________________________________________________________________________
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______________ S P E C T R O P O P ______________
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________________________________________________________________________
Jamie LePage (1953-2002)
http://www.spectropop.com/Jamie.htm
------------------------------------------------------------------------
There are 23 messages in this issue.
Topics in this digest:
1. Breaking Up Is Hard To Do
From: Paul Urbahns
2. Re: Val Valentin
From: Gregg Luvoxx
3. Uncut - A Tribute to John Lennon
From: Tim Looney
4. Re: Stones Documentary
From: Richard Havers
5. Re: Christmas songs/Tom Rapp
From: Stewart Mason
6. American bad dreams - and good music
From: Country Paul
7. Re: Nooney Rickett
From: Mikey
8. Ray Conniff
From: Pale Sceptre
9. dick clark productions
From: bryan
10. Re: American bad dreams - and good music
From: Louise Posnick
11. Re: American bad dreams - and good music
From: Phil Milstein
12. Re: Stones Documentary
From: Peter Lerner
13. Re: Dick Clark Productions show replays
From: Terrie Neilson
14. S C O R E , B A B Y ! Groovy Soundtracks
From: Neb Rodgers
15. Big Night Out with Kim Weston
From: David Bell
16. Re: CHRISTMAS SONGS / Shirley Ellis
From: Tim
17. Re: American Dreams
From: Mike Edwards
18. Re: Big Night Out with Kim Weston
From: Richard Tearle
19. Re: the Honey Bees
From: Mike C
20. Re: Christmas Songs / Shirley Ellis
From: Mick Patrick
21. Who killed Teddy Bear/ Bunny Lake
From: Bill Craig
22. Pussy Galore
From: Stuffed Animal
23. Back to Sounds Inc.
From: Ken Silverwood
________________________________________________________________________
________________________________________________________________________
Message: 1
Date: Sun, 13 Oct 2002 23:00:02 EDT
From: Paul Urbahns
Subject: Breaking Up Is Hard To Do
On a related note, Billy Spradlin writes:
> The Righteous Brothers "Unchained Melody" hit the Top 40 again after it
> appeared in the movie "Ghost" in October 1990.
> It's probably the first time in chart history two different versions of the
> same song by the same artist hit the Top 40! >>
Billboard really messed up on that one. The original Phil Spector cut was
used in the movie. The Brothers rushed out an el cheapie immitation on their
current label and that was what the stores sold to the unknowing. The radio
stations continued playing the original Phil Spector version.
But don't forget Neil Sedaka (Breaking Up Is Hard To Do) did two versions of
that song both charted. And of course the Ventures with Walk Don't Run and
Walk Don't Run 64
Paul Urbahns
-------------------[ archived by Spectropop ]-------------------
Message: 2
Date: Sun, 13 Oct 2002 17:03:47 -0700
From: Gregg Luvoxx
Subject: Re: Val Valentin
Jack Madani:
> Gregg, funny you should mention Val Valentin just as
> I was playing a Lou Christie recording to musica.
That's a great album. My favorite track is Baby, We Got To
Run Away ("we don't need candles on a cake. 'No...champagne'").
The Tammys are featured on a few tracks as well. This is why I
posted about Valentin, the guy must have (if he's still alive)
some incredible stories.
GL
-------------------[ archived by Spectropop ]-------------------
Message: 3
Date: Sun, 13 Oct 2002 20:47:25 -0400
From: Tim Looney
Subject: Uncut - A Tribute to John Lennon
The November 2002 issue of Uncut includes a disc entitled:
Instant Karma, A Tribute to John Lennon
18 tracks in all
1. Hammell On trial - John Lennon
2. Paul Weller - Instant Karma*
3. Ian McCulloch - Jealous Guy*
4. Kristin Hersh - Everybody's Got Something To Hide
Except Me And My Monkey
5. Marianne Faithfull - Working Class Hero
6. Teenage Fanclub - The Ballad Of John And Yoko
7. The Pretenders - Bless You*
8. The Breeders - Happiness Is A Warm Gun
9. Ike and Tina Turner - Come Together
10. Robert Wyatt - Love*
11. Generation X - Gimme Some Truth
12. Mercury Rev - Isolation
13. Icicle Works - Cold Turkey
14. Toots and the Maytals - Give Peace A Chance
15. Ash - Gimme Some Truth
16. John Holt - Happy XMAS (War is Over)
17. Spooky Tooth - I Am The Walrus
18. Roddy Frame - In My Life*
* indicates exclusive to this compilation
I thought some of you may be interested
peace,
tim
-------------------[ archived by Spectropop ]-------------------
Message: 4
Date: Mon, 14 Oct 2002 00:49:35 +0100
From: Richard Havers
Subject: Re: Stones Documentary
> > The music journalist (if my memory serves me who quoted the
> > story) was unknown to me.......did anyone else catch it?
