________________________________________________________________________
______________ ______________
______________ ______________
______________ S P E C T R O P O P ______________
______________ ______________
________________________________________________________________________
Jamie LePage (1953-2002)
http://www.spectropop.com/Jamie.htm
------------------------------------------------------------------------
There are 20 messages in this issue.
Topics in this digest:
1. Re: Bob Welch
From: Dan Hughes
2. Re: Sounds Inc.
From: Eddy Smit
3. Re: Christmas Songs
From: Ron
4. Re: Who killed Teddy Bear/ Bunny Lake
From: Elisabeth K
5. Re: Who killed Teddy Bear/ Bunny Lake
From: Xavier
6. Lala Brooks
From: David A. Young
8. Vintage C&W
From: Neil Hever
9. Re: Instrumentals
From: Robofthemusic
10. Coupla Quickies
From: Bob Rashkow
11. Re: HONEY BEES / ROCKY FELLERS / CAROLE KING
From: Mick Patrick
12. I Saw Her Again
From: Ken Silverwood
13. Alzo & ... Uddin? or Udine?
From: zombie7123
14. RE: Coupla Quickies
From: David Parkinson
15. Upgraded Shangs
From: Mark Frumento
16. Reality Check -- "Girl Groups" Is Not "War and Peace"
From: John Clemente
17. Re: Vintage C&W
From: Nick Archer
18. Re: Alzo & Uddin? .....or Udine?
From: James Botticelli
19. Re: Alzo & Uddin? .....or Udine?
From: zombie7123
20. The Liquid Room 10/13/02
From: David Ponak
________________________________________________________________________
________________________________________________________________________
Message: 1
Date: Tue, 15 Oct 2002 06:45:31 -0500
From: Dan Hughes
Subject: Re: Bob Welch
Country Paul asks, "Whatever happened to Bob Welch?"
Paul, you can ask him: contact me off-list for his email
address or visit his website: http://www.bobwelch.com/
Around the block with Bob Welch--Short Bio
Grew up in Hollywood CA. Father produced Bob Hope comedies
like "Son Of Paleface," and "Sorrowful Jones" for Paramount
Pictures. "Paleface" is Hope's favorite picture...Mother
"Tempy" worked in radio with Orson Welles and Boris Karloff..
1st band, "The Seven Souls" had top 40 single on Okeh Records
in 1966. "Mavericks Flat" the Crenshaw club where "Souls were
house band is now an official "historic site" in LA.....
Joined Fleetwood Mac in 1971. Wrote, sang, and played guitar
on 5 Fleetwood Mac albums. One of many compositions for the Mac,
"Hypnotized" becomes an "FM radio" standard.
Formed the group PARIS in 1975 with Glenn Cornick (Jethro Tull's
bass player) Thom Mooney (X Todd Rundgren ) and Hunt Sales
(X David Bowie's "Tin Machine", X Iggy Pop). Recorded "French
Kiss" album in 1977, generating 3 top 10 hit singles:
"Sentimental Lady", "Ebony Eyes", "Hot Love Cold World". 2nd
solo album, "Three Hearts" has 2 hits, "Precious Love", and
"Church".
1982, Welch is making a lot of money, and is hanging around
with Izzy Stradlin and Paul Adler from Guns N' Roses, who are
rehearsing in his garage, much to the annoyance of neighbor,
Mrs. Stupnagle. 1983, becomes heroin addict in spite of himself,
spends 5 weeks in coma at Cedars Sinai hospital. Needless to say,
this is rather expensive. Sees writing on wall. Kicks heroin in
1985, gets the hell out of Los Angeles.
Forms band "Avenue M" in Phoenix AZ in 1989, and tours from
LA to Chicago. Moves to Nashville TN in 1992, has songwriting
cuts on Kenny Rogers album, Don Nix album, Lawson and Friends
release, cut in HBO movie, song on Bruce Channel album, song
"Future Games" in "Almost Famous" Cameron Crowe film..
Does 1st online music interview for Compuserve midi music forum
...1999 ; records "Bop Welch Looks At Bop" album for Cigar Music,
loves it, hopes you will too!
Starting 2001 has monthly column at artist pro.com with fellow
columnists Alan Parsons, Al Schmidt, Glenn Meadows and Fred Bogert..
