________________________________________________________________________
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______________ S P E C T R O P O P ______________
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Jamie LePage (1953-2002)
http://www.spectropop.com/Jamie.htm
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There are 25 messages in this issue.
Topics in this digest:
1. Re: Looking Glass
From: Billy G. Spradlin
2. Re: Sha Na Na
From: George Leonard
3. Re: Looking Glass song
From: Freeman Carmack
4. Classic Mike D'Abo song in a TV show!
From: Alan Warner
5. Re: Flaming Lips
From: Valis
6. Re: Lee Hazlewood
From: Phil Milstein
7. 100% Whole Wheat
From: Richard Havers
8. Re: Four Seasons remixes
From: James Botticelli
9. A party!?!
From: Richard Havers
10. Re: Kenny Chandler
From: Mick Patrick
11. Re: Winter blues
From: James Botticelli
12. Re: Kenny Chandler
From: Ian Chapman
13. Who'da thought it?!
From: Ian Chapman
14. More on Andy Pratt; Gentle Soul
From: Country Paul
15. Life after Earth Opera
From: Country Paul
16. Flaming Was Not Pink Robot
From: Steve Harvey
17. the return of Artie Wayne
From: Artie Wayne
18. Voice Overs
From: Steve Harvey
19. "She's All I Got"
From: Andrew Jones
20. Re: Flaming Was Not Pink Robot
From: Billy G Spradlin
21. Re: Who'da thought it?!
From: Elisabeth
22. Dixie Cups lyrics
From: Power Pep
23. Marvin Gaye
From: Stuart Miller
24. Re: Who'da thought it?!
From: Jeff Lemlich
25. The Liquid Room 1/26/03
From: David Ponak
________________________________________________________________________
________________________________________________________________________
Message: 1
Date: Tue, 28 Jan 2003 02:55:30 -0000
From: Billy G. Spradlin
Subject: Re: Looking Glass
Previously:
> ..."If I Never Love Again" by Looking Glass. It really sounds like
> a 1966/67 Curt Boettcher production - and sounds like he could be
> singing on it as well - but I can't find any info on it.
I have no clue - the arrangement of "If I Never Love Again" sounds
VERY Boettcher influenced, right out of the Ballroom handbook, also I
love the great drumming on it.
Since he was so heavlily involved with this label in 66-7 who knows?
Perhaps he skipped the writer/producer credits so he could (and not
Steve Clark) get paid?
I listened to "Virgina Day" and it sounds to me like it was the same
group. Anyone have any info on the personnel, they sound to me like
your prototypical soft-pop "boys and girls" group (Love Generation).
BTW the Vouges also recorded "Silver & Sunshine" using the same
backing track on Co & Ce.
BTW does anyone have any info on "The Groop" that recorded for Bell?
I love (my scratchy) 45 of "A Famous Myth" and have been looking for
a better sounding or stereo version of this track.
BTW I just posted "If I Never Love Again" on Musica - from a clean
45. I love this song too, listen for the great drumming during the
choruses.
Billy
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Message: 2
Date: Mon, 27 Jan 03 22:53:28 -0800
From: George Leonard
Subject: Re: Sha Na Na
> Incidentally, one of my few brushes with rock fame is that my first
> college English teacher (at Texas Tech University in the late '80s)
> was your old cohort Bruce "Bruno" Clarke!
Bruno! How nice to hear his name again. You know, he became an extremely
distinguished literary theorist, editor of one of the pioneering "Derrida
and Deconstruction" type journals. Despite spending his entire college
career on a plane weekends flying off to play Fillmore West or whereever.
Brilliant guy.
George
-------------------[ archived by Spectropop ]-------------------
Message: 3
Date: Tue, 28 Jan 2003 10:34:48 -0500
From: Freeman Carmack
Subject: Re: Looking Glass song
Doesn't the Valiant imprint link the Looking Glass song to another of
Boettcher's productions for Valiant, Lee Mallory's "That's The Way
It's Gonna Be"?, as well as others that he produced. It definitely has
The Ballroom sound in the vocals; the mix of Boettcher, Salisbury,
Michele O'Malley (sp), and Jim Bell's voices, he later of The Poor.
