________________________________________________________________________ SPECTROPOP - Spectacular! Retro! Pop! ________________________________________________________________________ There are 14 messages in this issue. Topics in this digest: 1. Re: The Roulettes From: Dave Monroe 2. Another reason why Long John Baldry was cool From: Dave Monroe 3. Streisand's "My Coloring Book" From: Paul Urbahns 4. Re: "Susan" & the Cryan' Shames From: Jim Kauffman 5. Re: Tony Christie's "Avenues & Alleyways" From: Simon White 6. Re: The Roulettes From: Karl Baker 7. Re: Reparata & the Delrons' "I'm Nobody's Baby Now" From: Mikael 8. Re: The Roulettes From: James Botticelli 9. Eugene Record From: Phil X Milstein 10. Re: Streisand's "Coloring Book" From: Chris 11. The Roulettes, Unit 4+2, and The Reflections, too From: S.J. Dibai 12. Re: Streisand's "My Coloring Book" From: George Schowerer 13. "Bon Anniversaire"; " Cerca de Ti" From: Julio Niņo 14. Re: "Bon Anniversaire" From: Steve Crump ________________________________________________________________________
________________________________________________________________________ Message: 1 Date: Sun, 24 Jul 2005 06:27:46 -0700 (PDT) From: Dave Monroe Subject: Re: The Roulettes Michael wrote: > I'm wondering if any of the record collectors among you can help me > with something: Can anyone confirm any American releases of records > by The Roulettes, the British group, not the American vocal group. United Artists 990 - THE ROULETTES: The Long Cigarette*/Junk* (1966) http://www.helsinki.fi/~tuschano/wants/records/ http://members.libcom.com/jhurray/HTML/TXT-HTML/r3.htm http://tinyurl.com/al9kw "Soon You'll Be Leaving Me" was the closest thing The Roulettes had to an American hit, as some American stations, anxious for anything British during the initial boom of the Invasion, added an American pressing of this single on United Artists to their playlists (WABC in New York even marked this one as a 'Hot Prospect' in Spring 1964). On the flip lay a mostly one-chord rocker akin to The Beatles' cover of The Shirelles' "Boys," right down to the screams and shouts. The song was not about female anatomy but actually about a woman who cannot keep a secret, based on an old Mother Goose rhyme. (Note: Most Roulettes discographies list this single as having been released in September 1963, but your humble narrator here has seen an advert that specifies November 8 as a street date.) http://www.fufkin.com/columns/lynch/lynch_10_02.htm That may or may not be it, but that's all I could find, at least efficiently. Here's a nice UK discography for comparison ... http://www.geocities.com/fabgear6366/roulettes.htm -------------------[ archived by Spectropop ]------------------- Message: 2 Date: Sun, 24 Jul 2005 06:39:16 -0700 (PDT) From: Dave Monroe Subject: Another reason why Long John Baldry was cool He recorded the third best version of "Sunshine of Your Love," after Ralph "Soul" Jackson and The Fifth Dimension, and before Ella Fitzgerald, Mongo Santamaria, Jimi Hendrix and, well, Cream. -------------------[ archived by Spectropop ]------------------- Message: 3 Date: Sun, 24 Jul 2005 10:01:22 -0400 From: Paul Urbahns Subject: Streisand's "My Coloring Book" Bob Rashkow wrote: > ... capitalize on the MOR success that Barbra Streisand (whose > version unfortunately overshadowed Sandy Stewart's and Kitty > Kallen's wonderful, heartbreaking renditions) had with the tune. This brings up a point that has always irritated me, the way major record companies can rewrite history in their favor. Barbra's My Coloring Book was issued as a single in November 1962 but failed to chart nationally. Her version became known when it was included on her first album. Barbara's first big hit I can think of was "People". However, Columbia put My Coloring Book on her first greatest hits album, which also sold well, and has kept the song in circulation for years. And yes radio stations have probably played it as an oldie because the two real hits were not available. So Barbra's My Coloring