-------------------[ archived by Spectropop ]-------------------
Message: 2
Date: Tue, 15 Oct 2002 14:47:54 +0200
From: Eddy Smit
Subject: Re: Sounds Inc.
Ken Silverwood:
> Just coming back off the school run when on the radio
> came "Got to get you into my life" by The Beatles, and
> I suddenly remembered that Sounds Inc. provided the brass
> /horns for this track. Or did I dream it?
Sorry to burst that bubble, but according to Lewisohn (May 18, 1966 entry on
page 79) the horns on Got to get you into my life were played by Eddie
Thornton (trumpet), Peter Coe (tenor sax) (both of Georgie Fame's Blue
Flames) and session musicians Ian Hamer (trumpet), Les Condon (trumpet) and
Alan Branscombe (tenor sax).
Eddy
-------------------[ archived by Spectropop ]-------------------
Message: 3
Date: Tue, 15 Oct 2002 13:48:59 -0000
From: Ron
Subject: Re: Christmas Songs
"Hurry Home For Christmas" by Steve and Eydie (the original single,
not the remake with Arthur Fiedler) was always a favorite of mine.
Sad to read about the death of Ray Conniff. His Christmas albums were
always heavily played around our house at Christmas time.
Ron
-------------------[ archived by Spectropop ]-------------------
Message: 4
Date: Tue, 15 Oct 2002 14:25:13 -0000
From: Elisabeth K
Subject: Re: Who killed Teddy Bear/ Bunny Lake
Bill Craig wrote:
> The posts about the film Who Killed Teddy Bear brought to mind the
> reworking of their Just Out Of Reach that The Zombies did as promo
> for the flim Bunny Lake Is Missing. I think they changed the lyric
> to "come on time" meaning that you had to get to the theatre before
> the movie started or you wouldn't be let in.Does anyone remember
> this and or know if there's any where to hear it, or download it,
> or buy it?
"Come on Time" can be found on the rarities disc from "Zombie Heaven",
the 4 disc box set put out by Ace/Big Beat several years ago.
I *love* Bunny Lake is Missing! Just wish I'd remembered to bring my
VHS copy along when I moved from Canada...sigh.
elisabeth xx
-------------------[ archived by Spectropop ]-------------------
Message: 5
Date: Tue, 15 Oct 2002 15:01:52 -0000
From: Xavier
Subject: Re: Who killed Teddy Bear/ Bunny Lake
Bill Craig:
> The posts about the film Who Killed Teddy Bear brought to mind the
> reworking of their Just Out Of Reach that The Zombies did as promo
> for the flim Bunny Lake Is Missing. I think they changed the lyric
> to "come on time" meaning that you had to get to the theatre before
> the movie started or you wouldn't be let in.Does anyone remember
> this and or know if there's any where to hear it, or download it,
> or buy it?
That rejiggered promo tune as well as the original ("Just Out Of
Reach") are both on the Zombies' box set ZOMBIE HEAVEN. I'd
recommend just buying 'HEAVEN anyway--one of the best and most
consistently pleasing box sets I own...hardly a clunker out of all
the songs on all four discs.
Xavier
-------------------[ archived by Spectropop ]-------------------
Message: 6
Date: Tue, 15 Oct 2002 16:56:47 -0000
From: David A. Young
Subject: Lala Brooks
Greetings, earthlings,
Before the Lala thread cools, I'm curious whether any Spectropoppers
out there managed to snag her 1996 CD "Lala Brooks and Friends,"
apparently now out of print. Never released in the U.S., the CD,
according to my Web research, yielded a number one gospel hit in South
Africa, "I'm a Believer" (not the Monkees song). If anybody has this
and would be willing to record a copy for me, please contact me off list.
Meanwhile, I thought that Lala completists who aren't already aware of
it might like to know that she (beautifully) handles lead vocals on
one song on a 1999 various-artists Christmas CD ponderously entitled
"Ann Ruckert Presents Home for the Holidays: A Multi-Cultural
Celebration of Christmas, Kwanzaa, and Hanukkah." The song is "Where
Does Christmas Go?"; the only place I know to buy the CD is at
Amazon.