Great song, BTW; the "ba,ba,ba's" in the background almost made the
sun shine again, here in gloomy, winter, central Ohio.
Winter, go away !!!!!!
Freeman Carmack
PS - try some Antonio Carlos Jobim music to dispel the winter blues, OR
popping some beach/bikini films into the old VHS or DVD player. One of
the great Hondells or Gary Usher collecions will also help dispell the
missing Vit D. If you use the beach films option, though, you kill 2
birds with one stone, as Gary did much of the background music on those
AI films. Can't wait til April with the release of SKI PARTY/MUSCLE
BEACH and PSYCH OUT/ THE TRIP on DVD ! Oh happy day!
-------------------[ archived by Spectropop ]-------------------
Message: 4
Date: Tue, 28 Jan 2003 08:17:18 -0800
From: Alan Warner
Subject: Classic Mike D'Abo song in a TV show!
Mike D'Abo's classic song HANDBAGS AND GLADRAGS (originally recorded by
Chris Farlowe on Immediate in '67, covered by Rod Stewart on Mercury
two years later and successfully revived in the UK last year by The
Stereophonics) is used as the signature tune of the critically-acclaimed
British TV comedy series "The Office". BBC America just began running
the first series of the show. You might check it out.
Rock on!
Alan Warner
-------------------[ archived by Spectropop ]-------------------
Message: 5
Date: Tue, 28 Jan 2003 16:43:00 -0000
From: Valis
Subject: Re: Flaming Lips
Steve Harvey wrote:
> Did you ever get the Flaming Lips lp about the Pink Robot. Do You
> Realize? their WXPN hit, is great, but I wonder if the rest of the
> lp is up to snuff. It is on the new Uncut CD. $8 for the magazine
> and CD. Some good stuff in addition to Do You Realize?
Hi all, never quite feel the opportunity to post a message....or a
response, but this one had me leaping! Get that Flaming Lips
disc! "Yoshimi Battles the Pink Robots" is a stunner all the way
through...., and if you don't have "The Soft Bulletin" I can't
recommend it too strongly!!! Classic stuff.., perfect headphone
nirvana....
Also, re: "Born to Laugh At Tornados".., I have my vinyl copy and
still play it occasionally. The Was Brothers brought in quite a few
guests on this one and it's a lot of fun...., some 80s production
that sounds a bit dated but still worth a grab in a bargain bin...
Get some Lips, Flaming!
valis
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Message: 6
Date: Tue, 28 Jan 2003 12:27:54 +0000
From: Phil Milstein
Subject: Re: Lee Hazlewood
Country Paul wrote:
> Played on WFMU this weekend: Lee Hazlewood & Duane Eddy's "Girl on Death
> Row." Totally warped and very far out for its time - still pretty far out.
Listening to it again now, I would go out on a limb and guess that it
was tailor-written (by Hazlewood) for Rick Nelson, and perhaps rejected
for its "pretty far out" theme.
> From "The Twang Gang" CD on Jamie.
Which also includes a hillbilly version of Born To Be With You, which
the CD dates to Aug. '61. Wouldn't that predate The Paris Sisters and Dion
versions (not to mention Dave Edmunds')? The author is Don Robertson -- did
he primarily work in the country market?
--Phil M.
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Message: 7
Date: Tue, 28 Jan 2003 19:50:03 +0000
From: Richard Havers
Subject: 100% Whole Wheat
I am looking for an album by a band named '100% Whole Wheat'.
It came out in the 1970s and Ed Cobb was involved in the project.
I had the album but I lost it in one of those 'I lent it to
someone and never got it back' scenarios. Any help in tracking
this down would be greatly appreciated. Feel free to email me
off list if you can help and we can discuss terms!