Book was not a hit on it's own but by association because of being on several best selling albums. That's the record business. Paul -------------------[ archived by Spectropop ]------------------- Message: 4 Date: Sun, 24 Jul 2005 16:16:06 -0000 From: Jim Kauffman Subject: Re: "Susan" & the Cryan' Shames S.J. Dibai: > Is it true that WLS only played an edit of "Susan" that didn't > have the weird musique concrete in the middle? Sorry to get to this thread so late, but that was no "musique concrete" -- that was a snippet from Charles Ives' Central Park in the Dark. The Buckinghams were on Columbia, of course, and so was the Leonard Bernstein recording of this piece, released a couple of years before "Susan". Jim K. -------------------[ archived by Spectropop ]------------------- Message: 5 Date: Sun, 24 Jul 2005 19:36:12 +0100 From: Simon White Subject: Re: Tony Christie's "Avenues & Alleyways" Are these new ones remakes - or do my ears decieve me? "Avenues And Alleyways" is the only Tony Christie 45 I possess. Whereas Tony's recent hit revival was certainly helped by comedian Peter Kaye's charity involvement (and for overseas veiwers, Peter is a comedian firmly planted in the North of England and his humour is very much of that strange land of small time entrepeneurs playing as he does Bingo callers, club owners, small time entertainers, caberet singers ect.) The songs stand up in thier own right. And least we forget, Andy Williams' "Music To Watch Girls By" was a big UK hit again a few years back and falls into the same category: pop crooner of the red cardigan and white "turtle" neck (or "polo neck" in England where there are no turtles) wearing kind, singing a groovy song. Tony's "5 fave tunes" are published in one of today's tabloid sunday supplements and goes like this: 1. Ella Fitzgerald 3. Hoagy Carmichael 4. Elvis Costello 5. Frank Sinatra Number 2? It's Little Richard's "Long Tall Sally". Tony Christie is a genius. -------------------[ archived by Spectropop ]------------------- Message: 6 Date: Sun, 24 Jul 2005 11:17:38 -0400 From: Karl Baker Subject: Re: The Roulettes The Roulettes had two US singles: Can You Go / Soon You'll Be Leaving Me (United Artists 718, 1964) Long Cigarette /Junk (United Artists 990, 1965) There were also five issued on Amy as backing group for Adam Faith. Karl -------------------[ archived by Spectropop ]------------------- Message: 7 Date: Sun, 24 Jul 2005 17:24:59 +0200 From: Mikael Subject: Re: Reparata & the Delrons' "I'm Nobody's Baby Now" Me: > Also, I read in the ("Phil's Spectre II") booklet that Reparata > doesn't know who Jeff Berry penned "I'm Nobody's Baby Now" (best 45 > ever made in my opinion) for. I know, he wrote it right after Ellie > left him. Ray: > I haven't read Reparata's exact quote yet, but I'm pretty sure she > meant that she didn't know what singing group Jeff wrote the song > for. You're probably right. A slight misinterpretation on my behalf. Anyway, I read what the subject of the song was years ago in an article on Jeff. -------------------[ archived by Spectropop ]------------------- Message: 8 Date: Sun, 24 Jul 2005 10:20:59 -0400 From: James Botticelli Subject: Re: The Roulettes Oh, THOSE Roulettes. "If you should walk right out of that door, a bad bad time, a bad bad time"? They were on an early 8T's UK reissue of some 6T's Beat groups and I'm sorry, but the title escapes me at the moment. It wasn't 'Beat '63' which I got the same day in '82 or so. It was a slightly cheesier reissue. I since sold it off. Sorry to be so vague. Maybe someone knows the reissue I'm talking about. JB -------------------[ archived by Spectropop ]------------------- Message: 9 Date: Sun, 24 Jul 2005 15:58:11 -0400 From: Phil X Milstein Subject: Eugene Record Eugene Record, 64, Singer and Writer for Chi-Lites, Dies By Ben Sisario New York Times Eugene Record, the leader of the 1970's harmony group the Chi-Lites, which scored hits with mellifluous soul ballads like "Oh Girl" and "Have You Seen Her?," died yesterday. He was 64. The cause