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Spectropop - Digest Number 983
- From: Spectropop Group
- Date: Thu, 07 Aug 2003
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SPECTROPOP - Spectacular! Retro! Pop!
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There are 13 messages in this issue.
Topics in this digest:
1. Gary Miles & Garry Mills
From: Rob
2. Re: Laura Nyro
From: Steve Harvey
3. Laura Nyro
From: Stuart Miller
4. Re: Jaedes Album 1969
From: Scott
5. Tell Laura We Love Her
From: Steve Harvey
6. Re: Roemans
From: Jeff Lemlich
7. Chuck Woolery: He's still got it!
From: Clark Besch
8. Re: More news and notes
From: Steve Harvey
9. Jeffrey Comanor
From: Bob Rashkow
10. Three Degrees "Dirty Ol' Man"
From: Simon White
11. Re: Knock Three Times (& Lou Christie)
From: Allan Rinde
12. Sire Records
From: Scott Bauman
13. Re: "Stoney End" request
From: Don Hertel
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Message: 1
Date: Thu, 07 Aug 2003 20:16:01 -0000
From: Rob
Subject: Gary Miles & Garry Mills
Hi All,
I was interested in the note re: Gary Miles "Look For A Star".
I presume this is the same song released here in the U.K. by
Garry Mills. This is another Tony Hatch composition, it was
featured in a U.K. horror film called "Circus of Horrors".
I think Garry had 1 further hit over here called "Top Teen
Baby". Can anybody provide any updates?
Rob.
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Message: 2
Date: Thu, 07 Aug 2003 13:16:22 -0700 (PDT)
From: Steve Harvey
Subject: Re: Laura Nyro
There were actually five different covers for Laura Nyro's
first LP. There is the reissue on CBS with the red cover,
three versions of the Verve LP (with liner notes, lyrics and
one that says More Than A New Discovery). However, the rarest
has a shot of Laura in the street in a winter coat with her
arms wrapped around herself. It was used for Verve's ads in
Sing Out, but I've never seen the actual slick.
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Message: 3
Date: Thu, 07 Aug 2003 22:23:09 +0100
From: Stuart Miller
Subject: Laura Nyro
Dave,
In terms of what information I have on the making of "Eli",
Roy's name doesn't come up. I know he did work with her and
for all I know he may have worked on this album, but I'm not
aware of it.
I can tell you that the album was a "done deal" before Laura
even signed to Columbia. In other words, the songs and layout
were already conceived, which suggests Roy was not involved on
that side of things. Very strangely, the way Laura had prepared
the work in terms of the layout was exactly as it appeared on
record, which I think is unusual.
Geffen then went about auditioning producers. The style of the
album etc. was then hammered out between Laura and the producer.
Careful thought was given to the selection of the musicians used.
I presume you may know some of the names picked but Hugh McCracken
was there as well as Chet Amsterdam and Ralph Casale. Laura wasn't
used to playing with other musicians and they wanted people in who
would be sympathetic to her music and who could interract with her.
There were a number of amusing moments in the recording because
Laura had a tendency to drag out a joint from time to time and
apparently rolled big ones which were passed around amongst the
musicians, much to the great angst of Geffen. More than one session
was stopped as a result of everyone's incapcity to continue.
I mentioned Artie Schroek being the drummer but Buddy Salzman was
originally brought in, but they weren't happy. At the final mix
they used 5 engineers, sacking four of them before they settled
on Roy Segal, who I believe was technically very competent.
The union was quite strong at CBS back then and some of the
attitudes the engineers brought in were not condusive to a happy
working environment.
So convinced was Geffen of the quality of the work that he and the
producer organised a Listening Party for the press etc. which was
quite innovative back then. Hacks were dragged in and told to sit,
the lights were dimmed, the album played, and a positive critical
response was received.
I've not followed Geffen's career per se so I do not know now
how he is perceived by the entertainment establishment but he was
extremely instrumental in the success of that album, doing marvelous
things behind the scenes at Columbia and really pushing and argueing
his point. His contribution should not be overlooked.
