[Prev by Date]
[Next by Date]
[Index]
[Search]
Spectropop - Digest Number 1263
- From: Spectropop Group
- Date: Fri, 16 Jan 2004
________________________________________________________________________
SPECTROPOP - Spectacular! Retro! Pop!
________________________________________________________________________
There are 25 messages in this issue.
Topics in this digest:
1. Since Gary Went In The Navy
From: Austin Roberts
2. Don Costa; Danny Williams
From: Mike Edwards
3. Ed Rambeau thanks all for the kind welcome.
From: Eddie Rambeau
4. Thanks from Ed Rambeau
From: Eddie Rambeau
5. Since Gary Went In The Navy - Marcy Joe
From: Mick Patrick
6. Re: Lorna Dune
From: James Botticelli
7. Re: Spine Tingling moments
From: Steven Prazak
8. Spirit of '66
From: Ed B
9. Re: Lorna Dune
From: Tom Taber
10. Collecting records and gender.
From: Julio Niño.
11. Re: Check Burry's baseball verse
From: Mike McKay
12. Re: Chuck Berry's best
From: Tom Taber
13. WKYC Cleveland/Sandusky's Monk
From: Al Quaglieri
14. Re: The Outsiders and "Time Won't Let Me"
From: Mac Joseph
15. Re: It's the Munx, Not Monk!/Spine Tingling Moments
From: Clark Besch
16. Re: Thanks Austin
From: Joe Nelson
17. Peter Udell
From: Austin Roberts
18. Bob Gallo - sixties productions
From: Davie Gordon
19. Re: Chuck Berry's best/Austin Roberts
From: Austin Roberts
20. Christopher Neil
From: csasml2007
21. Re: Hair-raising moments
From: Austin Roberts
22. Jon Brion!!! and "Organic" and Chutzpah
From: Albabe Gordon
23. Virginia Wolves
From: Austin Roberts
24. Re: Eddie Rambeau
From: David Coyle
25. Re: Vinyl Junkies
From: Austin Roberts
________________________________________________________________________
________________________________________________________________________
Message: 1
Date: Fri, 16 Jan 2004 13:40:09 EST
From: Austin Roberts
Subject: Since Gary Went In The Navy
Hey, does anybody know of a record called "Since Gary Went In The
Navy" (about Gary Troxel of the Fleetwoods)? I think Billy Meshel
wrote it, but I can't remember who sung it. I think it was Diane
something.
Austin Roberts
-------------------[ archived by Spectropop ]-------------------
Message: 2
Date: Fri, 16 Jan 2004 16:41:28 -0000
From: Mike Edwards
Subject: Don Costa; Danny Williams
Steveo writes:
> Anybody have any great stories about genius arranger Don Costa?
> Would love to hear them.
In the early days of the British Invasion, UK singer, Danny Williams,
had a US top-10 hit with "White On White" (United Artists, 1964), an
American song written by Bernice Ross and Lor Crane. (This due also
gave us Patty Duke's great "Don't Just Stand There" a year later).
"White On White" was issued in the UK on HMV but was not a hit. The
HMV label reads, "accompaniment directed by Don Costa".
Did Danny go to the US to record this or did Don go to the UK? Was
somebody trying to break Danny into the US market along the lines of,
say, Matt Monro?
Whatever the story, it's a super recording with Danny coming on like
a soulful Bobby Vinton.
Mike
-------------------[ archived by Spectropop ]-------------------
Message: 3
Date: Fri, 16 Jan 2004 07:43:53 -0000
From: Eddie Rambeau
Subject: Ed Rambeau thanks all for the kind welcome.
I would like to thank all those who have welcomed me to
Spectropop. It was especially great to hear that so many
remembered me and my recordings and writings. I'm still
recording and have 9 CDs available only through my website at
http://www.edrambeau.com where Spectropop members can listen
to several sample songs from 2 of my current CDs.
Each CD is a different genre. There's a country, a pop,
a Sinatra, a Brazilian, 02 Broadway CDs and a few more.
I'm currently working on an all up-tempo CD that is going
to be entitled: "RAMBEAU ON FIRE".
A great deal of my new recordings can also be heard on Gold
Radio at http://www.goldoldies.com - The DJ's there have been
very kind to me...with a little push from Rosemarie Edwards.
So take the opportunity to listen and/or download them and enjoy.
