________________________________________________________________________ SPECTROPOP - Spectacular! Retro! Pop! ________________________________________________________________________ There are 5 messages in this issue. Topics in this digest: 1. Re: Jack jumped over the radio From: James Botticelli 2. Re: Philly Project, The Dantes From: Margaret G Still 3. Simon Says From: Julio Niņo 4. Tourists and Summer. From: Julio Niņo 5. Re: The Songs Of Lori Burton From: Jeff Lemlich ________________________________________________________________________
________________________________________________________________________ Message: 1 Date: Sun, 5 Jun 2005 12:22:52 -0400 From: James Botticelli Subject: Re: Jack jumped over the radio Country Paul wrote: > Boston and Philly correspondents, your oldies outlets are also > owned by the same corporation, Infinity. Be very afraid. I gave up listening to the radio some years back here in Boston. The only oldies shows worth anything here are on WMBR-FM daily from noon to two (Lost & Found), and The Time Tunnel which airs on WILD-AM Saturday mornings from 8 - 12 noon. Its strictly soul oldies, but he avoids the crossover hits and stays away from overplayed Motown stuff. Lottsa great obscure ballads. Lost and Found is on the web at wmbr.org The DJ's change and sometimes the show gets DJ'd too frequently by the Deadheads, but there is a pretty good lineup these days. No one of the ilk found here all the time however. JB -------------------[ archived by Spectropop ]-------------------
Message: 2 Date: Sun, 05 Jun 2005 18:50:19 -0000 From: Margaret G Still Subject: Re: Philly Project, The Dantes S.J. Dibai: > Meanwhile, please fill me in on The Dantes. The name sounds just > vaguely familiar. Clark Besch: > Reminds me that whoever is doing the Philly project, can you get > the great Jamie Records track, "Can't Get Enough of Your Love" > and "80-96" by the Dantes?? Would love to hear that clean too!!! Is this the same Dantes who did a nice cover of the Jagger-Richards song "Connection" on Main Line 1366? I'd like to hear about them also. Best, Margaret G. Still -------------------[ archived by Spectropop ]-------------------
Message: 3 Date: Sun, 05 Jun 2005 19:04:02 -0000 From: Julio Niņo Subject: Simon Says Hola everybody, Some days ago, the always interesting Simon White wrote about Adam Wadeīs "Rain From the Skies" and the twisted and funny vicissitudes that sometimes bring a song to someone's attention. Sixties music is indeed a fascinating labyrinth. "Rain From The Skies" has been a favorite of mine for years, itīs a classic in skinhead circles and I always thought that it was a Jamaican original. The tune is usually credited to Delroy Wilson and only recently I discovered here in Spectropop that it was a Bacharach-David song. Some months ago I managed to listen for the first time to Adam Wadeīs original and itīs splendid, although not as soulful as some Jamaican versions. The combination of sophisticated songs like that and the rough and somehow minimalist approach of many Jamaican covers sometimes produce unsurpassable results. And continuing with Simonīs comments, in the same messages he, perhaps with some maliciousness, pointed out that some people find "Rain From The Skies" too subtle for a Northern dance floor. Iīm rather ignorant about the Northernsoul scene nuances, but occasionally, here in Madrid, I attend Northernsoul all-nighters (at least thatīs how the organizers call them). Most of the DJs seems too centered in being cool and in, and usually bore me, but Iīve noticed that the scarce number of female DJs often have a more heterodox, unpredictable and also sophisticated selection of songs, including Brazilian tracks, Jamaican Soul, danceable jazz, and lots of cool instrumentals. Of course Iīm talking about a very limited sample, and itīs not my intention to make any conclusion. On the other hand, age and also the influence of chemicals can be determinant of the type of rhythms you are inclined to dance. Some stimulants and subtlety are hardly compatible. Chao. Julio Niņo. -------------------[ archived by Spectropop ]-------------------
Message: 4 Date: Sun, 05 Jun 2005 19:06:34 -0000 From: Julio Niņo Subject: Tourists and Summer. Hola everybody, Migratory birds arriving or the fields turning gold, could be in some places the signals of the approaching of Summer. Here in Madrid the main sign is the sprouting of tourists in the streets. Iīve always found tourists interesting (specially if they are young and good looking). Of course thatīs a common feeling, tourism has always been an erotic phenomenon in Spain, particularly in the sixties. Tourism and tourists is an frequent subject in Spanish sixties pop. There are many songs about that matter, one of my favorites, is the ultra-rare and mega-kitsch "Turista" (tourist) by Spanish ye ye girl Mony (Fontana, 1967). Mony sings (or more properly howls) that sheīs in love with a tourist, although she canīt understand a word of what he says, and she canīt even recognize his language, (of course that could be an advantage in many cases, unlike whatīs commonly said Iīve always thought that a certain dose of lack of communication can be beneficial in erotic relations). If someone out there helps me, Iīll try to play Monyīs musical aberration in musica for your amusement. Changing the subject, I want to thank Country Paul for elaborating the very interesting and entertaining article about Denny Reed. I liked it very much. And finally, These last days Iīm fascinated with a Del Shannonīs track that I discovered in the monumental Bear Family box set, "Iīll Be Lonely Tomorrow", (Amy, 1964) a very sweet tune that would have been perfect for Ruby And The Romantics. I would love to know if there are any other versions of that beautiful song. Chao. Julio Niņo. -------------------[ archived by Spectropop ]-------------------
Message: 5 Date: Sun, 5 Jun 2005 15:12:21 -0400 From: Jeff Lemlich Subject: Re: The Songs Of Lori Burton Mick Patrick: > George Torrence & the Naturals "Lickin' Stick" (Shout 224, 1967) > If so, I'm curious about who wrote the songs - please do tell. Writer's credits on the Torrence single are George Torrence & Charles B. Manley. Jeff Lemlich http://www.limestonerecords.com -------------------[ archived by Spectropop ]-------------------
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