Peter Lerner wrote:
> It was Keith Altham, who used to write for the NME when
> I was a lad!
No big point but it wasn't Keith.....it was the other guy
in the leather jacket wasn't it?
-------------------[ archived by Spectropop ]-------------------
Message: 5
Date: Mon, 14 Oct 2002 01:18:35 -0400
From: Stewart Mason
Subject: Re: Christmas songs/Tom Rapp
I would feel utterly remiss if I didn't mention a personal favorite,
"Jingle F***ing Bells" by Blowfly, most readily available on the CD reissue
of his first album, THE WEIRD WORLD OF BLOWFLY. (Blowfly was/is the alter
ego of R&B producer Clarence Reid, who wrote and produced many R&B and
early disco hits; he released several albums of truly filthy -- and
hilarious -- R&B song parodies as Blowfly alongside his work under his real
name.)
Last night, my wife and I saw Tom Rapp (of '60s acid-folkies Pearls Before
Swine) at Terrastock V here in Boston. He was in remarkable voice, doing a
nice selection of songs from the PBS albums and a couple of things from the
recent A JOURNAL OF THE PLAGUE YEAR comeback, and he and wife/muse
Elizabeth both look remarkably fit.
Stewart
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Message: 6
Date: Mon, 14 Oct 2002 09:56:13 -0400
From: Country Paul
Subject: American bad dreams - and good music
Dave Swanson, thank you for your excellent and appropriately
scathing review of "American Dreams", which confirms my worst
fears about it. Based on the show's promos, I opted to avoid it.
I would expect most fictional TV, especially in the "family
hour" on a major network, to warp history to suit its bias.
I also assume that most members of this group, while we love
the sounds and creativity of the music of past eras, are firmly
living in the present and are at Spectropop for the sounds of
the era rather than the nostalgia. As Dave said, "My problem
with these kinds of shows are they cheapen everything. They make
it all sanitized and lame." In my personal opinion, knowing and
remembering real history is essential to understanding the
present and future; wallowing in nostaligia is a recipe for
resigning from life. Having said that, it would be nice if
Dick Clark made available some of the artist film and video
he has in his archives, including the more obscure artists.
Now that would be worth watching.
Louise Posnick's impassioned comments and their responses
provoke me to add my opinion. First, a semantic note: it
wasn't "the hippies", like "the Democrats" or "the Republicans";
"hippies" weren't an organized group or club. What "hippies"
and other free-thinkers did was to help open the world view
of America - a strenuous and difficult opening, marked by
some mistakes but many victories, small and large. Some of
the music we celebrate in this group, placed in historical
context, was not just creative but actually courageous. One
example: we laugh at the reactions preserved on film and video
to "Beatle hair", but I know people who were beaten up by buzz
-cut guys just for wearing it. Another example: Hendrix's first
US tour wasn't just a series of concerts, but musical and
political statements of the heretofore-thought-impossible.
(I was privileged to be at one of them.)
"Dropping out" in its purest intent wasn't resigning from
"life" but from "mainstream America", and accepting the
responsibility of creating a better lifestyle and living it.
Those not alive then cannot imagine the social pressures to
conform to the bland and conservative standards of the 50s
(which, despite JFK's efforts, really prevailed until his
assassination). However, given the current political climate
in the US at this moment, you might want to prepare yourselves
for a rebirth of it.
Music notes:
Dan Hughes - great Parkyakarkus story. Thank you. I knew of
the Albert Brooks relationship, not the "Super Dave" connection.
(One can't say this group isn't educational!)
Michael Coxe: great garage-band rundown. How could I have
forgotten Barrett Strong's "Money"? Another biggie, which
I believe was actually recorded at a frat party: "Double Shot
of My Baby's Love," a medley of the Swingin' Medallions'
greatest hit! (Actually there were two versions - a "dirty"
one, where "she loved me so hard and she loved me so right"
and a "clean" one, where "loved" became "kissed." The
ludicrousness stands without further comment.)