And to anyone out there who has an original 45 RPM copy of
"Concrete and Clay" I'd only like to say one thing........
.....You're Old!
LOL, Ed Rambeau.
-------------------[ archived by Spectropop ]-------------------
Message: 4
Date: Fri, 16 Jan 2004 07:50:32 -0000
From: Eddie Rambeau
Subject: Thanks from Ed Rambeau
Thank you so much, Mike Edwards, for that kind welcome (both
musically and verbally). The posting of "ONLY YESTERDAY" was
so very nice of you to do. I hope the members enjoy it as much
as I enjoyed writing it. Much love to all and especially you,
Mike.
Ed Rambeau
-------------------[ archived by Spectropop ]-------------------
Message: 5
Date: Fri, 16 Jan 2004 21:34:15 -0000
From: Mick Patrick
Subject: Since Gary Went In The Navy - Marcy Joe
Austin Roberts:
> Hey, does anybody know of a record called "Since Gary Went In The
> Navy" (about Gary Troxel of the Fleetwoods)? I think Billy Meshel
> wrote it, but I can't remember who sung it. I think it was Diane
> something.
Hi Austin,
"Since Gary Went In The Navy" was recorded by Marcy Joe 0n Robbee
115 in 1961. Her real name was Marcy Rae Sockel and she was from
Pittsburgh. The song was written by J. Richards and S. Meshel,
arranged and conducted by Lennie Martin, and produced by Lennie
and Lou. "Lou" is actually Lou Christie, another Pittsburgh native.
This number was also recorded by Roberta Wynn on Jubilee 5405.
Our new colleague Ed Rambeau made some records with Marcy. Maybe
he can tell us a bit more about her.
I found a copy of this record in New York last year for $1. Not bad!
I've posted it to musica. Fans of the "Early Girl" style might like
it: http://groups.yahoo.com/group/spectropop/files/musica/
Hey la,
Mick Patrick
-------------------[ archived by Spectropop ]-------------------
Message: 6
Date: Fri, 16 Jan 2004 08:51:50 -0500
From: James Botticelli
Subject: Re: Lorna Dune
Phil Milstein wrote:
> Interesting! So (Lorna) was a British woman who lived in the
> NYC area and did regular session work in the studios there?
Artie Wayne replied:
> Phil..........both Lorna and Gary Wright were natives of New
> Jersey. I guess most people think they were English because
> Gary was in Spooky Tooth.
Phil's prolly from Jersey hisself~ :-))
-------------------[ archived by Spectropop ]-------------------
Message: 7
Date: Fri, 16 Jan 2004 11:15:05 -0500
From: Steven Prazak
Subject: Re: Spine Tingling moments
Most of those "moments" for me come out of the mouth of Carl
Wilson:
- the humming in the middle of "God Only Knows"
- the middle eight of "Long Promised Road"
- the chorus of "Our Sweet Love"
- when Carl is joined by the rest of the BB voices in "Full Sail"
And brother Brian is responsible for most of the rest of a very
lengthy list! But outside of the fertile Wilson territory:
- Ronnie Spector's "oh baby"s in "I Wish I Never Saw the Sunshine"
- Bill Medley's opening "there's a lotta things I want" in "Just Once
In My Life"
- Scott Walker's "loneliness is a cloak you wear" in the "Sun Ain't
Gonna Shine Anymore"
....and I better stop before I dribble into the keyboard!
But a different "moment" of more recent vintage occured right here
at Spectropop with Artie Wayne's welcoming of Al Kooper (from 15 Jan.)
to our little playground. It's instances and recollections like that
which make Spectropop such a wonderful destination.
Steven Prazak
Atlanta, GA
-------------------[ archived by Spectropop ]-------------------
Message: 8
Date: Fri, 16 Jan 2004 16:48:45 -0000
From: Ed B
Subject: Spirit of '66
Hello,
Concerning recent posts for Michael Brown and Left Banke,
I recently came across an interesting album:
"Spirit of '66" - J.C. Penney presents an evening with
Michael Brown and His Friends
Musically, not too good even with songs like "Rockin' With
The Mods" and "There's Gonna Be A Party Tonight."
-------------------[ archived by Spectropop ]-------------------
Message: 9
Date: Fri, 16 Jan 2004 07:17:40 -0800 (PST)
From: Tom Taber
Subject: Re: Lorna Dune
John Fox wrote:
> Now if I can only keep from asking Artie Wayne if
> Lorna Dune was ever in The Cookies.