Hope this was useful
Stuart
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Message: 4
Date: Thu, 07 Aug 2003 19:53:17 EDT
From: Scott
Subject: Re: Jaedes Album 1969
Frederick Blackmon:
> Thanks for the inquiry about the song "Hotter Than Fire". It
> was not my group. My group spelled its name "Jaedes" WE did
> not record that song.
Mr. Blackmon -
I've owned a copy of your LP for several years and it's great.
The pseudo-psychedelic "True, True,True" and your cover of BS&T's
"Spinning Wheel" were personal favorites.
I always wondered how your group ended up on Anthena Records
since the other LP on that label that I own is a psych-oriented
outing by The Femine Complex.
Scott
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Message: 5
Date: Thu, 07 Aug 2003 13:21:06 -0700 (PDT)
From: Steve Harvey
Subject: Tell Laura We Love Her
Dave Feldman
> DF, who still hasn't figured out how to picnic (I confess)
That's quite alright, David, as long as you can still
surrey on down.
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Message: 6
Date: Fri, 08 Aug 2003 02:35:04 -0000
From: Jeff Lemlich
Subject: Re: Roemans
Michael Gessner:
> Does anyone have any of the ABC singles by The Roemans?
Contry Paul:
> I believe the core of the group subsequently became the
> Atlanta Rhythmn Section. I'm looking for an ABC 45 of
> theirs - "Your Friend" from c. 62-63.
> Anyone with any leads to it - CD, mp3, etc., please?
The Roemans were one of the top bands on Florida's west coast.
All the detail you'd ever want is on the Limestone Lounge forum:
http://pub64.ezboard.com/flimestoneloungefrm7.showMessage?topicID=96.topic
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Message: 7
Date: Fri, 08 Aug 2003 05:16:18 -0000
From: Clark Besch
Subject: Chuck Woolery: He's still got it!
Say, did anyone happen to see the Chuck Woolery reality show
Aug 3 "Naturally Stoned" on the Game Show network? (Whatdya
mean "GET A LIFE"??) Seriously, the show was the story of
Chuck's life from early clips, game shows, etc teasing all the
way that he would be singing for the first time in 35 years:
"Naturally Stoned" (which they showed the 45 label twice on the
Columbia Collector's series 45 - no original copy I guess).
Well, finally Chuck got around to this little live gig in front
of mostly game show network people to perform one song with a
group of about 5 good musicians. Despite the video being done
worse than you or I could tape our local band at the bar, Chuck
did a really fine vocal performance of the song! I was very
glad to see he didn't slob it up. Now, I would like to request
that he perform "Fly With Me" and "Yellow Beads"!!
Take care,
Clark
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Message: 8
Date: Thu, 07 Aug 2003 13:19:19 -0700 (PDT)
From: Steve Harvey
Subject: Re: More news and notes
Country Paul
> A promo of "Angel"? Wow! I LOVE this song!
> Has Shelby Flint ever been discussed in these pages?
She teamed up with this jazz guitarist for a CD. He
did the "Wouldn't It Be Nice" CD of jazz artists
tackling Brian Wilson tunes. She's on that one too.
So Shelby is still kicking.
-------------------[ archived by Spectropop ]-------------------
Message: 9
Date: Fri, 08 Aug 2003 11:52:13 EDT
From: Bob Rashkow
Subject: Jeffrey Comanor
Art Longmire [on the Groop album]:
> I noticed that a majority of the songs were written by
> Jeffrey Comanor.
Comanor did do some recording of his own. His unsuccessful A&M
LP "Sure Hope You Like It", 1970 I guess, contains "A Famous Myth"
and "Dianne, Help Me Now" which is listed under the alternate
title on the LP. It also has some pretty good folk-pop which
approaches Nilsson, Tim Hardin, etc. Songs about loneliness and
desolation and a couple of cool odes to livin' in the country,
which of course was very, very in at that time!
Frank Youngwerth, good to hear from you and to know you're still
on the group! Need to hear more from you in between jazz columns!
I haven't ever heard Nyro do her Stoney End so at least for now
I'll have to say no one does it like La Streisand.
Bobster
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Message: 10
Date: Fri, 08 Aug 2003 11:24:40 +0100
From: Simon White
Subject: Three Degrees "Dirty Ol' Man"
Eddy Smit wrote:
> Except for somebody from Down Under, I didn't see any comments
> on the success (?) of the 3 Degrees Dirty Old man. And since it
> apparently didn't chart in the UK, I was wondering what it had
> done in the States...