Thanks in anticipation
Richard
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Message: 8
Date: Tue, 28 Jan 2003 14:46:03 -0500
From: James Botticelli
Subject: Re: Four Seasons remixes
Billy G. Spradlin wrote:
> Most 80's/90's dance remixes of original 60's hits just
> dont work.
I have to agree...I think a remix first needs a song that
has that essential 124 BPM component to begin with. And
although many 60s songs may have that tempo, they just didn't
have the beat if ya know what I mean. The oldest thing I've
heard successfully remixed is The Beginning of the End's
"Funky Nassau Part 1" from '71 which the remixer was lucky
enough to have had isolated tracks so he could plop in the
vocals right on the beat, but it was also only a boot, so
few got to hear it...Most of the successful house/dance
style remixes are generally done to songs already having a
disco/dance beat or funky style. I mentioned Van Morrison's
"I've Been Workin'", which I just saw at groovedis.com. You
can picture that one being done. But most 60s material doesn't
seem able to make the cut, at least for dance floors, PLUS
the lack of individualized isolated tracks for each component
recorded. My .02
JB
-------------------[ archived by Spectropop ]-------------------
Message: 9
Date: Tue, 28 Jan 2003 20:39:25 +0000
From: Richard Havers
Subject: A party!?!
I have to admit that I am just a tad jealous of all those
lucky people who live within striking distance of London.
The reports of the two parties that have taken place recently
got me thinking. Why shouldn't we have something like that in
Scotland? Well, one possible reason is that I am the only
spectoid here.......are there any others? Does anyone else feel
like I do, feel that they have missed out?
I live in the Borders, within striking distance of Edinburgh.
Does anyone want to do anything about it?
Richard
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Message: 10
Date: Tue, 28 Jan 2003 21:45:06 -0000
From: Mick Patrick
Subject: Re: Kenny Chandler
Someone was enquiring about Kenny Chandler recently, my
memory tells me. As it happens, m'colleague Waxie Maxie
Baumgart and I have recently had reason to construct a
paragraph or two about him for a forthcoming CD booklet.
Kenny was the subject of a very excellent article in
Discoveries magazine a few years back. Unfortunately, my
copy of that issue seems to have vanished from the face
of the earth. It'll turn up one day. In the meantime,
here's what Malcolm and I came up with:
Pennsylvania born Kenneth Bolognese was only 17 at the
time of his recording debut in 1958 as one third of
eponymous Cameo group Kenny, Frankie & Ray. After a brief
spell as Kenny Beau, the good looking Harrisburg resident
hijacked the surname of movie star Jeff Chandler, finally
attracting some notice in 1961 with 'Drums', written and
produced by Jerry Leiber & Mike Stoller, then creative
geniuses in residence at United Artists.
Signed by the Laurie label in 1962, initial Kenny Chandler
product meant little but a spot of industrial espionage
would soon change that. The singer had earlier substituted
as half of one hit duo the Tree Swingers and was rewarded
when original group member Artie Polhemus, now employed as
a recording engineer, slipped his chum a Screen Gems acetate
of 'Heart', demoed by co-writer Barry Mann.
Disregarding the fact that it had been promised to Bobby
Darin's TM production company as an exclusive for new signing
Wayne Newton, Chandler was hastened into the studio by Laurie
to record the song. His rush-released version of 'Heart' beat
Newton's into the Hot 100. The fuming and influential Darin
put the kibosh on Kenny's forthcoming Bandstand appearance
through his long term relationship with the career-making TV
show's supremo Dick Clark. Nonetheless, it was the Chandler
version of 'Heart' that charted higher and lasted longer, yet
it would be Wayne Newton who went on to fame, fortune and Las
Vegas. Kenny Chandler's recording career lasted five more
years without producing the semblance of a second hit. He went
on to become an actor after stints as a lounge act and creator
of commercial jingles.