David A. Young
-------------------[ archived by Spectropop ]-------------------
Message: 8
Date: Tue, 15 Oct 2002 20:27:02 -0000
From: Neil Hever
Subject: Vintage C&W
Poppers, Well, here I go again. If you recall, I posted questions
regarding some Girl group acetates recently. The jury is still out
on the mystery songs by the way! Now I have about 150 vintage
acetates from Miriam Horn and the Radio Rangers, a local country
music act that was active here in Pennsylvania between 1947 and
1954. The recordings were made mostly at local radio stations and
are quite good. There may be some national acts in there too! I'm
going to archive the best material and preserve the original
recordings. My question then is can anyone direct me to a good web
group regarding vintage C&W and Hillbilly style music? I don't know
what to do with this trove of music once it is transcribed. Best
wishes, Neil Hever
P.S. This is a great site. Thanks for all the entertaining
discussion!
-------------------[ archived by Spectropop ]-------------------
Message: 9
Date: Tue, 15 Oct 2002 20:44:59 -0000
From: Robofthemusic
Subject: Re: Instrumentals
Greetings All!
I have been catching up on recent messages, and I was interested in
others favourite instrumentals.
I have included my top 10. Not in any order:
1) Pipeline The Chantays
2) Hit & Miss John Barry 7
3) Telstar Tornadoes
4 Sleepwalk Santo & Johnny
5) A Touch of Velvet, A Sting of Brass Mood Mosaic
6) Walk Don't Run The Ventures
7) The Horse Cliff Nobles & Co.
8) Groovin' Booker T & the MG's
9) Apache The Shadows
10)Sucu Sucu Laurie Johnson.
Robofthemusic
-------------------[ archived by Spectropop ]-------------------
Message: 10
Date: Tue, 15 Oct 2002 18:06:42 -0400
From: Bob Rashkow
Subject: Coupla Quickies
Tom Rapp live in Boston--Wow, man!! Did he do Translucent Carriages? If only
we could be in 5 places at once......Question Number Final: Are "The
Reflections" who perform a song in "Winter A-Go-Go" the Detroit group on Golden
World etc., I know there were about 4 or so bands with this name in the
6Ts......BTW it's sad to hear that Ray Conniff is gone, he lent his musical
talents to many a movie soundtrack and MOR album.
Bobster
-------------------[ archived by Spectropop ]-------------------
Message: 11
Date: Tue, 15 Oct 2002 23:40:23 +0100
From: Mick Patrick
Subject: Re: HONEY BEES / ROCKY FELLERS / CAROLE KING
Mike C:
> ...The Honey Bees might not be The Honey Bees? What a stinger this one is.
> Hopefully a memo will go out with a report to follow. While speaking about
> tricky voices or voices that trick, I ask the voice expert to please listen
> to that glorious 'hidden' track on the Rocky Fellers cd with me and tell me,
> tell me, tell me ring, that it isn't really Carole King. Another take,
> perhaps she sing?
Hi Mike,
They made me hand back my badge, darn it, but my Carole King investigations
continue regardless. John Clemente, author of "Girl Groups" (you DO have a
copy, don't you?), has talked to Margaret Ross of the Cookies about the
Honey Bees. Ms Ross declared to John that it was she and the Cookies who
performed "She Don't Deserve You" and "One Wonderful Night", released as by
the Honey Bees (Fontana 1939). However, she insists that no members of the
Cookies are present on the Honey Bees' other single, "Some Of Your Lovin'"
b/w "You Turn Me On Boy" (Fontana 1505). I'm sure what she says is true.
I've listened to "School Bells Are Ringing", the hidden bonus track on the
Rocky Fellers' "Look At Killer Joe Go" CD (Westside WESA 898), until I'm
blue in the face and I'm still having trouble deciding if it's one of the
group singing lead or Carole King herself. If it is Carole, it's a different
take to her Dimension single, although the music tracks are identical, right
down to the Cookies' backing vocals. However, I can confirm that the track came
rom a Scepter Records mastertape identified as being by the Rocky Fellers.
Eddie and Albert Maligmat of the Rocky Fellers are alive, well and still
singing in Hawaii. I tried to track them down through their agent for an
interview for the CD booklet without success.
