________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Incomparable stars of stage, screen, radio and records ------------------------------------------------------------------------ There are 19 messages in this issue of Spectropop. Topics in this Digest Number 415: 1. from Mark Wirtz to group From: Michael Sinclair 2. hello spectro ....sir's From: Joey Stec 3. Interviewing Lou Christie From: "Jeff Lemlich" 4. Nick DeCaro From: Bill Reed 5. Del Shannon; DynoVoice From: "Paul Payton" 6. Hit Parader magazine From: Dan Hughes 7. Re: Sunset Strip history From: Deena Canale 8. Re: Sunset Strip history From: "Ken Levine" 9. Re: Map City From: "Frank" 10. Re: Map City From: Will George 11. Re: Girl I Got News For You From: "Jeff Lemlich" 12. Re: Bobby Puccetti/Birdwatchers From: "Jeffrey Glenn" 13. Intentionally deleted By: "Spectropop Administration" 14. Remember Me - Rita Pavone From: Mike Anderson 15. Re: John Pantry From: "Jeffrey Glenn" 16. Re: Where is he now? From: "Martin Roberts" 17. Re: Baby Jane Holzer From: Simon White 18. Re: Remember Me - Rita Pavone From: "Ken Levine" 19. Re: John Pantry From: "Norman" Message: 2 Date: Sun, 17 Mar 2002 01:32:53 EST From: Joey Stec Subject: hello spectro ....sir's re: doug lothar doug i agree i liked machines abd rose color glasses...i tend to agree they were a bit week ...however live they were quite a bit better,,,thanks for your two cents... joey Message: 3 Date: Sat, 16 Mar 2002 00:08:50 -0500 From: "Jeff Lemlich" Subject: Interviewing Lou Christie From: "Kingsley Abbott": > I met Lou at Ready Steady Go when he > did it just after "Lightnin' Strikes" struck our charts. > He was a very nice chap, and very happy to chat to someone > who knew of him before LS - I had bought and loved "Two > Faces Have I" on UK Columbia. I interviewed Lou in 1990 for a news series I was producing at the late and great WCIX-TV. At first he wasn't too forthcoming, figuring it was just another interview, probably expecting the same insipid questions he usually hears. I guess he was surprised when I pulled out my "If My Car Could Only Talk" picture sleeve and asked him about some of his great obscure singles. Fortunately he warmed up and we had a good chat. He even wound up autographing my picture sleeve. Jeff Lemlich Message: 4 Date: Sat, 16 Mar 2002 19:06:00 -0800 (PST) From: Bill Reed Subject: Nick DeCaro Paul wrote: > Another from the "left off the album" department: Irma > Thomas singing the beautiful "Anyone Who Knows What > Love Is (Would Understand)," Imperial 66041 5/64 > (peaked at #52 in Billboard). The flip was "Time Is On > My Side," the title of the 1992 EMI/Capitol CD on which > the song finally appeared after being omitted from the > "Best of" album. FYI, co-writer was Randy Newman! ....................................................... I am expanding my Japanese magazine article about arranger/producer/singer/ songwriter/singer Nick DeCaro >from last years into a much large piece for U.S. consumption. In Japan, along with the article, I had a discography pushing upwards of 300 albums on which he appeared in one capacity or other. I have interviewed Randy Newman and Tommy LiPuma, who were both at Liberty Records when Nick began there in 1965. They can't even begin to recall all the singles they were connected with, many of them with DeCaro. Nor can Jackie DeShannon, off the top of her head, recall how many songs she wrote with Nick. There is, for example, a wonderful arr. of Newman's While the City Sleeps by Irma Thomas that I downloaded >from...oh, never mind...from someplace. I have always assumed this was Nick---I never saw the actual 45 rpm---but Newman can't recall who arranged it. I keep finding new additions to the discography and I am guessing that Irma Thomas' Anyone Who Knows What Love Is might be one of them. Would anyone who has this single be kind enough to take a look at it and tell me if Nick is on it as arr/prod. I am beginning to develop a sixth sense about these things and my guess would be "Yes." Any other info on DeCaro, esp when it comes to Liberty Singles, would be greatly appreciated. Bill Reed Message: 5 Date: Sat, 16 Mar 2002 13:59:29 -0500 From: "Paul Payton" Subject: Del Shannon; DynoVoice Brad Elliott directs us to http://cchr.org/art/eng/page20.htm regarding Del Shannon's death. Despite the inflammatory headlines, assuming the facts are correct, blaming the doctor who prescribed Prozac makes sad sense to me. Blaming the drug itself does not; there should have been medical supervision. RIP Del - and Michael Coleman's father. Leonardo wrote: > Sad day today....my Dynovoice record that I've spent 4 > years trying to locate was BROKEN by the idiot mail > carrier who shoved the 8inch box into the 5 inch > mailbox....yep it survived 32 years in M+ condition > only to be destroyed by a mail carrier!!!! I am truly > HEARTBROKEN... L I empathize, Leo. I've become aggressive writing "DO NOT BEND" in magic marker all over the envelopes. What was the record? Country Paul Message: 6 Date: Sat, 16 Mar 2002 04:17:18 -0600 From: Dan Hughes Subject: Hit Parader magazine Javed mentions HIT PARADER magazine and its promotion of various groups in the 60's. Before the Beatles, the articles in the magazine were about popular singers--lots of Neil Sedaka, Connie Francis, et al. But when the music world exploded with rock groups, HIT PARADER began heavily promoting obscure acts. Some of these groups became stars--they ran articles on the Doors before Light My Fire--but many did not. They covered several other groups on Elektra, like Clear Light, and they were big on Moby Grape. I always wondered if they were being paid to run these articles, because many of the groups they wrote about never had a hit. But I did love that magazine.... ---Dan Message: 7 Date: Sat, 16 Mar 2002 16:33:54 -0400 From: Deena Canale Subject: Re: Sunset Strip history I watched the A&E doc as well and loved it, though I agree it was too short. Chris Hillman gave some good interview snippets, and Nino Tempo and April Stevens can be spotted entering the Whisky-a-Go-Go in one of the vintage footage segments! (Not to mention the sight of Jayne Mansfield nearly spilling out of her spaghetti-strap dress while frantically twisting...) The E! channel did a similar doc a year or two ago that was just as good and two hours long--maybe they'll get around to re-running it someday. Sorry, but I don't know of any books currently published about the place...but there's always Pamela Des Barres' first book, and perhaps "The L.A. Musical History Tour" by Art Fein, which isn't really a narrative so much as a guidebook. It came in really handy on my southern California honeymoon last year, part of which was spent at the "Riot House." The Strip is more or less completely yuppified now, but you can still find ghosts of its former rock & roll glory if you look hard enough. For instance, I had a milkshake at Duke's Coffee Shop (next door to the Whisky), and later learned that was the building which housed the London Fog, where the Doors had their first pre-Whisky residency. >I remember reading last year that Domenic Priore was >working on a narrative history of the Sunset Riots, much >like the SMILE bible. In light of later events, the >importance of that event has, I think, been overlooked. Despite the book's title, from my understanding it will comprehensively cover the Strip's music scene, not just the riots. I read recently that it is supposed to be published by Chronicle Books--I check their site frequently but thus far the title is not listed there...too bad, 'cause I'm chomping at the bit to read it! Signed D.C. Message: 8 Date: Fri, 15 Mar 2002 22:45:00 -0800 From: "Ken Levine" Subject: Re: Sunset Strip history There's a great book called "Waiting for the Sun" by Barney Hoskyns that really gets into the Sunset Strip, circa the 60's. ----- Original Message from Freeman Carmack > Is there anyone out there who knows offhand any > well-written histories, preferably narrative, of Sunset > Strip, and it's colorful past/present? > Message: 9 Date: Sat, 16 Mar 2002 07:33:57 +0100 From: "Frank" Subject: Re: Map City Leonardo, Don't know if you've still got the parts but in case you'd like to try I can probably mend the record and make you a CD copy. If interested, get in touch. Frank ---------- Leonardo wrote: > my Dynovoice