In the Favorite Instrumentals Dept., may I also suggest:
(1) "South Side of the Sky," from the under-recognized Bob
Welch period of Fleetwood Mac. And does anyone know
"whatever happened to" Mr. Welch?
(2) The Fireballs, "Quite a Party" on Top Rank (1960), one
of the all-time drum hooks combined with exceptional guitar
work. Incidentally, this song also became a signature for the
Hudson River Valley Boys, who used to play loads of parties,
dances andclubs in their namesake area in the early 1960's.
Does anyone know if they ever recorded, or anything about
their personnel? Did they ever record? If memory serves, they
had some of the better guitarists I've ever seen live, then
or now.
Stephen Braitman, thank you for the Carol Conners discography;
it's the kind of thing I came to this group for. Besides "Angel
My Angel" (one of my all-time faves), are there many more tracks
with the Teddy Bears' sound? And Dan and Stephen. I don't have
the Carol Connors "Dear One," but Larry Finnegan's "Dear One"
and its flip side's writing credits (Old Town label, first
pressing) are both "Finneran & Finneran"; assuming the more
Irish and less familiar surname was "Americanized," I'd give
Larry credit for his own song.
Finally (for the moment), I second the big thank-you to the
Spectropop Team for continuing to be who you are and letting
us come in and "play in your yard"!
Country Paul
-------------------[ archived by Spectropop ]-------------------
Message: 7
Date: Mon, 14 Oct 2002 10:57:21 -0400
From: Mikey
Subject: Re: Nooney Rickett
Stephen Braitman:
> .....Penned by Rickett and Poole,
> "Bye Bye Baby" is strongly reminiscent of the Beatles
> and Wayne Fontana.......
Can you play By Bye Baby to musica? PLEASE!! thanks!!
Mikey
-------------------[ archived by Spectropop ]-------------------
Message: 8
Date: Mon, 14 Oct 2002 15:57:30 -0000
From: Pale Sceptre
Subject: Ray Conniff
Sad news...
--
LOS ANGELES (AP) - Ray Conniff, the Grammy Award-winning composer and
bandleader whose arrangements epitomized the Big Band sound, while
spawning such albums as "S'Wonderful" and "Somewhere My Love", has
died. He was 85.
--
for the full story:
http://news.yahoo.com/news?tmpl=story2&cid=495&ncid=689&e=3&u=/ap/20021014/ap_en_mu/obit_conniff
-------------------[ archived by Spectropop ]-------------------
Message: 9
Date: Mon, 14 Oct 2002 09:46:17 -0700
From: bryan
Subject: dick clark productions
On the topic of "American Dreams", Country Paul wrote:
> it would be nice if Dick Clark made available some of the
> artist film and video he has in his archives, including the
> more obscure artists.
This past July, I read that Dick Clark Productions, Inc. was
aquired by an investment group for approximately $136 million.
Dick Clark still serves as CEO and Chairman for the production
company, who still produce and license TV programs to major
TV and cable networks, in addition to licensing the rebroadcast
rights to some of the programs they own, and licensing short
clips to third parties, etc. I have to think that the recent
purchase of Dick Clark's tape library had something to do with
why the tapes from old Bandstand shows are more accessible now.
In the past, I've looked into licensing clips owned by DCP but
never did because it turned out to be very expensive...as I
recall, 30 seconds of footage was somewhere in the neighborhood
of $30,000...so you can see why clip shows with limited budgets
couldn't possibly afford it, and that may be why you haven't seen
too many clips from Bandstand before...Perhaps the new owners will
make some of the more obscure stuff available at bargain prices.