MICK PATRICK
(and Malcolm Baumgart, although he doesn't know it)
-------------------[ archived by Spectropop ]-------------------
Message: 11
Date: Tue, 28 Jan 2003 14:48:34 -0500
From: James Botticelli
Subject: Re: Winter blues
Freeman Carmack wrote:
> try some Antonio Carlos Jobim music to dispel the winter blues
or if you like something Brazilian but electronica-heavy, my new
home-made comp "Phatucada".
JB
-------------------[ archived by Spectropop ]-------------------
Message: 12
Date: Tue, 28 Jan 2003 22:16:39 -0000
From: Ian Chapman
Subject: Re: Kenny Chandler
Fascinating tale of behind-the-scenes shenanigans, Mick.
I'm glad Kenny had the hit - he deserved at least one - but
I have to admit it's the Newton version I prefer over the two.
I think some of Kenny's other sides, like the recently-mentioned
"I Can't Stand Tears At A Party" were more deserving of hit
status.
One thing that I find faintly amusing about Wayne's version is
that it was so obviously the model for the Rita Pavone hit
version. In several places, the voices and phrasing are
practically identical!
Ian
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Message: 13
Date: Wed, 29 Jan 2003 01:03:07 -0000
From: Ian Chapman
Subject: Who'da thought it?!
I recently found a 60s record by Jimmy Boyd – yep, he who
did the original "I Saw Mommy Kissing Santa Claus" back in
1952, at the tender age of 12. The record was an Imperial
release from ‘66, and it was version of the Bobby Goldsboro
northern soul dancer, "She Chased Me" – produced by Snuff
Garret and Kris Jensen. Well, whaddya know!!
But why should I be surprised? I was just discussing this
with Simon – the amount of artists in the 60s that made at
least one northern-styled record at some point in their career.
Artists for whomthese records were quite a departure from
the styles or images they were usually associated with –
say, MOR, c&w, folk, or in the case of Jimmy, kiddie novelties.
Here’s a few that came to mind:
Patti Page – Till You Come Back To Me
Joan Regan - Don’t Talk To Me About Love
Joan Regan – Love So Fine
Marion Ryan – Better Use Your Head
Phil Crosby – Where The Blue Of The Night (Nitzsche!)
Phyllis McGuire – Run To My Arms
Shani Wallis – Another Monday
Margaret Whiting – Nothing Lasts Forever
Margaret Whiting – Somewhere There’s Love
John Gary – Hang On To Me
Glenn Yarborough – It’s Gonna Be Fine
....and several by Dora Hall (bless)....
Can anyone add to it? Criteria is 60s only, and it has to
be upbeat, go-go, vaguely northern, stompy,
ersatz-Motown...you get the picture…
Ian
-------------------[ archived by Spectropop ]-------------------
Message: 14
Date: Tue, 28 Jan 2003 17:54:34 -0500
From: Country Paul
Subject: More on Andy Pratt; Gentle Soul
Phil M., thanks for the Boston Globe lead. Will research it
locally.
Further Andy Pratt news: at http://www.aaeg.com/AndyPratt/
you'll find Andy's 1998 CD, "Another World," on Highway Music.
There are also three songs posted: the impressive title song
(which has a piano sound like Pete Townshend's gorgeous "And
I Moved" plus some spectacular vocals); a unique version of
John Lennon's "Give Peace A Chance"; and a very different take
on the Byrds'/Goffin-King classic "Goin' Back." Well worth the
visit in my opinion. There's also a good bio page at
http://www.dirtywater.com/a2z/p/pratt/ (up to 1996), and a
better one at http://www.aaeg.com/AndyPratt/andyPR2.html
which (I'm tickled to say) mentions the "Avenging Annie" demo
going to WBRU. 'Twas I who hand-carried it, although the site
doesn't mention me by name; my band, Benefit Street, was
recording at Andy's suburban Boston studio, Aengus, and engineer/
partner Bill Reisman gave me "Records Are Like Life" and the
"Annie" demo for WBRU. I'm still waiting for the gold record
I was supposed to get if the song had been the hit it was
supposed to be! :-)
Newer Pratt albums and reissues, CDs and mp3s, can be purchased
at http://www.itsaboutmusic.com/andypratt.html. Seems that in
recent years, Andy's been doing Christian music from his home
in Holland.