MICK PATRICK
-------------------[ archived by Spectropop ]-------------------
Message: 12
Date: Tue, 15 Oct 2002 23:41:41 +0100
From: Ken Silverwood
Subject: I Saw Her Again
Eddy Smit:
> Sorry to burst that bubble, but according to Lewisohn
> (May 18, 1966 entry on page 79) the horns on "Got to
> get you into my life" were played by Eddie Thornton
> (trumpet), Peter Coe (tenor sax) (both of Georgie Fame's
> Blue Flames) and session musicians Ian Hamer (trumpet),
> Les Condon (trumpet) and Alan Branscombe (tenor sax).
Thanks Eddy, it's nice to dream sometimes.
Buttt! I didn't dream this............
On my copy of the self titled LP Mamas & Papas on US Dunhill
the song "I Saw Her Again" has a run time of 2 mins 50 secs,
my RCA copy of the single UK release also has the same time.
But today I heard a version which repeated the strings part
just before the lead singer starts in too soon. I have also
seen mp3,s which have a run time of 3mins 15 secs and on a
listen are this "new" version. Is this a new phenomena, or
has it been "modernised", because now I will have to wait
before I decide to make my mistake or wait an extra 25secs.
Yours dreamily
Ken On The West Coast
-------------------[ archived by Spectropop ]-------------------
Message: 13
Date: Tue, 15 Oct 2002 22:48:40 -0000
From: zombie7123
Subject: Alzo & ... Uddin? or Udine?
I own a 7" 45rpm single by a group called Alzo & Uddin
(Steed Records 45-705). The name is clearly spelled
exactly as "Alzo & Uddin", which is confirmed by the
songwriting credits: the A side is "So Down" written
by "A. Affunti" (I presume that's Alzo), and the B side
is "Sitting in the Park" written by "A. Affrunti-N. Uddin".
Both songs are so great that I've been searching for more
music by Alzo & Uddin. The reason I'm posting is that I
have found nothing except a couple of reissue compilation
CDs with a few songs by a group called "Alzo & Udine".
I assume this is the same group (I haven't heard the other
songs yet), but I wonder: why is the spelling is different
for "Uddin"? I've done a lot of detailed web searches, and
all references to the group spell it as "Udine", and never
ever as "Uddin". I wouldn't be particularly mystified except
that, since I physically have in my hands an actual artifact
from the era (I'd guess about 1968) that spells it as "Uddin",
my only guess is that whoever released the reissue misspelled
the name, and everyone's been replicating the misspelling
since then. But considering the obsessiveness over precision
and detail in the collectors/oldies community, how can this be?
How is "Uddin/Udine" spelled actually? Or did they inexplicably
change the spelling at some point? And did they release any
other singles? Both "So Down" and "Sitting in the Park" are
all-time classic overlooked nuggets that seem to have fallen
through the cracks of history.
Thanks.
-------------------[ archived by Spectropop ]-------------------
Message: 14
Date: Tue, 15 Oct 2002 15:58:30 -0700
From: David Parkinson
Subject: RE: Coupla Quickies
Bob Rashkow:
> Tom Rapp live in Boston--Wow, man!!
> Did he do Translucent Carriages?
As a matter of fact, he opened with "Translucent Carriages"
(from the great album Balaklava (1968)). He also did
"Another Time" and "Drop Out" from One Nation Underground
(1967); "I Saw The World", also from Balaklava; "Frog In
The Window" and "Green & Blue" from These Things Too (1969),
"The Jeweler", "The Riegal", and "Rocket Man" from The Use
Of Ashes (1970). There may have been one or two others I'm
forgetting. (He also did a very short and very acerbic little
piece about Abe Lincoln and Dubya.)
As I suppose everyone on this list knows, there are few things
sweeter than seeing someone who might be considered "obscure"
or "forgotten" playing to a room of devoted admirers. Here is
someone whose songs are wonderful slices of mystery and beauty,
and probably about 1 in 100000 Americans has even heard of him.
And yet, everyone knows of Mariah Carey. Sigh.
