http://www.spectropop.com
__________________________________________________________
__________ __________
__________ S P E C T R O P O P __________
__________ __________
__________________________________________________________
Volume #0422 June 19, 2000
__________________________________________________________
Fun and entertainment that every home needs
Subject: that one recording session
Received: 06/19/00 6:40 am
From: Jack Madani
To: Spectropop!
spectropop writes:
>been present at ONE recording session for one single song,
>which would it be? And why? And what would you have
>changed / suggested, if anything?
dewd, there's a lot of ways I could go with this. But I
guess maybe if I really had to choose, maybe I'd go for
something like:
the I Got You Babe session, because I'd like to see the
look on the faces of the musicians during playback when
they realized that Sonny "don't forget the fries when you
come back with the hamburgers" Bono had come up something
that good. That would have been something to see.
--------------------[ archived by Spectropop ]--------------------
Subject: Strawberry Children
Received: 06/14/00 11:49 pm
From: Lindsay Martin
To: Spectropop!
Dr Hibbert wrote:
>"It's A Soft Rock World" JPN : 1996 Keystone SR 9601 (CD)
>Love Years Coming / Strawberry Children
This is a Jimmy Webb song, by a group of which he was a
member. Nice song, hippie love & peace.
Lindsay
--------------------[ archived by Spectropop ]--------------------
Subject: Wrecking Crew
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Hi Everyone, just thought I`d mention that there is an
article/interview with Hal Blaine and Don Randi in the
new issue of Discoveries magazine.
--------------------[ archived by Spectropop ]--------------------
Subject: Count Basie plays Rock and Roll with Alan Freed
Received: 06/14/00 11:49 pm
From: Paul Urbahns
To: Spectropop!
<< Not as off-topic as it sounds, Doug. By co-incidence,
I've been listening to some Count Basie from the 30s &
40s in recent days and remarking on how close some of
these tracks are to early rock'n'roll. Lindsay >>
Count Basie was used by Alan Freed as the "backup band"
to accompany artists on some of his stage shows. A good
example of this is the record "Rock 'N Roll Radio" on
Radiola MR-1087. So it wasn't just Frank Sinatra that
appreciated Basie's talent.
Paul Urbahns
--------------------[ archived by Spectropop ]--------------------
Subject: Here Come The Girls
Received: 06/14/00 11:49 pm
From: Jack Madani
To: Spectropop!
Once again demonstrating my cluelessness, I wonder if
someone could help bring me up to date on the most
recent state of the Here Come The Girls series. I
currently own volume numbers:
1 (catalog NEX CD 111)
3 (catalog NEX CD 193)
4 (catalog SEQUEL 1012-2, and actually labeled "Volume 1"
but I'm pretty sure it's supposed to be volume 4)
6 (catalog NEM CD 718)
7 (catalog NEM CD 752)
8 (catalog NEM CD 845)
9 (catalog NEM CD 950)
What if anything comes after volume 9? And who carries
the discs of this series?
--------------------[ archived by Spectropop ]--------------------
Subject: B-52's
Received: 06/14/00 11:49 pm
From: Marti Gallowitz
To: Spectropop!
>How in hell did a band out of Athens GA in the late
>seventies ever hear of what would have at the time been
>an impossible to find obscure single by a band that
>everyone assumed was no more than a one-hit wonder?
Wax 'n' Facts
432 Moreland Ave
Atlanta, Ga
Home of DB records, too. And (I think) there was a Wax in
Athens as well. Great shop. I bought tons of used vinyl
there in those early days of punk/new wave. I know there
are Spectropop people who can tell this story better than
me . . .
--------------------[ archived by Spectropop ]--------------------
Subject: How In The Hell? Here's How
Received: 06/14/00 11:49 pm
From: DJ JimmyB
To: Spectropop!
In a message dated 6/12/0 2:20:53 PM, you wrote:
>How in hell did a band out of Athens GA (B-52's) in the late
>seventies ever hear of what would have at the time been
>an impossible to find obscure single by a band (The Sunrays)that
>everyone assumed was no more than a one-hit wonder?
Don't forget that the late 7T's was probably basic/punk
rock's richest period. It was then that bands were coming
along and mining 50's and 6T's sounds at a furious rate.