I can resist no longer asking if any of the Dixie Cups
ever went Solo, or sang with Dora Hall.
Tom Taber,
who also asks why the picture sleeve he found last
week for a Dora song mentioned only Solo Cups, and
neither Dora Hall nor the enclosed 45?
-------------------[ archived by Spectropop ]-------------------
Message: 10
Date: Fri, 16 Jan 2004 16:34:33 -0000
From: Julio Niño.
Subject: Collecting records and gender.
Hi everyone,
These last few days, ideas have circulated about justifying why
collecting, and in particular collecting records, is much more
frequent in men than in women. This asymmetry is an indisputable
fact indeed. Just another idea to consider:
Collecting records is, at least for many, a mode of self-reinforcement
or a mechanism of being socially appreciated. Many human instincts,
among them morals, are rooted in the fact that Homo Sapiens is a
herd animal and out of the necessity of a system of some sort to
maintain the group as a whole.
The males of many mammal species reaffirm their social position in a
group by mechanisms of comparing or competing: more (bigger) horns,
more (bigger) muscles, more..........
So, maybe record collecting could be linked to this type of
behavior.
Chao,
Julio Niño.
-------------------[ archived by Spectropop ]-------------------
Message: 11
Date: Fri, 16 Jan 2004 09:12:38 EST
From: Mike McKay
Subject: Re: Check Burry's baseball verse
Phil Milstein:
> "Two, three the count with nobody on"
> For those not hep to the ways of baseball, there is no two-three
> count. Three-two, sure, but two-three would technically be a
> strikeout, and so the same batter could not then
> "He hit a high fly into the stand"
Way off-topic for this group, but I can't help point it out anyway
because I'm such a huge fan of his...
Speaking of "slips," on an alternate version of "Mr. Highway Man"
(released on one of his many compilations), Howlin' Wolf -- barrelling
along in full-out boogie mode -- sings "green light is 'stop,' red
light is 'go'."
Mike
-------------------[ archived by Spectropop ]-------------------
Message: 12
Date: Fri, 16 Jan 2004 08:57:11 -0800 (PST)
From: Tom Taber
Subject: Re: Chuck Berry's best
Guy Lawrence wrote:
> - then there's the stunning baseball verse.
In that verse, Chuck says "2 - 03 the count." If such a
count is reached in baseball (2 balls, 03 strikes), the
batter is already on his way back to the dugout, as he
has "struck out."
Tom Taber
-------------------[ archived by Spectropop ]-------------------
Message: 13
Date: Fri, 16 Jan 2004 10:00:21 -0500
From: Al Quaglieri
Subject: WKYC Cleveland/Sandusky's Monk
Clark Besch wrote:
> Also, I just got done listening to an early 68 aircheck
> of Chuck Dann on WKYC Cleveland. He played a local group,
> Sandusky's Monk, as far as I can tell. Oddly, it was a
> remake of the Tymes' "So Much in Love".
The Munx, Jubilee 5634.
-------------------[ archived by Spectropop ]-------------------
Message: 14
Date: Fri, 16 Jan 2004 08:41:19 -0800 (PST)
From: Mac Joseph
Subject: Re: The Outsiders and "Time Won't Let Me"
Mark wrote:
> The guy who could best answer this question is my friend Tom
> King (lead guitarist for the Outsiders/co-writer of
> "Time Won't Let Me").
Hey Mark;
That is so cool! Tom King and I think the other fellow's name
was Chet Kelley that wrote that classic. It's too bad he's not
on Spectropop, I'll bet he has some GREAT stories.
Thanks again, my new friend.
Mac Joseph
-------------------[ archived by Spectropop ]-------------------
Message: 15
Date: Fri, 16 Jan 2004 17:20:18 -0000
From: Clark Besch
Subject: Re: It's the Munx, Not Monk!/Spine Tingling Moments
Mark wrote:
> First off, as I mentioned in the subject title, the name of the
> group you wanted info on is the MUNX, not Monk.
> Secondly, the song "Behind the Trees"--the correct title is
> "Our Dream" (confusing, I know, as the title is mentioned
> nowhere in the lyrics). It came out locally on the Clevetown
> label (I might still have a spare copy of this, if you're
> interested), with a more garage-y song, "Girls Girls Girls" on
> the flip. Great record that did well enough around the North Coast
> to get picked up by Jubilee (#5612), who also issued the
> follow-up, "So Much in Love"/"Why Did You Run Away" (#5634).