David
-------------------[ archived by Spectropop ]-------------------
Message: 15
Date: Tue, 15 Oct 2002 20:31:06 -0400
From: Mark Frumento
Subject: Upgraded Shangs
As a current owner of RPM's Myrmidons of Melodrama - "the original version" I
lifted the "upgraded" version out of CD rack with a certain degree of
scepticism. I was dead set on NOT be lured in by the claims of improved
packaging and sound. Then I turned the package over and got hooked by the photo
on the back - one of the best photos of a pop group, ever. Off to the cash
register I go to prove my wife right yet again: I waste money on CDs. However,
in this world of irrational things I defend my actions as follows:
1) It's a great CD and it is worth having two
2) That photo
3) This really is an upgrade in every sense of the word. It isn't essential
that you buy it. No new tracks have been discovered to unfairly lure you in.
It's just, well, better. The stereo versions of several songs make it sound
like the girls are right in front of you. And the new packaging is superb.
While I'm partial to the kitschy look of the first version it really betrays
the quality of the music inside. In this version there is less memorabilia but
what is there is clearer and doesn't detract from Mick Patrick's wonderful
essay. All is very clean and more serious. The music is the same - a group of
wonderful pop songs proving a wider range of material than I ever expected.
4) That photo (again, only larger, on the front of the liner notes)
If you don't already own this CD (or even if you do), get it. The Shangri-Las
transend the girl group sound if ever a group transended a sound. They were a
great pop group and this package proves it. Nice job Mick and anyone else
involved. (If this doesn't make the "Spectropop Recommends" I'll eat my first
copy!)
In related matters...
Phil M. - I really liked your article in Ugly Things (on the Shangri-Las 1977
reunion). I can honestly say that had I been interviewed before Andy Paley I
would have gotten the job (of course assuming that I had AP's musical talent).
Sad that nothing ever came of the reunion but your telling of the story is in
the dramatic spirit of the Shangri-Las music.
-------------------[ archived by Spectropop ]-------------------
Message: 16
Date: Wed, 16 Oct 2002 00:34:08 -0400
From: John Clemente
Subject: Reality Check -- "Girl Groups" Is Not "War and Peace"
Hello All,
This is for my critic in Oakland, CA who rated my book at Amazon.com. He
seems to be out of focus on why "Girl Groups" exists. Please let me state
that I don't care if you like my writing or not. I'm not a writer by
trade. This was my starting point. I'm not trying to reach you for that
reason. The reason why I'm writing this is because you seem annoyed by my
fervor for the subject matter. No, there were almost no negative comments
pertaining to the artists' material in my book. Why? I didn't see the
need for it. My main concerns were to report on a genre that I truly adore
(yes, I do think they are all, to use your wording, "fa-a-abulous") and to
tell the stories of people who have been mainly forgotten by so-called Rock
& Roll historians. Many of these artists, no longer in the music business,
and some, I might add, who have fallen on hard times invited me into their
homes with the hope that finally someone will get down the history
correctly. Many have kept in touch. I'm a collector and a fan of the
genre, not a critic. I am not without my favorites, however. I am also
not without my critics. You've been blinded. I've already received
criticism for not including groups like The Secrets or Poni-Tails. I was
limited to 60 groups. Do you think I would leave out lesser known groups
like The Clickettes, Socialites or Teardrops in favor of others? Not on
your life! Do I think everything by The Clickettes is wonderful? Do I
think that everything by The Teardrops is wonderful? Yes, I do! Do other
girl group fans? I don't know. I don't care! Decisions had to be
made. For my taste, leaving out groups like The Poni-Tails was a
no-brainer, but please let me say that just because I don't like apple pie,
it doesn't mean that apple pie isn't good. What I basically did was to
write about the groups I liked the most. As for my incomplete
discographies, try mentioning where I have recordings listed that most
people didn't even know existed. I guess when you fail to find them in
your "reliable" sources, you can come back to my book. I see that you
caught the chatter about Reparata & The Delrons on this site. Was I
familiar with all their material? No. Am I a drooling fan of all their
material? No. And that make my reporting dishonest? I take offense to
that. (By the way, you misquoted me). You must have skipped over my
foreword. There you might have discovered that these articles were
approved by the artists. If there was anything significant left out of The
Angels piece, they obviously didn't think so. Thank you for thinking I've
achieved god-like status. I merely see it as congratulations and approval
from my peers. I wasn't looking to be the next Rex Reed of girl group
music. Hmmm! I smell sour grapes here. If you think the definitive book
still needs to be written or if you want "critiques" of all the music
concerning degrees of musical quality, write your own book (what are you
waiting for, I can give you all the contact info) and say things like how
every song recorded in New York stinks because the studio had the quality
of a garage, all the girls sang through their noses (because they're from
Noo Yawk, and some singers sang flat out off-key. Idiosyncracies like that
are what made the records great. I don't know what it is your looking
for. If you'd like to discuss this further, e-mail me privately, I'll be happy
to oblige.