Bryan
-------------------[ archived by Spectropop ]-------------------
Message: 10
Date: Mon, 14 Oct 2002 12:26:31 -0700
From: Louise Posnick
Subject: Re: American bad dreams - and good music
To Country Paul,
I appreciate your ideas as they are thoughtful and respectful...I
mentioned "hippies" as a response to, I think, Dave S..but although we
were not organized, so to speak, many were in universities, changing
things from the inside...(remember college takeovers by SNCC?) ( not all
hippies dropped out of school, just out of conventional society) and
SNCC, CORE and yes, even the NAACP, and other organizations had those
persons in their ranks, marching, rallying, protesting...so "hippydom"
had it own factions and some totally dropped out, living in culty places
like Haight Ashberry (sp) and others in the Village, in NY...but they
were everywhere, some playing a major part as organizers...the free
thinking didn't stop many from being political and savvy in the world
of "how to" make change in the volatile 60s climate...the Vietnam War
was certainly important to the idealism of peace and non-violence....but
there was also the faction of hippies that joined the bandwagon of the
BLack Panthers'and Chicago Sevens' more ASSERTIVE way of dealing with
racism in the USA...so, I agree, we were not an organization, but many
of us did something about our political beliefs..we didn't all just hang
out and smoke dope, hoping that this would alter history...that was the
fantasy of middle-class America...I agree with you that we made our mark
in history, through music, poetry, as well as through education and
protest....In my opinion, nostalgia can be viewed as a way of studying
history...if one is not passionate about the past..it becomes
forgotten...might nostalgia, a passive response to history, not be the
catalyst for some who dive into the pursuit of historical truth....the
caring coming first in a thoughtful manner, becoming for some, a
passionate pursuit? Just a thought.....
Louise
-------------------[ archived by Spectropop ]-------------------
Message: 11
Date: Mon, 14 Oct 2002 13:07:16 +0000
From: Phil Milstein
Subject: Re: American bad dreams - and good music
Country Paul wrote:
> I also assume that most members of this group, while we love
> the sounds and creativity of the music of past eras, are firmly
> living in the present and are at Spectropop for the sounds of
> the era rather than the nostalgia.
Bravo.
> As Dave said, "My problem
> with these kinds of shows are they cheapen everything. They make
> it all sanitized and lame." In my personal opinion, knowing and
> remembering real history is essential to understanding the
> present and future; wallowing in nostaligia is a recipe for
> resigning from life.
Bravo again, except to add that it is possible to get a fairly close
approximation of the "smell" of an era without having necessarily lived
through it. It can take quite an accretion of historical tools to do so,
but therein is half the fun.
> Having said that, it would be nice if
> Dick Clark made available some of the artist film and video
> he has in his archives, including the more obscure artists.
I believe he charges a fee to the artists themselves to get copies of
their own performances from his shows. It's not an astronomical amount,
yet may be outside the reach of those who have fallen on hard times. At
least Clark has never denied that right from the start of his career he
has been in it for the love of money and not music.
> the music we celebrate in this group, placed in historical
> context, was not just creative but actually courageous. One
> example: we laugh at the reactions preserved on film and video
> to "Beatle hair", but I know people who were beaten up by buzz
> -cut guys just for wearing it. Another example: Hendrix's first
> US tour wasn't just a series of concerts, but musical and
> political statements of the heretofore-thought-impossible.
> (I was privileged to be at one of them.)
Bravo again, except to point out (as it seems pertinent here to take
note of) the audiences at most of those shows treated Hendrix pretty
coldly. Unless you mean his first U.S. tour as a headliner, rather than
his ill-fated opening slot on the Monkees tour. Or maybe I've
misunderstood the ex post facto accounts of that tour, as I was not so
privileged as Country Paul!
--Phil Milstein
-------------------[ archived by Spectropop ]-------------------
Message: 12
Date: Mon, 14 Oct 2002 18:08:22 +0100
From: Peter Lerner
Subject: Re: Stones Documentary
Previously:
> The music journalist (if my memory serves me who quoted the
> story) was unknown to me.......did anyone else catch it?
My reply:
> It was Keith Altham, who used to write for the NME when I was a lad!
Richard Havers:
> No big point but it wasn't Keith.....it was the other guy
> in the leather jacket wasn't it?
Well, the other one was Charles Shaar Murray; but I did think it was Keith.
Peter
-------------------[ archived by Spectropop ]-------------------
Message: 13
Date: Mon, 14 Oct 2002 10:15:21 -0700 (PDT)
From: Terrie Neilson
Subject: Re: Dick Clark Productions show replays
bryan wrote:
> On the topic of "American Dreams", Country Paul wrote:
> it would be nice if Dick Clark made available some
> of the artist film and video he has in his archives,
> including the more obscure artists.