> Wish I knew more about the band itself. They may be mentioned
> in Deanna Adams' book "Rock and Roll and the Cleveland
> Connection", which I have yet to read (good excuse to visit the
> library).
Mark, THANKS SO MUCH! I've been wondering about "Our Dream" ever
since I recorded it off WKYC in '68 or so. (66? Can't remember.)
Anyway, I'd love to buy your extra copy if you have one. I
figured "So Much In Love" was the flip, since I could never find a
listing for the group. Funny that my tape and the aircheck tape
both gave the name as "Sandusky's Monk". I think I've seen the
Munx 45 before at shows and such. Now I know what it is! Thanks
so much.
Spine tingling moments:
Latest: the above. Isn't it just GREAT when you find out about a
song you've searched for for decades??!!
Also:
- The opening notes of "Look through Any Window" - Hollies.
- "I first saw you in a magazine" from the Cryan Shames' "I Wanna
Meet You."
- "You Gotta Be loved all the way, every hour every day..." from
the Montanas' classic.
- The opening guitar and "whoa whoa whoa" from Free's "All Right Now."
- The opening piano and drum roll of the Buckinghams' "Back in Love
Again".
- "Baby it's you, for you" - great finish of "I Will Always Think
About You" by the New Colony 6, plus that great opening bass guitar note.
- Opening guitar and bongos of "Karma" by PF Sloan.
- And from our group, the production on the ending "ba-ba ba ba..."
of "Happy Together".
So many more. There's probably at least one in every one of my
favorite 1000 45s! Great moments in history!
Take care,
Clark
-------------------[ archived by Spectropop ]-------------------
Message: 16
Date: Fri, 16 Jan 2004 09:00:09 -0500
From: Joe Nelson
Subject: Re: Thanks Austin
Previously:
> Austin Roberts, thanks AGAIN for your prompt (and twice!!)
> responses. My younger sister and I both fell in love with
> "Something's Wrong With Me" in the late fall of '72 when
> there seemed to be a shortage of really good melodic stuff
> on the Top 40--I was tired of "I Can See Clearly Now",
> "Your Mama Don't Dance" and "Baby, Don't Get Hooked On Me".
> Love the organ thing in the background particularly after
> the phrase "the tears of a clown".
Since we're asking questions, I always wondered if that string
note that never seemed to end at the end of the chorus was an
ARP or a Mellotron/Chamberlain. Probably the latter - listen on
the CD and you can hear drop outs in the tape loop - but I've
never been sure.
Joe Nelson
-------------------[ archived by Spectropop ]-------------------
Message: 17
Date: Fri, 16 Jan 2004 12:37:20 EST
From: Austin Roberts
Subject: Peter Udell
Bob Rashkow wrote:
> Austin Roberts, thanks AGAIN for your prompt (and twice!!)
> responses. My younger sister and I both fell in love with
> "Something's Wrong With Me" in the late fall of '72 when
> there seemed to be a shortage of really good melodic stuff
> on the Top 40--
> Gary Geld and Peter Udell are the greatest!! Were they
> themselves "The Banned" on Fontana? Absolute song-penning
> brilliance!
Bobster,
Thanx again. As regards Peter Udell (Geld/Udell of course), he
is doing great and living in the Poconos with his wife and young
son (keeps Peter young). I write with him occasionally and was
happy to hook him up with my buddy Jack Keller in Nashville in
the 90s. They're wrting great stuff together.
Austin Roberts
-------------------[ archived by Spectropop ]-------------------
Message: 18
Date: Fri, 16 Jan 2004 17:39:27 -0000
From: Davie Gordon
Subject: Bob Gallo - sixties productions
BOB GALLO's sixties productions
Here's a partial list of his credits - I think his earliest
work was on the New York sessions by (former Beatle) Pete Best
that turned up on labels like Mr.Maestro and Cameo but I don't
have any hard info. I'm sure one of the Beatles' experts can
confirm if this is true.
In a few cases where I'm not certain that Bob produced I've
noted "possible" - confirmation of the actual production credits
would be appreciated.