"Dirty Ol' Man" was a hit in the Soul discos and gay clubs
in the U.K. at the time. A "Blues And Soul" magazine from
December '73/January '74 I have here lists it at number 11
in the 'Soul Singles ' chart and also prints a run down of
"what our gay brothers and sisters seem to be digging at the
moment" .... And they were digging the following:
Love Unlimited - Loves Theme
Three Degrees - Dirty Ol' Man
Jackie Moore - Both Ends Against The Middle
Sister Sledge - Mama Never Told Me
Blue Magic - Look Me Up
Pointer Sisters - Yes We Can Can
O C Smith - LaLa Peace Song
Gloria Gaynor - Honeybee
U.K. radio was heavily biased against 'disco' at the time and
none of these records made it to the mainstream charts.
-------------------[ archived by Spectropop ]-------------------
Message: 11
Date: Sat, 09 Aug 2003 08:23:26 -0000
From: Allan Rinde
Subject: Re: Knock Three Times (& Lou Christie)
Sean wrote:
> I love this song [Knock Three Times] by Tony Orlando and Dawn
> but now that someone was mentioning Ellie Greenwich possibly
> singing on "Lightning Strikes", I heard that Ellie and someone
> else (not one of Dawn) were backing up Tony on this song. Does
> anyone know if that's true?
Well, after all the trouble I stirred up with my "Lightning Strikes"
post, I was hoping someone else would jump in here. The backgrounds
on "Knock Three Times" (as well as "Candida" and probably most, if
not all, of the first Dawn album) were not done by Joyce and Thelma,
who at some point later in time would join with Tony O to become the
Dawn everyone remembers. Two of the singers were Toni Wine and Jay
Siegel (of the Tokens). According to Tony O, in his book of last
year, "Halfway to Paradise," the third singer was Linda November
(who is referred to several pages later as Linda September, so much
for proof reading). According to Toni Wine, the third voice belonged
to Robin Grean (not sure if that's the correct spelling). One day
we'll get Linda and Robin together and sort this out.
As for the Lou Christie backgrounds, I've been told to 'lay low'
while Toni Wine checks out her recollections with a few sources.
For all you Southern California Spectropoppers, Lou, B.J. Thomas,
The Angels (featuring Jiggs and Peggy), Jay Siegel's Tokens (in a
very rare West Coast Appearance), Shirley Alston Reeves of the
Shirelles, Little Anthony & The Imperials, Chris Montez and a few
others, including your MC, Fabian, will be appearing in Palm Springs
at Rocktoberfest, which despite it's name actually occurs Sept. 26-28
and is FREE. For more info, check out
http://www.palmspringsrocktoberfest.com/
-------------------[ archived by Spectropop ]-------------------
Message: 12
Date: Fri, 08 Aug 2003 18:18:29 +0000
From: Scott Bauman
Subject: Sire Records
Doug listed some of the highlights of the early Sire
catalogue, but I wanted to point out an important omission:
"Lo and Behold" by Coulson, Dean, McGuinness, Flint, a group
composed of some former Manfred Mann members. This album was
released in 1972 and is comprised of excellent covers of obscure
(at least at the time) Bob Dylan songs such as "Eternal Circle",
"Tiny Montgomery", "Sign On The Cross" and "Don't You Tell Henry".
Fortunately, it was released on CD by Raven in Australia.
If you doubt my recommendation, check out the album review on
http://www.allmusic.com/cg/amg.dll?p=amg&uid=MISS70308090534&sql=Af85h8qmnbt94
Scott
-------------------[ archived by Spectropop ]-------------------
Message: 13
Date: Fri, 08 Aug 2003 17:58:55 -0000
From: Don Hertel
Subject: Re: "Stoney End" request
Frank Youngwerth wrote:
> Talking of "Stoney End", I wonder if anyone's in a
> position to play to musica Laura's song as done by
> the Blossoms, or Peggy Lipton.
I played "Stoney End" to musica.
By Peggy Lipton with the Blossoms singing backup.
http://groups.yahoo.com/group/spectropop/files/musica
Don NJ
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