record that I've spent 4 > years trying to locate was BROKEN by the idiot mail carrier > who shoved the 8inch box into the 5 inch mailbox....yep > it survived 32 years in M+ condition only to be destroyed > by a mail carrier!!!! Message: 10 Date: Sat, 16 Mar 2002 14:02:53 EST From: Will George Subject: Re: Map City >Sad day today....my Dynovoice record that I've spent 4 > years trying to locate was BROKEN by the idiot mail > carrier who shoved the 8inch box into the 5 inch > mailbox....yep it survived 32 years in M+ condition > only to be destroyed by a mail carrier!!!! I am truly > HEARTBROKEN. That really sucks! I hope you can at least get reimbursed >from the post office. Sorry to hear that. I hope you find another one soon! Bill Message: 11 Date: Sat, 16 Mar 2002 00:15:26 -0500 From: "Jeff Lemlich" Subject: Re: Girl I Got News For You Javed wrote: > I have a version of a song called "Girl I've Got News For > You" by a group called Cherokee ( 1969 ?). It is on a > Rhino vinyl Nuggets comp. The liner notes indicate that > it is a Steve Barri production. There are no song writing > credits on the comp and so I'm not sure if this is the > same song. Cherokee by the way were actually a latter day > version of the Robbs, the Midwestern group who gained > some fame as regulars on "Where The Action Is" and scored > a regional hit with "Race With The Wind" in 1966. Things ARE interconnected. The Robbs and Steve Alaimo were both regulars on "Where The Action Is"; Steve Alaimo produced the Birdwatchers' original version of "Girl I Got News For You", plus Benny Latimore's bluesy remake. The Birdwatchers performed the song on "Where The Action Is". It's no coincidence that the former members of the Robbs went on to later record this song. I put both the Birdwatchers and Benny Latimore's recordings of "Girl I Got News For You" onto musica. Jeff Lemlich Message: 12 Date: Sat, 16 Mar 2002 06:15:59 -0800 From: "Jeffrey Glenn" Subject: Re: Bobby Puccetti/Birdwatchers > Bobby Puccetti was the organ player and leader of the > Birdwatchers from South Florida... Jeff, thanks for the info on Puccetti and The Birdwatchers. I've only got The Birdwatchers third Mala 45 - "I'm Gonna Do It To You"/"I Have No Worried Mind" (Mala 548, 1966) - and it's definitely a keeper. Both sides are terrific folk rock with the A-side also having a bit of a garage edge to it also. And the B-side is pretty amazing in that the verse melody only contains three notes, but because of the chord pattern behind it, it's incredibly catchy. Great 45! A Birdwatchers comp would seem to be perfect for a Sundazed release. Jeff Message: 13 Intentionally Deleted Message: 14 Date: Sun, 17 Mar 2002 16:11:57 EST From: Mike Anderson Subject: Remember Me - Rita Pavone I just bought the Collectors Choice CD "I Wish I Were a Princess [they don't do grammar like that anymore!]: The Great Lost Female Teen Idols," and it includes Remember Me by Rita Pavone. I can't remember the last time I heard this on the radio; maybe it was in 1964. Could someone tell me a bit about the artist and the recording? I did a little checking on the Internet, and I see that Ms. Pavone has had hits in several countries and languages. Any information about Rita Pavone's career or this particular recording would be appreciated. Has anyone else recorded this tune? Thanks. Mike Anderson Message: 15 Date: Sat, 16 Mar 2002 06:42:48 -0800 From: "Jeffrey Glenn" Subject: Re: John Pantry > A few years ago a limited edition album came out in > England called "The Upside Down World of John Pantry". > It contains songs JP wrote for several bands... I've heard this LP through David Bash, and it's pretty terrific stuff. And anyone game enough to try to cover The Garden Club's "Little Girl Lost-And-Found" is cool in my book, even though - to be brutally honest - it pales next to the 1968 A&M original (which is one of the most amazing 60's soft pop 45's - period). I doubt if much of his work has ever been released here in the U.S., but I do have a 1973 45 coproduced by him: Come Follow, Follow Me (Fred Karlin-Marsha Karlin)/Someone (Doug Flett-Guy Fletcher) - The Springfield Revival featuring Ray Martin, Verve/GTO MV 