________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Here are the great songs. The unbelievable excitement... ------------------------------------------------------------------------ There are 10 messages in this issue #34. Topics in this digest: 1. DELETED DUE TO ERROR IN TRANSMISSION 2. The Wilson Project book From: "Ron Weekes" 3. Getting J&D Book From: Doc Rock 4. Gold Star Sound effects From: "Doug Morris" 5. Girl group questions From: "Antonio Vizcarra" 6. Joanie Sommers From: Claudia Cunningham 7. Usher and Kaye and Todoroff From: "Joseph Scott" 8. Re: The "IN" Crowd From: Paul MacArthur 9. Nitzsche/Proby From: "Ian Chapman" 10. Ink Spots --- What's In The Name... From: Paul MacArthur ________________________________________________________________________ ________________________________________________________________________ Message: 2 Date: Mon, 11 Sep 2000 17:04:57 -0600 From: "Ron Weekes" Subject: The Wilson Project book Tobias asked earlier about the status of Stephen McParland's "The Wilson Project" book. Stephen tells me that "The WILSON PROJECT and BRIAN WILSON TAPE #10 (the follow-up) are out of print. However they will be republished early next year (shortly after USHER 4) as the one book THE WILSON PROJECT TAPES 1-10." In looking at his timeline with his Gary Usher books, the earliest we would see these two books republished as one will be February 2001. Trust me, for those of you who have not read either of these books about Gary Usher's involvement with Brian Wilson's first venture back into the studio and dealing with Dr. Eugene Landy, they are worth the read. Reading "The Wilson Project" renewed my interest in Gary Usher. Ron Weekes The Surf and Hot Rod Sounds of Gary Usher Web Page http://www.geocities.com/SunsetStrip/Studio/8242 ________________________________________________________________________ ________________________________________________________________________ Message: 3 Date: Mon, 11 Sep 2000 13:44:09 -0400 From: Doc Rock Subject: Getting J&D Book > Does anybody know where I can get hold of McParland's > book "The Wilson/Usher Project"? I tried with Pet Sounds > in Newcastle, but they don't seem to find a copy of it > either...could I perhaps order a copy directly from > McParland himself? > > Tobias His book is amazing. My friends have been urging me to write a J&D book for 25 years. Now I don't have to. It's been done -- in spades! Great stuff! Doc ________________________________________________________________________ ________________________________________________________________________ Message: 4 Date: Mon, 11 Sep 2000 18:39:32 -0700 From: "Doug Morris" Subject: Gold Star Sound effects I read somewhere that the thunder and lightning heard at the start of the Ronettes "Walking in the Rain", The Cascades "Rhythm of the Rain" and Dee Clark's "Raindrops" all came from the same sound effects record in the Gold Star Studio's library. True? Also, I've been enjoying immensly Carol Kaye's postings in this newsgroup. I do have a question regarding those famous '60's recording sessions that perhaps she could help clarify. Namely what is the meaning of the term "contractor" when applied to the union session contracts. I understand that on some of the Spector sessions Hal Blaine is listed as "contractor". I always (perhaps ignorantly) assumed that in those days Phil or Brian or Jan or whomever could call up a the session "contractor" who would arrange to secure the services of the individual studio band members. However, Carole has stated numerous times that there was no "Wrecking Crew" as such, that all of the session players were independent contractors. I guess I'm just wondering if Hal's role was as just another (outstanding) player, or if he also performed the role of gathering the session players. I have no agenda on this, just curious about how such magnificent music came to be. --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 11 Sep 2000 19:33:48 +0200 From: "Antonio Vizcarra" Subject: Girl group questions Hi everybody, I am new to the list which I think is really great!!! so I don't know if these questions have been posted before, but if anybody knows please let me know. Could anybody tell me if Robin Ward released after the "Wonderful Summer" album other records? if so how many?. I think it's a