was cancer, Jack Bart, the president of the group's booking agency, told The Associated Press. The place of death was not announced. With smooth, yearning vocals and streamlined arrangements, the Chi-Lites, named after the group's hometown, Chicago, mingled sentimental street-corner doo-wop with the sounds of Motown and funk to create a sleek new soul style in the early 70's. "Oh Girl" became a No. 1 hit in 1972, and 11 of the group's songs reached the Top 20 on the R&B charts from 1969 to 1974. Mr. Record wrote or helped to write many of the group's most popular songs and frequently sang the lead as well, in a velvety and often melancholic tenor. He sometimes sang in a euphoric falsetto, as he did in "Stoned Out of My Mind," which he wrote with his former wife and songwriting partner, Barbara Acklin. Another device favored by Mr. Record was the pensive spoken verse, which he used in "Have You Seen Her?" and "A Letter to Myself." The Chi-Lites' biggest hits have remained radio staples for decades, and the group's songs have frequently been covered by other performers. In 1990 MC Hammer recorded a popular version of "Have You Seen Her?," and in 2003 Beyoncé Knowles's song "Crazy in Love," a blockbuster hit, sampled the horn fanfare in "Are You My Woman? (Tell Me So)," a Chi-Lites song written by Mr. Record. When "Crazy in Love" won a Grammy Award for best R&B song, the prize was shared by Mr. Record; Ms. Knowles; her producer, Rich Harrison; and Shawn Carter, better known as Jay-Z, who contributed a rap. The Chi-Lites' origins were in the late-50's doo-wop era. Mr. Record formed the Chanteurs with Robert Lester and Clarence Johnson, and released a single in 1959. The next year Creadel Jones and Marshall Thompson joined them, and the group became the Hi-Lites, changing its name to the Chi-Lites in 1964. The group signed with the Brunswick label in 1968, and began to taste success that year with the song "Give It Away," which reached No. 10 on the R&B charts. But it was a string of hits in the early 70's that established the group's reputation. In addition to its breezy and romantic ballads, the Chi-Lites had a handful of stern political songs, including "(For God's Sake) Give More Power to the People," "There Will Never Be Any Peace (Until God Is Seated at the Conference Table)," both written by Mr. Record. Mr. Record left the group in 1976 and released three solo albums on Warner Brothers. He rejoined the Chi-Lites in 1980, and the group had two more minor hits on Mr. Record's label, Chi-Sound, "Hot on a Thing (Called Love)" and "Bottom's Up." The group has continued in various permutations since the mid-1980's, and Mr. Record performed with it in "Only the Strong Survive," a 2002 documentary of 1960's and 70's soul stars that was directed by Chris Hegedus and D. A. Pennebaker. His survivors include his wife, Jackie. -------------------[ archived by Spectropop ]------------------- Message: 10 Date: Sun, 24 Jul 2005 16:06:14 -0400 (EDT) From: Chris Subject: Re: Streisand's "Coloring Book" Paul Urbahns wrote: > [Streisand's] version became known > when it was included on her first album. For the record, it was the second Barbra Streisand album -- titled, imaginatively enough, "The Second Barbra Streisand Album" -- that included Kander & Ebb's song "My Coloring Book." Chris -------------------[ archived by Spectropop ]------------------- Message: 11 Date: Sun, 24 Jul 2005 20:51:39 -0000 From: S.J. Dibai Subject: The Roulettes, Unit 4+2, and The Reflections, too Greetings, fellow Spectropoppers. I have been reading the posts on The Roulettes with great interest. From the fufkin.com description of the song "The Long Cigarette," it is clear that this is the same tune The Reflections had out as a single in 1966. I have always been intrigued by the writers' credit on that one, which is "B. Parker - T. Moeller"-- clearly Brian Parker and Tommy Moeller of Unit 4+2. It's reasonable to assume The Roulettes' version preceded The Reflections', but how did The Roulettes get a Unit 4+2 song that, to