EVERYONE did a rockabilly tune. EVERYBODY did a surf tune.
EVERYBODY did some garage rock. When I say EVERYBODY, I'm
not talking about Radio Rock. That was so corporate as to
be not worth the time of day. NOT everybody did Soft Rock
though and I think that's part of the reason for its
current popularity. Its the only form of rock not re done
to death. The B-52's were a significant part of this
movement and probably dug deeeeep to find something
different to retro-fit onto their tunes. And don't forget
they found the record about 13 years after it came out.
That would be like finding a reddid from 1987 today...Not
implausible...JB
--------------------[ archived by Spectropop ]--------------------
Subject: B52s
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Hi Jack
Interesting thread on the B52s Rock Lobster and the
Sunrays . I`ve never heard the Sunrays so I can`t compare
the songs but what is interesting and why I had to post
is the fact that may shed some light on your question:
On one of their later records, Song For A Future
Generation, each member of the B52s has a spoken part in
which they reveal something about themselves and Fred
Schnieder says his hobby is "collecting records". So
maybe there is that connection between Rock Lobster and
the Sunrays.Being a collector, Fred may have discovered
that obscure song and figured on "borrowing" from it in
hopes that no one would ever have heard of the Sunrays.
Just a thought.
John Rausch
Presenting The Fabulous Ronettes @
http://www.geocities.com/SunsetStrip/Studio/2469/
--------------------[ archived by Spectropop ]--------------------
Subject: B52s
Received: 06/19/00 6:40 am
From: David Mirich
To: Spectropop!
Jack wrote:
<< This is totally freaking me out.
You know the B-52's "Rock Lobster," that terrific slice
of retro-surf-punk-whatever?
I think they copped several of its essential riffs from a
Sunrays tune called "Don't Take Yourself Too Seriously."
(snip) How in hell did a band out of Athens GA in the late
seventies ever hear of what would have at the time been
an impossible to find obscure single by a band that
everyone assumed was no more than a one-hit wonder?>>
I wouldn't underestimate the B-52s in their search for
inspiration. I remember analyzing one of their songs that
was totally reminiscent of an obscure Beach Boys song. IMO,
the B-52s created some of the most amazing music in all
of pop. Plus, anyone who loves the Sunrays as much as I do
is allright by me! I will listen to the songs you mentioned
Jack, but I'm sure that you are right. It just goes to show
you how musically sophisticated the late Ricky Wilson was.
Dave Mirich
--------------------[ archived by Spectropop ]--------------------
Subject: Sunrays
Received: 06/14/00 11:49 pm
From: Jamie LePage
To: Spectropop!
During their short lived career, the Sunrays released some
excellent surf-oriented material and had two memorable hits
with I Live For the Sun and Andrea. Somehow, though, I
think knowing about the rift between Murray and the Beach
Boys has made it difficult for me to listen objectively to
the Sunrays' music.
Beach Boy Carl Wilson introduced his father to
singer/songwriter Rick Henn. After Carl's father was
fired as the Beach Boys manager, he sought out Rick Henn
and organized a band specifically with the idea of
showing Carl and his brothers that Dad was the true
genius behind the Beach Boys. Murray "OK, Brian, I'm a
genius too" Wilson wanted to outbeach his sons,
particularly Brian. Knowing what we do about the problems
between Murray and the Beach Boys, Murray's actions seem
likely under the circumstances.
Long before all the Beach Boys docu-dramas, Endless
Harmonies and "Vintage Sunrays", all I knew about Murray
and the Sunrays was the Tower LP, and although I hadn't
listened to it in quite some time, I remember thinking the
album was weak save for the two hits Andrea and I Live For
The Sun. After Jack's post about the B52s, I re-listened to
the band's material and had a whole new take on it, albeit
reaching a similar conclusion as before.
Maybe I know too much about the history to be objective.
Yes, the Sunrays songs are as silly as surf songs can be,
but they are written and performed WITHOUT A HINT OF IRONY.
The Sunrays records sound like what the Beach Boys would
have sounded like in 1966 if Brian hadn't "f**ked with the
formula". The Shangri-las' Leader of the Pack is ludicrous,
but you get the feeling Shadow, Jeff and Ellie knew it
at the time. Likewise, J&D/Rip Chords "Gas Money" is a put
on, while Sunrays "Outta Gas" tackles the same subject as
seriously as a teenager with a new pimple.