10/64 You Know Who Group "Roses Are Red My Love" (4 Corners 113)
[first issued on Casual 84621]
??/66 The Undertakers "Throw Your Love Away Girl" (Black Watch
5546) [this was the final, NY recorded, single by Jackie Lomax's
group]
Bob joined Atlantic in 1966 more or less as a replacement for Bert
Berns who'd left the label to concentrate on the Bang and Shout labels.
08/66 Ben E King "I Swear by The Stars Above" (Atco 6431)
11/66 The Drifters "Baby What I Mean" (Atlantic 2366)
12/66 Aesop's Fables "Hidin' My Love" (Atco 6453) (prod. Lou
Lofredo,Bob Gallo)
12/66 Patti LaBelle & the Bluebelles "Take Me For a Little While"
(2373)
12/66 Ben E King "What Is Soul" (Atco 6454)
01/67 Solomon Burke "Keep A Light In The Window" (2378)
02/67 Bobby Womack "Find Me Somebody" (2388)
03/67 Mary Wells "Hey You Set My Soul On Fire" (Atco 6469)
04/67 Ben E King "Tears,Tears,Tears" (Atco 6472)
05/67 Don Covay "Forty Days,Forty Nights" (2407)
06/67 Ben E King "Katherine" (Atco 6493)
08/67 Aesop's Fables "Girl,I've Got News For You" (Atco 6508) no
prod. credited
09/67 Aesop's Fables "Take A Step" (Atco 6523) no prod. credited
03/68 Aesop's Fables "Slow and Easy" (Atco 6565) [Louis LoFredo
Productions]
07/68 Aesop's Fables "I'm Gonna Make You Love Me" (Cadet Concept
7008)
12/68 Sounds of Modification "Carry On Carole" (Jubilee 5640)
12/68 The Naked Truth "The Wall" (Jubilee 5642)
??/69 Sounds of Modification "Umbrella Song" (Jubilee 5653) -
possible
??/69 Aesop's Fables "Temptation 'Bout To Get Me" (Cadet Concept
7011) - possible
??/69 Aesop's Fables "What Is Love" (Cadet Concept 7015) -
possible
04/72 The Vibrations "Wind Up Toy" (Mandala 2511)
05/72 Ben E King "Take Me To The Pilot" (Mandala 2512)
??/72 Ben E King "Into The Mystic" (Mandala 2513)
??/72 The Vibrations "Man Overboard" (Mandala 2514)
??/73 Ben E King "Spread Myself Around" (Mandala 2518)
In the late seventies he moved to Canada where he worked with
people like one of Canada's earliest punk-influenced groups the
Diodes.
For some reason, possibly a reference in a CD booklet, it's been
said that "Bob Gallo" was a pseudonym for NY session guitarist
Eric Gale - I'm sure this is wrong but maybe one of one of NY
Spectroppers Emeritus can give us their input.
A belated welcome to Al, Artie, Ron and Lloyd - I'm sure you'll
get as much enjoyment from Spectropop as we do from your posts.
Davie Gordon - even further behind than Country Paul :-)
-------------------[ archived by Spectropop ]-------------------
Message: 19
Date: Fri, 16 Jan 2004 13:35:26 EST
From: Austin Roberts
Subject: Re: Chuck Berry's best/Austin Roberts
Thanx guy. I do remember the song now; it was Mary Wanna Go
Around with Me (I couldn't stay away from writing Mary songs,
but I swear they had no toke in them) and I found out what
happened with it. It's on the early album cover that was like
a rainbow, with the songs as the colors, and I believe the very
first pressings, though I'm not sure. Then there was some
publishing dispute between my publisher and K and K, the first
month I was Red (or whatever), the next Dead. They took it off.
I had forgotten most of that, but I asked a secret old friend
who insists on anonimity, for whatever reason cause you guys
would love him.
Anyway that's the story and I'm stickin' to it.
Austin
-------------------[ archived by Spectropop ]-------------------
Message: 20
Date: Fri, 16 Jan 2004 13:59:29 -0000
From: csasml2007
Subject: Christopher Neil
One of the greatest albums of the early 70s was
Christopher Neil - Where I Belong.
It's a singer-songwriter and his LP was released by RAK
Unfortunately I don't have his 45s with "Here We Go"
This music is great and had a little airplay in a radio
station here in Rio de Janeiro
There a producer with the same name but I don't have a clue
if are the same guy. He produced Sheena Easton in early 80s.