By the way, his talent agency reps the Blue Notes, the Trammps,
and Al Wilson ("Show & Tell") - perhaps of interest to northern
soul fans. Go to http://www.aaeg.com/RosMus.html.
Martin Roberts:
> "Me About You"...is not arranged by Jack [Nitzsche]...but by
> Nick De Caro. I'm unaware of the credits on Gentle Soul's
> 'Our National Anthem' but would be thrilled to add the track
> to the discography if Jack is credited.
Martin, as with "Tell Me Love," both "Our National Anthem"/
"Song for Three" (same subject as David Crosby's "Triad") are
produced by Terry Melcher, but no arranger credit is shown.
Neither of these tracks made it to an album - incomprehensible
to me. So if not played to the Nitzsche page, how 'bout to
musica? (I have the mono 45, but no way to get it out where it
can be heard.)
Jeff Lemlich, you're amazing - thanks for the Angel Risoff
background. The man has a HUGE voice.
Steve Harvey cites "this really spooky, but melodic tune called
'Zaz Turned Blue' with Mel Torme singing vocals." Truly an awesome
track, and well worth the price of admission. I have it on a
WFMU marathon premium CD last year.
Country Paul
-------------------[ archived by Spectropop ]-------------------
Message: 15
Date: Tue, 28 Jan 2003 18:08:24 -0500
From: Country Paul
Subject: Life after Earth Opera
Remember Earth Opera, an intense Boston band from the '60s
on Elektra featuring Peter Rowan? Mr. Rowan and his brothers
have been in bluegrass music for quite a while, and have
surfaced at the Spreckles Arts Center in Rohnert Park, CA
in "Mad. Bros. & Rose" in February, based on The Maddox
Brothers & Rose. See the blurb at
http://www.rpcity.org/performingarts/ and follow the link.
Peter Rowan is the musical director; brother Lorin plays
mandolin and brother Chris plays guitar in the cast.
Now back to our regularly-scheduled topics.
Country Paul
-------------------[ archived by Spectropop ]-------------------
Message: 16
Date: Tue, 28 Jan 2003 16:24:29 -0800 (PST)
From: Steve Harvey
Subject: Flaming Was Not Pink Robot
Ok, ok already, I'll buy the Lips at the next opportunity!
"Zaz Turned Blue" was a song I heard once and has
haunted me ever since. The fact that Mel Torme sang it
was really interesting. Sounds like something Michael
Brown would have collaborated on with Randy Newman and
Tom Leher. What the hell is the song about? The lyrics
sound as if they were written on the way to the
session and yet the melody is so beautiful. I keep
rewriting the lyrics in my head every time I had play
it.
=====
Flip, flop and fly,
Steve Harvey
-------------------[ archived by Spectropop ]-------------------
Message: 17
Date: Tue, 28 Jan 2003 19:38:10 -0800 (PST)
From: Artie Wayne
Subject: the return of Artie Wayne
Hey Spectropoppers........I'm back and I'm proud !!!
Allan Rinde and Toni Wine helped me move to the desert and
I've been waiting for a phone for over a week!! [they told
me I was lucky to get one so fast !!!] On the way down we
had an oldies station on.......singing at the top of our lungs.
Every few records Toni would yell out," I'm on that one !!''
....I really was in schock ....I did'nt realize how many hits
she was a part of !!! I wish all of you could've been there !!!
regards,
Artie Wayne
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Message: 18
Date: Tue, 28 Jan 2003 18:09:54 -0800 (PST)
From: Steve Harvey
Subject: Voice Overs
Country Paul,
In Manayunk, PA (part of Philly) there is a record store,
I think called Main Street Records. The owner is a Pratt fan
and was the one Pratt asked to manage him.