Take a song like ""Hi, How Are You?", with its
relentless chorus of:
Hi there, how are you. Hi there, how are you. Hi there,
how are you. Hi there, how are you
I can just picture Murray saying to songwriter Henn
"C'mon Ricky buddy. Ya wanna be a success? Well listen
to me, now, remember what I did with those bums the
Beach Boys. Now ya gotta good song here, but ya gotta
put your heart into it. Just sing "Hi there how are you"
over and over. You gotta make the kids remember the title."
How about "Car Party" which not so coincidentally name
checks both the Beach Boys and Dad in the closing
couplet of the chorus. This seems all too strange.
"I Just Have to Be Myself", written by someone named
HIAL BANCROFT KING, repeats the lines in nursery
rhyme-like ding dong ding dong fashion:
I just have to be myself
Be myself and nobody else
.....again, without a hint of irony. Pretty scary!
Hial King also wrote "You Don't Phase Me" (sic) for the
group. None of the band, nor Murray, nor anyone at Tower
or Irving Music bothered to mention to Mr. King that it
should have been faze...
However, "Still" is the funniest track on the CD. I
can't help but think of Murray singing the lyric to his
sons. "Please take me back, and if you do, baby, I'll
never be jealous anymore. I've been going around to all
the dances, and I found nobody that can compare with you.
I miss you so much that if you give me another chance,
I'll never let you down."
Bruce & Terry, Fantastic Baggys, Rip Chords, and to a
certain extent Jan & Dean all traded in the same wares
as did Murray's Sunrays. Musicianship is solid, vocal
arrangements refined, recording top notch and
songwriting patchy but with some very strong high points.
Rick can do a pretty good Young Brian falsetto, too. But
so much of their material sounds "square" (for lack of a
better term), I can't help but think the blame has to go
to Murray and perhaps arranger Don Ralke (Can anyone
redeem Ralke by pointing to some better arrangements?).
Anyone feel differently?
Jamie
--------------------[ archived by Spectropop ]--------------------
Subject: Lawsuit
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Looks like Ronnie & the girls won
XXX
John Rausch
Presenting The Fabulous Ronettes @
http://www.geocities.com/SunsetStrip/Studio/2469/
--------------------[ archived by Spectropop ]--------------------
Subject: Ellie Greenwich
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
One more post:
Just thought I`d pass this link along in case anyone`s interested.
http://elliegreenwich.com/index.html
John Rausch
--------------------[ archived by Spectropop ]--------------------
ADMIN NOTE: After more than a year of making queries and
writing letters, Spectropop is very pleased to announce
that lyricist extraordinaire, Mr. Hal David, has agreed to
field questions from our group for a special Hal David
issue of Spectropop.
Mr. David has been quoted as saying "the melody has to
feel like it was made for the lyric and the lyric like it
was made for the melody, and to do that requires an
accommodation of sorts. It shouldn't look like there is an
accommodation. One should just mesh into the other. If you
are able to tell which was written first, the lyric or the
melody, then there is something wrong with the song."
Having the opportunity to pose questions to one of the
most acclaimed and beloved lyricists of all time is truly
exciting, and judging from the above quote, Mr. David is
sure to bring some fascinating insights to our group about
the songwriting process itself as well as his work
specifically.
Questions for Mr. David should be posted to the regular
list address. The (unanswered) questions will be posted in
the next two digests. This will allow list members enough
time to give due consideration to their questions. The
questions will then be forwarded to Mr. David in the form
of an email interview questionnaire. Mr. David is
traveling right now. He is extremely busy with a show for
the Songwriters' Hall of Fame in New York (of which he is
Chairman of the Board), and in in a few days he will go to
London, where Burt Bacharach and he are to receive an award
and be honored with a show of their songs at the Royal
Albert Hall. For this reason, it may take some time before
we receive his comments to our questions. He asks for our
understanding.
Special thanks to those list members who helped make this
exciting project come to fruition.