P.S. You're correct about one thing. The editing could have been
better. But please don't be such a snob. Not everyone writes to be on the
bestseller list. The company designed the cover.
This is to all the people who supported me in my efforts. If I haven't
said it before, "THANK YOU". I hope "Girl Groups" served the purpose for
which it was intended.
Yours truly,
John Clemente
-------------------[ archived by Spectropop ]-------------------
Message: 17
Date: Tue, 15 Oct 2002 20:08:30 -0500
From: Nick Archer
Subject: Re: Vintage C&W
Neil Hever:
> My question then is can anyone direct me to a good web
> group regarding vintage C&W and Hillbilly style music? I don't know
> what to do with this trove of music once it is transcribed.
Contact Alan Stoker at the Country Music Foundation here in Nashville.
He is in charge of restoration, and can point you to anyone else in the
Foundation that you may need. He regularly does work for Bear Family and
Rhino on vintage acts. He also did a great job cleaning up my yellow 78 of
"The Do Bee Song" from the Romper Room TV show that I found at the flea
market.
Nick Archer
Nashville TN
Check out Nashville's classic SM95 on the web at
http://www.live365.com/stations/289419
-------------------[ archived by Spectropop ]-------------------
Message: 18
Date: Tue, 15 Oct 2002 19:30:26 -0400
From: James Botticelli
Subject: Re: Alzo & Uddin? .....or Udine?
Previously:
> Both "So Down" and "Sitting in the Park" are
> all-time classic overlooked nuggets that seem to have fallen
> through the cracks of history.
Is "Sitting In The Park" the same song Chubby Chicago Soulster Billy Stewart
sang in '65? "Sittin' in the park waitin for ooooooo-oo-oo-sha la la la..
Yes I'm sittin' right here, waitin' for you my dear, wonderin' if you're
ever gonna show. Somethin' tells me I'm a fool......etc". If so, its still
pretty well respected on Soul Dusty Radio Playlists, as it was also recorded
in '79 by GQ and again in '80 by Bobby Thurston. All versions respectable,
but would love to feast on the Udine ;-) version.
JB
-------------------[ archived by Spectropop ]-------------------
Message: 19
Date: Wed, 16 Oct 2002 08:14:35 -0000
From: zombie7123
Subject: Re: Alzo & Uddin? .....or Udine?
> Is "Sitting In The Park" the same song Chubby Chicago
> Soulster Billy Stewart sang in '65? "Sittin' in the park
> waitin for ooooooo-oo-oo-..."
No, actually, it's a totally different song, in a totally
different style.
This one's more like precision-crafted percussive/harmonic
power pop than Billy Stewart-style soul. Closer, in fact,
to a psychedelic bubblegum sound halfway between The Small
Faces and The Flying Machine -- or the Sunshine Company and
Arthur Lee & Love. "Sitting in the Park" is relentlessly
cheerful and upbeat, yet somehow with an ironic sinister
undertone. "So Down" is the opposite: completely negative,
yet strangely exhilarating. (It also, I believe, holds the
record for the most "down"s in the lyrics of any song.)
A very interesting side A/side B combination.
Speaking of which: has it ever been resolved which song
has the most "No"s: "Land of 1,000 Dances" by Cannibal &
the Headhunters, or "Break Away" by Irma Thomas/Jackie De
Shannon? I suppose the answer must be well-known.
-------------------[ archived by Spectropop ]-------------------
Message: 20
Date: Mon, 14 Oct 2002 14:12:14 -0700
From: David Ponak
Subject: The Liquid Room 10/13/02
The Liquid Room, (usually) hosted by David Ponak (me), airs
every Saturday night from Midnight to 3AM (PDT) on 90.7FM
KPFK Los Angeles, as well as streaming at http://kpfk.org.