Steve Harvey
-------------------[ archived by Spectropop ]-------------------
Message: 19
Date: Tue, 28 Jan 2003 23:18:04 -0500 (EST)
From: Andrew Jones
Subject: "She's All I Got"
During the early 1970s, contry singer Johnny Paycheck had a
big country hit with a song called "(Friend, Don't Take Her)
She's All I Got." When I bought an old vinyl album with Paycheck's
version not long ago, I was surprised to see the song was written
by two R&B singers - Jerry "Swamp Dogg" Williams and Gary U.S. Bonds!
As far as I can tell, neither writer did his own version of the song.
Or did they? And did any other R&B or soul singers do a version? How
does it compare to Paycheck's (if you've heard it)?
Thanks.
-------------------[ archived by Spectropop ]-------------------
Message: 20
Date: Wed, 29 Jan 2003 05:10:20 -0000
From: Billy G Spradlin
Subject: Re: Flaming Was Not Pink Robot
Steve Harvey wrote:
> Ok, ok already, I'll buy the Lips at the next opportunity!
"Born To Laugh at Tornados" was on Geffens "Goldline" budget
CD series, and I even found copies of the CD at Best Buy for
1.99 each! So check your bargan bins for it.
Great album, proably the best the Was Bros did. On later albums
the humor always seemed forced and unfunny.
Billy
-------------------[ archived by Spectropop ]-------------------
Message: 21
Date: Wed, 29 Jan 2003 08:45:06 -0000
From: Elisabeth
Subject: Re: Who'da thought it?!
Ian Chapman wrote:
> Can anyone add to it? Criteria is 60s only, and it has to
> be upbeat, go-go, vaguely northern, stompy,
> ersatz-Motown...you get the picture…
How about:
Paul Anka "I can't help loving you"
The label says RCA 2498 (1974), but it *sounds* 60s and oh-so-stompy
blue-eyed soul. I can't remember the story behind this one, but I'm
sure someone here does. It sounded really good when I just put it on
now actually...
Elisabeth x
-------------------[ archived by Spectropop ]-------------------
Message: 22
Date: Wed, 29 Jan 2003 11:11:25 -0000
From: Power Pep
Subject: Dixie Cups lyrics
anyone could post the "I'm gonna get you yet" lyrics by the
Dixie Cups??
Thank you!!!
POWER PEP
-------------------[ archived by Spectropop ]-------------------
Message: 23
Date: Wed, 29 Jan 2003 12:07:43 -0000
From: Stuart Miller
Subject: Marvin Gaye
Apologies if this comes too late for most but on BBC 2 (UK T.V.)
today at 3:30pm to 4:30pm is a profile on Marvin Gaye.
Stuart
-------------------[ archived by Spectropop ]-------------------
Message: 24
Date: Wed, 29 Jan 2003 04:34:11 -0000
From: Jeff Lemlich
Subject: Re: Who'da thought it?!
Ian Chapman wrote:
> Artists for whom these (Northern Soul) records were quite a departure
> from the styles or images they were usually associated with – say,
> MOR, c&w, folk, or kiddie novelties. Can anyone add to (the list)?
> Criteria is 60s only, and it has to be upbeat, go-go, vaguely
> northern, stompy, ersatz-Motown...you get the picture…
>
Patti Page - You Don't Need A Heart
Barry Young - Show Me The Way
Irene "Granny" Ryan - Time (To Believe In Each Other)
Paul Petersen - Chained/Don't Let It Happen To Us (brilliant double-
sider on Motown)
Barbara Dane - I'm On My Way (I don't "get" this one)
Gale Garnett - I'll Cry Alone
Eddie Fisher - I'll Pick A Rose For My Rose
Paul Anka - I Can't Help Loving You
Bobby Darin - Melodie (traditional Northern sounding record on Motown)
Jeff Lemlich
http://www.limestonerecords.com
-------------------[ archived by Spectropop ]-------------------
Message: 25
Date: Mon, 27 Jan 2003 11:48:55 -0500
From: David Ponak
Subject: The Liquid Room 1/26/03
The Liquid Room, (usually) hosted by David Ponak (me), airs
every Saturday night from Midnight to 3AM (PDT) on 90.7FM KPFK
Los Angeles, as well as streaming at http://kpfk.org.