10717: 1973, Produced and Arranged by John Pantry & Keith Potger I really know nothing about this single other than what's on the label credits, but it's very good. "Come Follow..." is very fruity early 70's UK soft pop (you could easily hear Jack Wild doing this, but the vocal here - with a heavy English accent like Wild - is better). "Someone" is more in the vein of early 70's Britpop a la Edison Lighthouse/White Plains. Jeff Message: 16 Date: Sun, 17 Mar 2002 08:58:16 -0000 From: "Martin Roberts" Subject: Re: Where is he now? Following Guy Lawrence & Paul Woods, where is Mick Patrick these days? Only a guess but I could see Mick lying on the South Island called Canvey, topping up his tan. His walkman by his side, ear phones attached deciding which one of his huge collection of Barry Manilow tapes to play next. Right that's the music sorted, now what book? I take it for granted he is allowed The Complete Works of Shakespeare & The Bible, how about the four volume set "Everything You Ever Wanted To Do With Windows 98" Author Stoptakingt Hemick? Luxury? Easy. A really well fitting toupee. Martin (A Don't Belive a Word Production) Message: 17 Date: Sat, 16 Mar 2002 08:29:48 +0000 From: Simon White Subject: Re: Baby Jane Holzer Thanks Ian and Martin for the replies - I have a feeling theres more to this story than meets the eye...... Message: 18 Date: Sun, 17 Mar 2002 21:00:03 -0800 From: "Ken Levine" Subject: Re: Remember Me - Rita Pavone All I know about Rita Pavone is that she was a guest on Ed Sullivan every other week. Always introduced as "Italian bombshell Rita Pavone". Ken Original Message from Mike Anderson > ...Remember Me...Could someone tell me a bit about the > artist and the recording? I did a little checking on > the Internet, and I see that Ms. Pavone has had hits > in several countries and languages. Any information > about Rita Pavone's career or this particular > recording would be appreciated. Has anyone else > recorded this tune? Message: 19 Date: Mon, 18 Mar 2002 16:52:23 +1030 From: "Norman" Subject: Re: John Pantry Jeffrey Glenn's info on John Pantry led me to put forward some of my info on The Springfield Revival. The Springfield Revival was apparently a blatant "jump on the band wagon" concept following the success of the New Seekers. A knowledge of the Springfields and the Seekers is desirable to be able to understand the resurrection of the names in the 70's. Keith Potger (The Seekers) had a hand in both the New Seekers and Springfield Revival. Springfield Revival's biggest hit in Australia (and maybe only one hit) was " Momma Was Right All Along". I can't source the single at the moment so I am unable to give label information. It went to #18 in my hometown in March of 1973. The group comprised Mick Flinn (or Flynn) (ex-Mixtures), Donna Jones (girlfriend of, and later produced by Mick Flynn as "Pussyfoot") and Ray Martin. Their self titled LP was released on Polydor in Australia (2383 150) 1972. Mick Flynn joined the Mixtures in 1967 and in 1970 the group covered Mungo Jerry's "In the Summertime" The song went to #1 in Australia ( although the original received airplay on public broadcast stations a ban by commercial radio stations on some British records at the time gave the Mixtures an edge over the original). The Mixtures follow-up record was self penned "similar sounding" production called "The Pushbike Song". Not only did it reach #1 in Australia but the Brits took to it as well! Apparently, it reached #2 in UK and #44 on Billboard in the USA (Noel McGrath). Flynn later produced Donna Jones as Pussycat who had #1 in Australia with "The Way You Do It" in 1977. The album is a throw together of every genre a pseudos-folk pop group would sing. From Cotton Fields to Jesse Fuller, throw in Judy Collins and Barry Gibb and even Hans Poulson's "Boom Sha La" Two tracks written by Jones and Flinn and, getting to the point of this exercise "You'll Always Be On My Mind" written by John Pantry and Keith Potger. The album was produced by John Pantry and Keith Potger for Gem Toby Productions Ltd. Gem Toby Organisation Ltd later issued a heap of pop orientated records on their GTO label. Norman End