shame she didn't have more success in the 60s as she was in the same league as Lesly Gore or Shelley Fabares. As for Terry Black, another unsung sixties hero, anybody knows what records he made after The Black plague album? Finally, can anybody shed more light on the Donays? because the only know fact about them is that their lead singer was Yvone Allen and that their only recording was made supposedly in Detroit. Thanks in advance for all your help. Antonio. [Non-text portions of this message have been removed] --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Mon, 11 Sep 2000 20:04:04 -0400 (EDT) From: Claudia Cunningham Subject: Joanie Sommers Can anyone tell me who the musicians were on Joanie Sommers' hit, "One Boy"? What a heavenly song! Regards, Claudia Cunningham --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Mon, 11 Sep 2000 20:07:48 -0700 (PDT) From: "Joseph Scott" Subject: Usher and Kaye and Todoroff Hi all, When I think of Gary Usher and Carol Kaye, I think of the best Beach Boys-influenced single of all time, "My World Fell Down" by Sagittarius, which charted in '67. BTW Carol, the highly acclaimed '60s box set Nuggets explicitly credits you on this track, along with Blaine, Knechtel, Glen Campbell, Bruce Johnston, and Terry Melcher. Carol, that was the same thing Jim Hughart told me in our interview, that the session musicians kept their jazz experience secret from the younger rock guys in case it would intimidate them. Steve Todoroff, I was very impressed by your recent article on Leon Russell and I'm looking forward to buying your book about him. Joseph Scott --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Mon, 11 Sep 2000 10:06:58 -0700 (PDT) From: Paul MacArthur Subject: Re: The "IN" Crowd STOP THE MADNESS!!!! We all know the bassist on "The 'IN' Crowd' was Eldee Young and it was recorded live at a nightclub in Washington, DC... ;)- Paul ===== ---------- Album of the Week: Dusty Trails DUSTY TRAILS Wine of the Week: Black Opal: 1998 Cabernet/Merlot Blend Concert of the Summer: Brian Wilson http://www.houstonpress.com/issues/2000-07-20/music.html "I wouldn't tolerate that language about you, sir, and I won't tolerate that language from you." - Leland McKenzie --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Mon, 11 Sep 2000 21:04:18 +0100 From: "Ian Chapman" Subject: Nitzsche/Proby > Jake Tassell wrote on 12/18/99 1:28 am > > > As far as I know, and anyone's welcome to contradict me on > > this point, Proby made only two tracks with Jack Nitszche - > > 'I Can't Make It Alone' and 'You Make Me Feel Like Someone'. Steve replied:- > Jake, > I looked through my records and found the following > Proby/Nitzsche studio collaboration in 1963 recorded at > the studios of Liberty Records for a release on their > label (#55588): "So Do I"/"I Can't Take It Like You Can". Yes, "(The Dog Remembers and) So Do I" - good track, sort of a lyrical precursor to "Me & the Elephant". Ken Barnes did a great interview with Jack Nitzsche in the Winter '76/'77 issue of "Bomp!". He basically presented Jack with as many Nitzsche-related 45s he could find and just let the man talk. This is what he said about the Proby tracks:- "That ("I Can't Make It Alone") was when he came back here from England. That was a good song too." Ken asked him if he worked with Proby before he went to England:- "Yeah, demos - when he thought he was Johnny Cash. He was always drunk, but he was....I've always liked him a lot. He deserved to be a lot more than he was; very talented. He could sing like anybody.....Gene Pitney, Johnny Cash...." BTW, the Barnes interview also listed "If I Ruled the World" as a Nitzsche production. P.J. Proby, last I heard, was back in residence here in the UK and living with 60s Brit-girl singer Billie Davis. Ian --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Mon, 11 Sep 2000 22:49:21 -0700 (PDT) From: Paul MacArthur Subject: Ink Spots --- What's In The Name... A very interesting article, if I do say so myself, on famous bands names and how they end up being used. Check it out...and as always, if you dig it, let my editor know!!! http://houstonpress.com/issues/2000-09-07/music.html Best, Paul MacArthur ===== --------------------[ archived by Spectropop ]-------------------- End
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