The Liquid Room 1/26/03
1.The Association/Come On In
Birthday (WB)
2.The Sea And Cake/Sound And Vision
One Bedroom (Thrill Jockey)
3.Sylvie Vartan/Ne T'en Va Pas (Comin' Home Baby)
Est-Ce Que Tu La Sais? (BMG-France)
4.Tom Jones/Tom Jones International (Readymade 524 Remix)
Mr. Jones (V2-Japan)
5.DJ Me DJ You/Fresh Technology
Can You See The Music (Eenie Meenie)
6.Mathew Boogaerts/Quel Ete 2000
2000 (Warner Music-France)
7.The Jackson 5/Zip A Dee Doo Dah
Diana Ross Presents The Jackson 5 (Motown)
8.Elektel/Better Sound For Better Kindness
Space Travel With Teddy Bear (Sucre-Japan)
9.The Polyphonic Spree/Five Years
Hanging Around (single) (679-UK)
10.Peter Gabriel/More Than This (Polyphonic Spree Mix)
More Than This (single) (Realworld-UK)
11.The Richard Wolfe Childrens Chorus/C'Mon Marianne
Big Hits For Little People (Camden)
12.Hazel Nuts Chocolate/Mahau Tsukai
Pop Comes Up! (various artists) (Bluebadge-Japan)
13.Katerine/Le Soleil Suffit
8eme Ciel (Universal-France)
14.Lee Hazlewood/I Move Around
These Boots Are Made For Walkin'-The Complete MGM Recordings (Ace-UK)
15.Sweet Robots Against The Machine/The End Of A Love Affair
Towa Tei (Avex-UK)
16.Heaven Bound With Tony Scott/I Kept On Loving You
Roger Nichols & Paul Williams Songbook (Universal-Japan)
17.James Brown/Sex Machine (Readymade Jazz Defector Mix)
Ultimate Remixes (Universal-Japan)
18.Bee Gees/You Know It's For You
To Whom It May Concern (Polydor)
19.Mint Royale/Dancehall Places
Dancehall Places (Faith & Hope-UK)
20.Rita Chao/Proud Mary (Cantonese)
Rita (Columbia-Hong Kong)
21.Freetempo/Snowfield
The Swingers Unlimited (various) (KICP-Japan)
22.The 88/Afterlife
Kind Of Light (EMK)
23.The Human League/You've Lost That Lovin' Feeling
Reproduction (Caroline)
24.The Divine Comedy/Everybody Knows (Except You)
A Short Album About Love (Setanta-UK)
25.Beth Gibbons & Rustin Man/Romance
Out Of Season (Go Beat)
26.Jimmy Scott/Falling In Love Is Wonderful
Falling In Love Is Wonderful (Rhino Handmade)
27.George Harrison/Marwa Blues
Brainwashed (Capitol)
28.Sammy Davis Jr./The Disorderly Orderly
7" single (Reprise)
29.Halfby/?
Halfby/Halfworks (Second Royal-Japan)
30.Neil Diamond/The African Suite
Tap Root Manuscript (UNI)
Happy Birthday Neil!
31.New Order/The Perfect Kiss (live)
Retro (Rhino)
32.Apollo 100 feat. Tom Parker/Popcorn
Master Pieces (Mega)
33.Yukari Fresh/Horsie Marie
Tres Folis Hat (Escalator-Japan)
34.Seksu Roba/Telephone
Eenie Meenie Sampler (Eenie Meenie)
35.Sunlight/David
Creation Of Sunlight
36.Pictogram Color/Dolphin Song
Pictogram Color (Sucre-Japan)
37.Daniele Luppi/Fetish Quartet
An Italian Story
38.Paul Williams/Morning I'll Be Movin' On
Someday Man (Reprise)
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End