End
http://www.spectropop.com
__________________________________________________________
__________ __________
__________ S P E C T R O P O P __________
__________ __________
__________________________________________________________
Volume #0422 June 19, 2000
__________________________________________________________
Fun and entertainment that every home needs
Subject: that one recording session
Received: 06/19/00 6:40 am
From: Jack Madani
To: Spectropop!
spectropop writes:
>been present at ONE recording session for one single song,
>which would it be? And why? And what would you have
>changed / suggested, if anything?
dewd, there's a lot of ways I could go with this. But I
guess maybe if I really had to choose, maybe I'd go for
something like:
the I Got You Babe session, because I'd like to see the
look on the faces of the musicians during playback when
they realized that Sonny "don't forget the fries when you
come back with the hamburgers" Bono had come up something
that good. That would have been something to see.
--------------------[ archived by Spectropop ]--------------------
Subject: Strawberry Children
Received: 06/14/00 11:49 pm
From: Lindsay Martin
To: Spectropop!
Dr Hibbert wrote:
>"It's A Soft Rock World" JPN : 1996 Keystone SR 9601 (CD)
>Love Years Coming / Strawberry Children
This is a Jimmy Webb song, by a group of which he was a
member. Nice song, hippie love & peace.
Lindsay
--------------------[ archived by Spectropop ]--------------------
Subject: Wrecking Crew
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Hi Everyone, just thought I`d mention that there is an
article/interview with Hal Blaine and Don Randi in the
new issue of Discoveries magazine.
--------------------[ archived by Spectropop ]--------------------
Subject: Count Basie plays Rock and Roll with Alan Freed
Received: 06/14/00 11:49 pm
From: Paul Urbahns
To: Spectropop!
<< Not as off-topic as it sounds, Doug. By co-incidence,
I've been listening to some Count Basie from the 30s &
40s in recent days and remarking on how close some of
these tracks are to early rock'n'roll. Lindsay >>
Count Basie was used by Alan Freed as the "backup band"
to accompany artists on some of his stage shows. A good
example of this is the record "Rock 'N Roll Radio" on
Radiola MR-1087. So it wasn't just Frank Sinatra that
appreciated Basie's talent.
Paul Urbahns
--------------------[ archived by Spectropop ]--------------------
Subject: Here Come The Girls
Received: 06/14/00 11:49 pm
From: Jack Madani
To: Spectropop!
Once again demonstrating my cluelessness, I wonder if
someone could help bring me up to date on the most
recent state of the Here Come The Girls series. I
currently own volume numbers:
1 (catalog NEX CD 111)
3 (catalog NEX CD 193)
4 (catalog SEQUEL 1012-2, and actually labeled "Volume 1"
but I'm pretty sure it's supposed to be volume 4)
6 (catalog NEM CD 718)
7 (catalog NEM CD 752)
8 (catalog NEM CD 845)
9 (catalog NEM CD 950)
What if anything comes after volume 9? And who carries
the discs of this series?
--------------------[ archived by Spectropop ]--------------------
Subject: B-52's
Received: 06/14/00 11:49 pm
From: Marti Gallowitz
To: Spectropop!
>How in hell did a band out of Athens GA in the late
>seventies ever hear of what would have at the time been
>an impossible to find obscure single by a band that
>everyone assumed was no more than a one-hit wonder?
Wax 'n' Facts
432 Moreland Ave
Atlanta, Ga
Home of DB records, too. And (I think) there was a Wax in
Athens as well. Great shop. I bought tons of used vinyl
there in those early days of punk/new wave. I know there
are Spectropop people who can tell this story better than
me . . .
--------------------[ archived by Spectropop ]--------------------
Subject: How In The Hell? Here's How
Received: 06/14/00 11:49 pm
From: DJ JimmyB
To: Spectropop!
In a message dated 6/12/0 2:20:53 PM, you wrote:
>How in hell did a band out of Athens GA (B-52's) in the late
>seventies ever hear of what would have at the time been
>an impossible to find obscure single by a band (The Sunrays)that
>everyone assumed was no more than a one-hit wonder?
Don't forget that the late 7T's was probably basic/punk
rock's richest period. It was then that bands were coming
along and mining 50's and 6T's sounds at a furious rate.
EVERYONE did a rockabilly tune. EVERYBODY did a surf tune.