10/13/02 Tony Tucci: guest host in The Liquid Room
Contact Tony: radiocave@earthlink.net
1. Brian Eno/On Some Faraway Beach
Here Come The Warm Jets (EG)
2. Stevie Wonder/Maybe Your Baby
Talking Book (Universal/Motown)
3. Katerine/Bonjour
French Musique Universelle (Universal France)
4. Sunaga't Experience + Jackson 5/The Love You Save
Soul Source Jackson 5 Remixes 2 (Polydor)
5. Dee Felice Trio/Oh Happy Day
In Heat (Bethlehem)
6. Fun Lovin' Criminals/Back On The Block
100% Colombian (Capitol)
7. Nicole Willis/Heed The Sign
Soul Makeover (Sahko)
8. Electrocugat/Promenade
Visconti Con Hielo (Plastic)
9. Tom Ze/Camelo
Tom Ze 1968 (Sony Brazil)
10. Ladytron/Blue Jeans
Light + Magic (Emperor Norton)
11. Isley Brothers/Fire + Rain
Givin It Back (Epic Legacy)
29 Smokey + Miho/Ocean In Your Eyes
Smokey + Miho EP (Afro Samba)
13. Audio Sponge/Theme From A Summer Place
Sketch Show (Cutting Edge)
14. Gambia/Streamer
Dub Plates From The Lamp 2 (Pork)
15. Don Sebesky/Guru-vin'
Mojo Club Dancefloor Jazz V.5 (Motor)
16. The Second Thought/Slingshot
The Rustler Presents: Because Your Funky (Lo)
17. Hefner/Level Green (Blue States Mix)
Coming Home 2 (Stereo Deluxe)
18. Block 16/And Voo Doo
Morning Sun (Nuphonic)
19. Gabin/It Don't Mean A Thing
CD Single (Virgin Italy)
20. Juana Molina/Tres Cosas
Tres Cosas (JM)
21. The Association/Babe I'm Gonna Leave You
Just The Right Sound (Rhino)
22. Mum/Boychild
The Szabotnik 15 Mission (Klein)
23. Entre Rios/Primero De Enero
Idioma Suave (Elefant)
24. At Jazz/It's Complete (Chateau Flight Rmx)
Chateau Flight Remixent (Versatile)
25. The Blackbyrds/Rock Creek Park
Street Grooves (Fantasy)
26. Rita Lee/And I Love Her
Build Up (Universal Brazil)
27. Jazzanova/No Use
Soul Sessions 2 (Giant Step)
28. Fantastic Plastic Machine/Todos Os Desejos (Rmx)
King Britt Presents: Scuba Hidden Treasures (Om)
29 Chico Buarque/Construcao
Construcao (Polygram)
30. Electric Brother/Tristete
Electric Brother (Ya Basta/Yama Studios)
31. Capitol K/Pillow
Island Row (XL/Beggars)
32. Os 3 Morais/Freio Aerodinamico
Os 3 Morais/EMI
33. Ralph Myerz + The Jack Herren Band/Nikita
A Special Ep (Emperor Norton)
34. Polyphonic Spree/Tracks #6 + #7
The Beginning Stages of... (Good)
35. George Sarah/Pop Up
First Compilation (Electric Monkey)
36. Roger Webb/Exotica
Luke Viberts Further Nuggets (Lo)
37. Gaby Novak/Caravan
Balkan Express (Cosmic Sounds)
38. The Who/Happy Jack (Acoustic Version)
4-Track Collectors Bonus Disc (Universal/MCA)
39. Julie Cruise/Slow Hot Wind
The Art Of Being A Girl (Water)
40. Tahiti 80/Wallpaper For The Soul
Wallpaper For The Soul (Minty Fresh)
41. Massive Attack/Karmacoma (Portishead Experience)
Singles Box (Circa)
42. Serge Gainsbourg/Cargo Culte
Histoire De Melody Nelson (Philips)
43. Henry Mancini/The Good The Bad + The Ugly
The Big Latin Band Of... (RCA)
-------------------[ archived by Spectropop ]-------------------
End