As with the person who reponded with the business
changes of Dick Clark productions--that we may not be
seeing much of the show because of licensing--the same
could be said why The Smothers Brothers Comedy just
outright came back to television. They were asked in
interviews over the years about the show, and
eventually the original series was shown on US cable,
partly because someone thought some of the segments
were outdated,...but also because of a lot of legal
mumbo-jumbo regarding the rights to play it again or
license it. So much was involved with that variety
program--especially the multitude of music acts--that
getting everyone to go along with it (so that those of
us who weren't around to have been there to see it
could see what all the alleged fuss was all about) has
been deemed pretty too big a chore to undertake. A
shame in my eyes, because my curiosity about will
never quite go satisfied.
In my opinion also, I wouldn't mind being the judge of
what would have been considered outdated with their
content. Looking at our current situation here, right
this minute, I don't think much if any of it will look
out of place--because it feels like deja vu all over
again with world conflicts.
Terrie
-------------------[ archived by Spectropop ]-------------------
Message: 14
Date: Mon, 14 Oct 2002 10:59:45 -0700 (PDT)
From: Neb Rodgers
Subject: S C O R E , B A B Y ! Groovy Soundtracks
S C O R E , B A B Y ! Your guide to groovy soundtracks of the 60's,70's...
For fans of those swingin' soundtracks of the past!
http://www.scorebaby.com/
-Neb
-------------------[ archived by Spectropop ]-------------------
Message: 15
Date: Mon, 14 Oct 2002 14:37:31 EDT
From: David Bell
Subject: Big Night Out with Kim Weston
I've seen a videotape of a British show advertised for sale called" Big Night
Out" from 15/6/1965 and am wondering whether to buy it. It has Kim Weston on it
singing "Take Me In Your Arms" which is a "must have" as far as I am concerned.
Also featured are the Beatles, Paul Revere and Lesley Gore. What I'd like to
know is whether this is a unique Kim appearance or is it an insert from
Hullaballoo or some such American programme?
Any help gratefully received.
David.
-------------------[ archived by Spectropop ]-------------------
Message: 16
Date: Mon, 14 Oct 2002 18:46:15 -0000
From: Tim
Subject: Re: CHRISTMAS SONGS / Shirley Ellis
> For a Christmas disc with a difference - and, indeed, a message
> - I'd suggest Shirley Ellis' "You Better Be Good, World",
> released on Congress in 1965, a plea for peace in which the Name
> Game gal warns, "Don't let no hydrogen bombs go boom-boom-boom,
> scaring all the little reindeer in the sky". Cool record.
Do you know where I can get a copy of this? It sounds *very* appealing, but
it doesn't look like it's been issued on any of her CD collections. I just
checked at PDQ Records this weekend, and they had nothing of the sort.
- Tim
-------------------[ archived by Spectropop ]-------------------
Message: 17
Date: Mon, 14 Oct 2002 21:31:50 -0000
From: Mike Edwards
Subject: Re: American Dreams
It's pretty difficult for an old Freddy Cannon fan to understand
some of this discussion! I cannot say it's not enjoyable, though.
Mike Edwards
-------------------[ archived by Spectropop ]-------------------
Message: 18
Date: Mon, 14 Oct 2002 21:35:29 -0000
From: Richard Tearle
Subject: Re: Big Night Out with Kim Weston
David Bell wrote:
> I've seen a videotape of a British show advertised for sale
> called "Big Night Out" from 15/6/1965 and am wondering whether
> to buy it. It has Kim Weston on it singing "Take Me In Your
> Arms" which is a "must have" as far as I am concerned.
Hi David
Big Night Out was a variety show on British TV during the mid
sixties - I may well have seen the edition you are talking
about but I can't say definitely. It was compered, if memory
serves me right, buy a British comedian called Tony Hancock
who later comitted suicide. An ill-fated show (which wasn't
rated by the critics) because I think it was during this series
that another British comedian, Tommy Cooper, died (literally)
on stage. However, the bits you are interested in would, as far
as I know, in person performances, though whether 'live' or
miming I couldn't tell you. Not much, but I hope it helps!
Cheers
Richard
-------------------[ archived by Spectropop ]-------------------
Message: 19
Date: Mon, 14 Oct 2002 23:51:52 -0000
From: Mike C
Subject: Re: the Honey Bees
Stuffed Animal:
> ...it must also be said that Barbara Alston never really
> got her "props". Can anyone confirm that Barbara is the
> lead vocalist on The Honey Bees' single "Some Of Your Lovin'"
> /"You Turn Me On, Boy"?