the best of my knowledge, the Unit never put out? It seems there was a relationship between the bands as Russ Ballard and Bob Henrit reportedly joined the Unit later on. Furthermore, is the Roulettes song "I Can't Stop" the same tune that Unit 4+2 released on their second album? (Writers' credit is also Parker & Moeller.) S.J. Dibai -------------------[ archived by Spectropop ]------------------- Message: 12 Date: Sun, 24 Jul 2005 12:34:13 -0700 (PDT) From: George Schowerer Subject: Re: Streisand's "My Coloring Book" Paul Urbahns wrote: > This brings up a point that has always irritated me, the way major > record companies can rewrite history in their favor. Barbra's My > Coloring Book was issued as a single in November 1962 but failed to > chart nationally. Her version became known when it was included on > her first album. Barbara's first big hit I can think of was > "People". However, Columbia put My Coloring Book on her first > greatest hits album, which also sold well, and has kept the song > in circulation for years. And yes radio stations have probably > played it as an oldie because the two real hits were not available. > So Barbra's My Coloring Book was not a hit on it's own but by > association because of being on several best selling albums. That's > the record business. Paul: If I can remember correctly, Barbra had recorded material before "People"...if not, a tv special. She had two tv specials, one entitled "Color Me Barbra". Regards, George Schowerer -------------------[ archived by Spectropop ]------------------- Message: 13 Date: Sun, 24 Jul 2005 19:39:12 -0000 From: Julio Niņo Subject: "Bon Anniversaire"; " Cerca de Ti" Hola everybody, Today I got up with a severe sleeping abstinence syndrome that made me feel totally cosmophobic. But later, I listened to Pat Powdrillīs "Happy Anniversary" and that little pleasure instantly healed me (today is the anniversary of my current relationship). Talking about "Happy Anniversary," some time ago at a party, the DJ played a French version titled, I think, "Bon Anniversaire." It was sung by a girl I couldnīt identify that reminded me of Michelle Torr. Iīve been searching and I couldnīt find any reference to Michelleīs version of the song. Does anybody know who the singer of that French version could be?. Thanks. In a few days Iīll migrate to Barcelona to spend the rest of my holidays, but before I go I would like to wish you all a happy summer by playing in musica a song that I think some of you might like: "Cerca De Ti" (close to you) by the Spanish girl group Las Chic, composed by A. Algueró and A. Guijarro, produced by Augusto Algueró, Hispavox 1966. I mentioned this song some time ago in a post in Sīpop. I like it very much. The singers declare their intention to pursue obsessively their desired prey until he accepts that they are the girls he needs. They sing it innocently, but somehow the results are totally menacing. There are many versions of the song; all are very interesting. Chao, Julio Niņo. P.S. I loved Don Randiīs majestic "Baby You Donīt Understand Nothin'," the current record of the week on Jack Nitszcheīs home page. Jackīs portentous arrangement completely devours the song. -------------------[ archived by Spectropop ]------------------- Message: 14 Date: Sun, 24 Jul 2005 23:33:51 -0000 From: Steve Crump Subject: Re: "Bon Anniversaire" Julio Niņo wrote: > Talking about "Happy Anniversary," some time ago at a party, the DJ > played a French version titled, I think, "Bon Anniversaire." It was > sung by a girl I couldnīt identify that reminded me of Michelle > Torr. Iīve been searching and I couldnīt find any reference to > Michelleīs version of the song. Does anybody know who the singer of > that French version could be?. Thanks. Hi Julio, Your first instinct was correct - that version is by Michele Torr. It appears on her first Mercury ep 152.101 from 1963. Enjoy your vacation. Cheers from Australia, Steve -------------------[ archived by Spectropop ]------------------- SPECTROPOP - Spectacular! Retro! Pop! End