EVERYBODY did some garage rock. When I say EVERYBODY, I'm
not talking about Radio Rock. That was so corporate as to
be not worth the time of day. NOT everybody did Soft Rock
though and I think that's part of the reason for its
current popularity. Its the only form of rock not re done
to death. The B-52's were a significant part of this
movement and probably dug deeeeep to find something
different to retro-fit onto their tunes. And don't forget
they found the record about 13 years after it came out.
That would be like finding a reddid from 1987 today...Not
implausible...JB
--------------------[ archived by Spectropop ]--------------------
Subject: B52s
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Hi Jack
Interesting thread on the B52s Rock Lobster and the
Sunrays . I`ve never heard the Sunrays so I can`t compare
the songs but what is interesting and why I had to post
is the fact that may shed some light on your question:
On one of their later records, Song For A Future
Generation, each member of the B52s has a spoken part in
which they reveal something about themselves and Fred
Schnieder says his hobby is "collecting records". So
maybe there is that connection between Rock Lobster and
the Sunrays.Being a collector, Fred may have discovered
that obscure song and figured on "borrowing" from it in
hopes that no one would ever have heard of the Sunrays.
Just a thought.
John Rausch
Presenting The Fabulous Ronettes @
http://www.geocities.com/SunsetStrip/Studio/2469/
--------------------[ archived by Spectropop ]--------------------
Subject: B52s
Received: 06/19/00 6:40 am
From: David Mirich
To: Spectropop!
Jack wrote:
<< This is totally freaking me out.
You know the B-52's "Rock Lobster," that terrific slice
of retro-surf-punk-whatever?
I think they copped several of its essential riffs from a
Sunrays tune called "Don't Take Yourself Too Seriously."
(snip) How in hell did a band out of Athens GA in the late
seventies ever hear of what would have at the time been
an impossible to find obscure single by a band that
everyone assumed was no more than a one-hit wonder?>>
I wouldn't underestimate the B-52s in their search for
inspiration. I remember analyzing one of their songs that
was totally reminiscent of an obscure Beach Boys song. IMO,
the B-52s created some of the most amazing music in all
of pop. Plus, anyone who loves the Sunrays as much as I do
is allright by me! I will listen to the songs you mentioned
Jack, but I'm sure that you are right. It just goes to show
you how musically sophisticated the late Ricky Wilson was.
Dave Mirich
--------------------[ archived by Spectropop ]--------------------
Subject: Sunrays
Received: 06/14/00 11:49 pm
From: Jamie LePage
To: Spectropop!
During their short lived career, the Sunrays released some
excellent surf-oriented material and had two memorable hits
with I Live For the Sun and Andrea. Somehow, though, I
think knowing about the rift between Murray and the Beach
Boys has made it difficult for me to listen objectively to
the Sunrays' music.
Beach Boy Carl Wilson introduced his father to
singer/songwriter Rick Henn. After Carl's father was
fired as the Beach Boys manager, he sought out Rick Henn
and organized a band specifically with the idea of
showing Carl and his brothers that Dad was the true
genius behind the Beach Boys. Murray "OK, Brian, I'm a
genius too" Wilson wanted to outbeach his sons,
particularly Brian. Knowing what we do about the problems
between Murray and the Beach Boys, Murray's actions seem
likely under the circumstances.
Long before all the Beach Boys docu-dramas, Endless
Harmonies and "Vintage Sunrays", all I knew about Murray
and the Sunrays was the Tower LP, and although I hadn't
listened to it in quite some time, I remember thinking the
album was weak save for the two hits Andrea and I Live For
The Sun. After Jack's post about the B52s, I re-listened to
the band's material and had a whole new take on it, albeit
reaching a similar conclusion as before.
Maybe I know too much about the history to be objective.
Yes, the Sunrays songs are as silly as surf songs can be,
but they are written and performed WITHOUT A HINT OF IRONY.
The Sunrays records sound like what the Beach Boys would
have sounded like in 1966 if Brian hadn't "f**ked with the
formula". The Shangri-las' Leader of the Pack is ludicrous,
but you get the feeling Shadow, Jeff and Ellie knew it
at the time. Likewise, J&D/Rip Chords "Gas Money" is a put
on, while Sunrays "Outta Gas" tackles the same subject as
seriously as a teenager with a new pimple.