Mick Patrick:
> I just listened to each side of the 45 and, you know what Don,
> I think you could well be right. Isn't Dee Dee of the Crystals
> still claiming that it was the real Crystals who sang "He's A
> Rebel", not Darlene Love & the Blossoms? What bollocks! I think
> I'd rather ask another member of the group about the mysterious
> Honey Bees' single. Incidentally (I use that word as a euphemism
> for if anyone cares), on listening to Carole King's own version
> of "Some Of Your Lovin'", it suddenly struck me that she and Gerry
> Goffin probably wrote the song with the great Betty Everett in mind.
Mick mick bo bick..,
Do Special Agents buzz around reporting that The Honey Bees might
not be The Honey Bees? What a stinger this one is. Hopefully a
memo will go out with a report to follow.
What a match of song to singer "Some Of Your Lovin'" and Betty
'Shoop Shoop' Everett might have been! A decent follow-up to
"Can I Get To Know You" perhaps? I love Sloan copping that
"It Might As Well Rain Until September" melodic lick from King
in that one.
While speaking about tricky voices or voices that trick, I ask
the voice expert to please listen to that glorious 'hidden'
track on the Rocky Fellers cd: "Look At Killer Joe Go" with me
and tell me, tell me, tell me ring, that it isn't really Carole
King. Another take, perhaps she sing?
Mike C.
-------------------[ archived by Spectropop ]-------------------
Message: 20
Date: Mon, 14 Oct 2002 20:37:37 +0100
From: Mick Patrick
Subject: Re: Christmas Songs / Shirley Ellis
Previously:
> For a Christmas disc with a difference - and, indeed, a message
> - I'd suggest Shirley Ellis' "You Better Be Good, World",
> released on Congress in 1965, a plea for peace in which the Name
> Game gal warns, "Don't let no hydrogen bombs go boom-boom-boom,
> scaring all the little reindeer in the sky". Cool record.
Tim:
> Do you know where I can get a copy of this? It sounds *very*
> appealing, but it doesn't look like it's been issued on any of
> her CD collections. I just checked at PDQ Records this weekend,
> and they had nothing of the sort.
Hi,
"You Better Be Good, World" by Shirley Ellis is available on
her UK CD "The Complete Congress Recordings", released by
Connoisseur Collection (VSOP CD 340) in 2001. See Harry Young's
Shirley Ellis webpage for a full tracklist and much more:
http://www.hostultra.com/~egshum/shirley.htm
MICK PATRICK
-------------------[ archived by Spectropop ]-------------------
Message: 21
Date: Tue, 15 Oct 2002 02:25:47 -0000
From: Bill Craig
Subject: Who killed Teddy Bear/ Bunny Lake
The posts about the film Who Killed Teddy Bear brought to mind the
reworking of their Just Out Of Reach that The Zombies did as promo
for the flim Bunny Lake Is Missing. I think they changed the lyric
to "come on time" meaning that you had to get to the theatre before
the movie started or you wouldn't be let in.Does anyone remember
this and or know if there's any where to hear it, or download it,
or buy it?
Bill Craig
-------------------[ archived by Spectropop ]-------------------
Message: 22
Date: Mon, 14 Oct 2002 23:45:08 +0000
From: Stuffed Animal
Subject: Pussy Galore
Mick:
> Do you like Girl Groups? Do you like Bubblegum? Jackson 5-style
> Motown? Kids, you ain't lived until you've heard "Stop, Look &
> Listen", "The Handclapping Song" and "You've Come A Long Way
> Baby" by JOSIE & THE PUSSYCATS. Happily, thanks to the good
> people at Rhino Handmade, these three great tracks are now out
> on CD.
Get hip to what the Spectropop Group is telling you about this trio
. . . you won't fail to dig tracks like "Inside, Outside, Upside-
Down", "Voodoo", "Roadrunner", "It's All Right With Me" and "The
Time To Love Is Here" either. Any girl group aficionado who doesn't
own a copy of this CD is missing out on some of the best the genre
has to offer.
Stuffed Animal
-------------------[ archived by Spectropop ]-------------------
Message: 23
Date: Tue, 15 Oct 2002 09:28:42 +0100
From: Ken Silverwood
Subject: Back to Sounds Inc.
Just coming back off the school run when on the radio
came "Got to get you into my life" by The Beatles, and
I suddenly remembered that Sounds Inc. provided the brass
/horns for this track. Or did I dream it?
Ken On The West Coast.
-------------------[ archived by Spectropop ]-------------------
End
