put his knees in shoes and pretending to be about 2 feet tall as he lip-synched....to an 11 year old it was hilarious. I'm sure our awareness of people would find that a bit insensitive today. He always acted as a friend of the music and the "kids". Great memories of a great time in my/our lives... All the best, Freeman Carmack ----- Original Message from: Ken Levine > Great to see that some people remember Lloyd Thaxton. > He was the Ernie Kovacs of Teen television. His show > originated from Channel 13 in Los Angeles in the early > and mid 60's with a budget of maybe eleven cents. But > to make the music come alive Thaxton would lip sync, > play faux piano, faux sax, use finger puppets, or do > duets with a rubber mask. For all the music videos with > complex production values today, none can compare to the > treatment given a song by Lloyd Thaxton. -------------------[ archived by Spectropop ]------------------- Message: 3 Date: Tue, 05 Mar 2002 16:32:59 -0000 From: Mark Frumento Subject: Re: The Merseybeats --- In spectropop, Stewart Mason wrote: > I actually have never heard the Merseybeats UK, but Elvis > Costello covers their song "I Stand Accused" on his album > GET HAPPY!, and it's pretty wonderful. As others will attest The Merseybeats are a real solid outfit... highly American influenced with high quality (if not definitive versions) of songs by the likes of Bacharach/David and other US writers. They later called themselves the Merseys and had a great song called "Sorrow", covered by David Bowie. To dig deeper you find that at least one of the Merseys (Billy Kinsley I think) went on to form Rockin' Horse who had a great 45 on Bomp called "Biggest Gossip in Town" and one LP. Great stuff, all of it. The Merseybeats have a great best of, still in print I believe. I agree with your comment that Merseybeats USA had probably not heard the real Merseybeats. I would think they may have heard of the band or the newspaper of the same name. -------------------[ archived by Spectropop ]------------------- Message: 4 Date: Mon, 04 Mar 2002 17:29:40 -0500 From: Doc Rock Subject: Grass Roots What of Jan Berry's version on the Folk n ' Roll LP that came out before the Roots' 45? Doc Will George wrote: > In the Rhino liner notes, it says, "Sloan maintains that > the first officially released version of "Where Were > You..: featured Fulton's vocal in place of his, citing as > evidence the sheet music for the song, which has a picture > of Fulton and the band." I deduce from that, that the > version on this set is Sloan's vocal. I'll have to dig out > my old "Hits" cassette and compare the two. > > Bill -------------------[ archived by Spectropop ]------------------- Message: 5 Date: Tue, 05 Mar 2002 09:09:28 -0000 From: "Peter Lerner" Subject: Re: Re: Merseybeats USA/UK Just a few more words about the UK Merseybeats. To my mind, as someone brought up in NW England, they were one of the best. Good singers, good sound, and good choice of material. For example a pre-Dusty version of Wishin' and Hopin'; Bacharach-David's It's love that really counts; a spirited version of the New Orleans Fortune Teller and many more. I'd say pick up anything you see by this group; it'll please and surprise you. They managed to avoid that tinny sound that so many other contemporary British beat groups employed at the time. Peter -------------------[ archived by Spectropop ]------------------- Message: 6 Date: Mon, 04 Mar 2002 22:12:56 -0800 From: Alan Gordon Subject: the girls on the beach Ken!!!!!!! I LOVE this movie... I checked the amc site and they're "sorry. This program is not currently scheduled." What's a boy to do??? As an aside here... I'm sure most of you have seen the 1960 seminal beach movie: "Where The Boys Are"(?). It's probably the innocent lose stencil for the ensuing AIP Barrage-of-Beach. Besides the overall beach accommodations, Connie Francis sings the great Neil and Howard lead song in a cool jazz club with Frank Gorshin playing a stand-up bass... and Yvette Mimieux sorta attempts suicide... very cool. Dolores Hart and Paula Prentiss... what more could a growing boy need? al babe -------------------[ archived by Spectropop ]------------------- Message: 7 Date: Tue, 05 Mar 2002 21:54:01 +0200 From: Rachel Michaeli Subject: I stand accused >From: Rachel Michaeli Stewart Mason writes > I actually have never heard the Merseybeats UK, but > Elvis Costello covers their song "I Stand Accused" on > his album GET HAPPY!, and it's pretty wonderful. I like Costello's cover myself because he makes the song sound as if it was written by him originally even though he made only a very slight change of the original version The original version was the last recording of the band. Keith Moon participated the recording in playing a gong (the Who was under the same menagement as the Merseybeats Kit Lambert and Chris Stamp) The song didn't do well in the British charts and made no. thirty eight -------------------[ archived by Spectropop ]------------------- Message: 8 Date: Tue, 05 Mar 2002 21:33:29 EST From: Michael Rashkow Subject: RE: Sins Of A Family & History A singer, writer, musician, producer named Trade Martin, produced a record called Sins Of The Family--the "artist", NYC disk jockey and TV personality, Murray The "K". Same song? In a message dated 3/4/2002 1:58:19 AM Eastern Standard Time, The Bobster writes > (The rest is History, need I > say more) > > I'm history, that's fershure. Rashkovsky -------------------[ archived by Spectropop ]------------------- End