Take a song like ""Hi, How Are You?", with its
relentless chorus of:
Hi there, how are you. Hi there, how are you. Hi there,
how are you. Hi there, how are you
I can just picture Murray saying to songwriter Henn
"C'mon Ricky buddy. Ya wanna be a success? Well listen
to me, now, remember what I did with those bums the
Beach Boys. Now ya gotta good song here, but ya gotta
put your heart into it. Just sing "Hi there how are you"
over and over. You gotta make the kids remember the title."
How about "Car Party" which not so coincidentally name
checks both the Beach Boys and Dad in the closing
couplet of the chorus. This seems all too strange.
"I Just Have to Be Myself", written by someone named
HIAL BANCROFT KING, repeats the lines in nursery
rhyme-like ding dong ding dong fashion:
I just have to be myself
Be myself and nobody else
.....again, without a hint of irony. Pretty scary!
Hial King also wrote "You Don't Phase Me" (sic) for the
group. None of the band, nor Murray, nor anyone at Tower
or Irving Music bothered to mention to Mr. King that it
should have been faze...
However, "Still" is the funniest track on the CD. I
can't help but think of Murray singing the lyric to his
sons. "Please take me back, and if you do, baby, I'll
never be jealous anymore. I've been going around to all
the dances, and I found nobody that can compare with you.
I miss you so much that if you give me another chance,
I'll never let you down."
Bruce & Terry, Fantastic Baggys, Rip Chords, and to a
certain extent Jan & Dean all traded in the same wares
as did Murray's Sunrays. Musicianship is solid, vocal
arrangements refined, recording top notch and
songwriting patchy but with some very strong high points.
Rick can do a pretty good Young Brian falsetto, too. But
so much of their material sounds "square" (for lack of a
better term), I can't help but think the blame has to go
to Murray and perhaps arranger Don Ralke (Can anyone
redeem Ralke by pointing to some better arrangements?).
Anyone feel differently?
Jamie
--------------------[ archived by Spectropop ]--------------------
Subject: Lawsuit
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
Looks like Ronnie & the girls won
http://dailynews.yahoo.com/h/nm/20000616/en/music-ronettes_1.html
John Rausch
Presenting The Fabulous Ronettes @
http://www.geocities.com/SunsetStrip/Studio/2469/
--------------------[ archived by Spectropop ]--------------------
Subject: Ellie Greenwich
Received: 06/19/00 6:40 am
From: john rausch
To: Spectropop!
One more post:
Just thought I`d pass this link along in case anyone`s interested.
http://elliegreenwich.com/index.html
John Rausch
--------------------[ archived by Spectropop ]--------------------
ADMIN NOTE: After more than a year of making queries and
writing letters, Spectropop is very pleased to announce
that lyricist extraordinaire, Mr. Hal David, has agreed to
field questions from our group for a special Hal David
issue of Spectropop.
Mr. David has been quoted as saying "the melody has to
feel like it was made for the lyric and the lyric like it
was made for the melody, and to do that requires an
accommodation of sorts. It shouldn't look like there is an
accommodation. One should just mesh into the other. If you
are able to tell which was written first, the lyric or the
melody, then there is something wrong with the song."
Having the opportunity to pose questions to one of the
most acclaimed and beloved lyricists of all time is truly
exciting, and judging from the above quote, Mr. David is
sure to bring some fascinating insights to our group about
the songwriting process itself as well as his work
specifically.
Questions for Mr. David should be posted to the regular
list address. The (unanswered) questions will be posted in
the next two digests. This will allow list members enough
time to give due consideration to their questions. The
questions will then be forwarded to Mr. David in the form
of an email interview questionnaire. Mr. David is
traveling right now. He is extremely busy with a show for
the Songwriters' Hall of Fame in New York (of which he is
Chairman of the Board), and in in a few days he will go to
London, where Burt Bacharach and he are to receive an award
and be honored with a show of their songs at the Royal
Albert Hall. For this reason, it may take some time before
we receive his comments to our questions. He asks for our
understanding.
Special thanks to those list members who helped make this
exciting project come to fruition.
End
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