-------------------[ archived by Spectropop ]-------------------
Message: 21
Date: Fri, 16 Jan 2004 13:56:40 EST
From: Austin Roberts
Subject: Re: Hair-raising moments
I was lucky enough to hear a bootleg version of the original
Byrds demo of Tambourine Man and it was in C whereas the
record was in D which makes double sense since McGuinn's
vocal sounded better in D and his Ric' 12 string riff was
played on on more open strings which punched better.
Austin R.
-------------------[ archived by Spectropop ]-------------------
Message: 22
Date: Fri, 16 Jan 2004 11:36:11 -0800
From: Albabe Gordon
Subject: Jon Brion!!! and "Organic" and Chutzpah
Peter Kearns said of Organic Sound / Jon Brion:
>"And I would definitely recommend LA producer Jon Brion."
Hey Peter! I love Jon's stuff. His Gray's album (with ex
Jellyfisher, Jason Falkner) is tremendous! His work with
Badly Drawn Boy (from the movie "About A Boy"), Susanna Hoffs,
Sara Hickman, T. P. and the Heartbreakers and Aimee Mann is
fantastic! He's also on the Faulkner-less 2nd Jellyfish album:
Spilt Milk. Great writer and arranger. Very organic sounding
stuff... but I can hear sequencers in his stuff too...
So in terms of organic or digital; isn't it "What you do with
what you got", rather than "What you got?" My Mom used to say
that... but I was an ugly kid and needed the Hootspa..
~albabe
-------------------[ archived by Spectropop ]-------------------
Message: 23
Date: Fri, 16 Jan 2004 14:16:20 EST
From: Austin Roberts
Subject: Virginia Wolves
Hi all,
I seem to be full of questions today. Does anyone remember the
Virginia Wolves. It was my first authentic release; it was on
the ABC label but I can't remember what the A side was. I believe
it was I Can't Believe That You're In Love With Me, but I'm just
not sure The B side was Rose Pedals Everywhere She Goes (It was
about a girl on a bicycle). It even got a Billboard Top 60 Pick.
Unfortunately, at the time it was released in 1967, I was at
Parris Island, SC (not a summer resort) having just joined the
Marine Corps. I didn't dare let them know or the Drill Instructors
would've put it 'where the sun don't shine'. Anyway, I know that's
an obscure one but you guys come up with some fantastic info.
Appreciate it,
Austin Roberts
-------------------[ archived by Spectropop ]-------------------
Message: 24
Date: Fri, 16 Jan 2004 13:03:46 -0800 (PST)
From: David Coyle
Subject: Re: Eddie Rambeau
I've never heard Eddie Rambeau's version of "Concrete
And Clay". I'm sure it's good, but I'm hard pressed to
want to like anything other than Unit 4+2's
version...it's just a magic 1965 moment. Seems to me
an odd hit having such an overt Drifters sound in a
year where the Drifters must have been out of fashion.
As for "Navy Blue" and "Kiss Me Sailor", I was never
too keen on "Navy Blue" as I always hated those "I
love my wonderful boyfriend who treats me so tenderly"
type songs. But I will say the backing on "Navy Blue"
blows me away, particularly those "bump-bah-bump,
bump-bah-bump" trumpet blasts that preface the chorus
and that cheesy keyboard solo.
I just heard "Kiss Me Sailor" on a digital oldies
station the other day, and it's a prime example of a
follow-up to a hit done in an almost identical style.
David
-------------------[ archived by Spectropop ]-------------------
Message: 25
Date: Fri, 16 Jan 2004 14:03:29 EST
From: Austin Roberts
Subject: Re: Vinyl Junkies
Mike:
> A belated Antipodean welcome to Austin Roberts (loved your
> stuff since I was a lot smaller than I am now ;),
> and Ron Dante (same spiel...). Never thought I'd see the day
> when I could talk to you.
Thanks Mike,
Austin Roberts
-------------------[ archived by Spectropop ]-------------------
SPECTROPOP - Spectacular! Retro! Pop!
End
Spectropop text contents © copyright 2002 Spectropop unless stated otherwise. All rights in and to the
contents of these documents, including each element embodied therein, is subject to copyright protection
under international copyright law. Any use, reuse, reproduction and/or adaptation without written permission
of the owners is a violation of copyright law and is strictly prohibited. All rights reserved.
