http://www.spectropop.com ________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ SPIN MY RECORD! WATCH ME TWIRL! ------------------------------------------------------------------------ There are 8 messages in this issue of Spectropop. Topics in this Digest Number 180: 1. Archies New CD & New Buddha Best-Of's From: Billy Spradlin 2. Where The Action Is From: Paul Urbahns 3. Re: WHERE THE ACTION IS From: "Mike Arcidiacono" 4. Re: Rock Flowers From: "Donny Hampton" 5. Re: Rock Flowers/Goodees From: "Mike Arcidiacono" 6. Re: Rock Flowers & Goodees From: Christopher Davidson 7. Re: Goodees & Rock Flowers From: Kim Cooper 8. THE ROCK FLOWERS From: Mick Patrick ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Tue, 12 Jun 2001 07:58:34 -0000 From: Billy Spradlin Subject: Archies New CD & New Buddha Best-Of's > On another topic: With all of the talk of the Archies on > the list as of late, I'm surprised that nobody has > mentioned the new Varese/Fuel 2000 16 track CD: > Absolutely the Best of the Archies. Nice compilation > (and art direction) from Bill Pitzonka. Any thoughts? I got it last week from Not Lame records, and it's the best sounding and compiled Archies best-of CD I have seen so far. It's nice to finally get the "Everything's Archie" TV Show theme song, plus the hard-to-find 1971 single "This Is Love" on CD. (I've never heard this song before but the chorus reminds me of...Matthew Sweet?!) My only gripe is that it's only 39:20 and has "only" 16 tracks. A lot of great LP tracks are missing, IMO. Despite the short time this is the Archies CD to get if you havent bought one before. A couple other CD's I highly reccomend to Bubblegum fans is Buddha's new best-of's The 1910 Frutgum Company and the Lemon Pipers. (I havent gotten the Ohio Express - its on my want list) The sound is bright and super-punchy unlike older CD's and both have interesting liner notes. I bought them only to get the hits, but both groups had several album cuts that were fantastic too...!(and full of hooks that you wont be able to get out of your head until you listen to that song again!) Billy --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Mon, 11 Jun 2001 23:55:31 EDT From: Paul Urbahns Subject: Where The Action Is Freeman wrote: > Have I missed ACTION? Is Dick Clark waiting 'til we're > all blind before he makes us run out and spend a > zillion $ on re-issues? Now That Freeman mentions it, something must have happened to the WTAI tapes, because I very seldom see the clips used on rock documentaries. Normally it is studio stuff from Shindig and Hallabaloo. Dick Clark uses his own stuff on his specials so I wonder if there is some licensing agreement that he can only use Bandstand related material on a Bandstand related special. Any comments out there? Knowing as much as Dick Clark does on the music industry, It's hard to believe he hasn't issued much. Paul Urbahns --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Mon, 11 Jun 2001 20:30:02 -0400 From: "Mike Arcidiacono" Subject: Re: WHERE THE ACTION IS "Dela Trinidad" wrote: > there is a bootleg video called the Best of Where The > Action Is that is floating around. I pick one up at a > record show and it really brought back some great > memories. The problem with Where The Action Is is that is was not videotaped because it was a daily show. The only things that survived were some kinescopes made for Dick Clark, and the quality is pretty bad, as they were made off of a TV monitor. i have a bunch of them, and while they are enjoyable to watch, the poor quality makes you turn it off after a while. Mikey --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Tue, 12 Jun 2001 00:22:44 -0000 From: "Donny Hampton" Subject: Re: Rock Flowers Patrick wrote: > >The Rock Flower dolls are one of the best gimmicks I've >ever come across - a doll that spins on top of a colorful >single - what a great idea! And the 1970s outfits are >wonderful! Their music reminds me of Ellie Greenwich's >from that same time period. They even do one of her songs, >and also I have a single composed by Jeff Barry and >others. What's interesting about them is that they were a >group and then had dolls modeled after them... or vice >versa? > I'd be willing to bet that the Rock Flowers were inspired by Josie and The Pussycats . . . that's where the two white girls with one black girl concept originated. Besides that, the Flowers' producer, Wes Farrell, was closely associated with the Pussycats' producer, Danny Janssen (they wrote the Patridge Family theme song together). I have both Rock Flowers albums. For the record, they were Debbie Clinger, Ardie Tillman and Rindy Dunn (who was replaced by Jacquie Wiseman, if I remember correctly), and they are the source for the original versions of the Ellie Greenwich-Toni Wine songs "Gettin' Together" and "If You Loved Me Once." They recorded a Jeff Barry number, you say? Tell me more! Don Charles --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 11 Jun 2001 21:40:13 -0400 From: "Mike Arcidiacono" Subject: Re: Rock Flowers/Goodees "Patrick" wrote > I've been getting into the Rock Flowers and the Goodees > this year. Is there anyone here who could perhaps shed > some light on both of these groups and put them into > historical perspective? Patrick. My best friends Dad was Joe Dimperio, who ran Wheel Records, which had The Rockflowers. Since Joe Jr and I were in a band, and were recording at the time (his Dad produced us), we had many discussions about the music biz and he talked about the Rockflowers. I called Joe (I was going to, anyway, as I found some of our old tapes) and got what he remembers - it pretty much matches my recollection...here's the scoop: Joe's dad was a Vice President for RCA Records in the 60s and 70s. One of the acts he wanted to sign was The Rockflowers, as their demo tape showed a nice mix of voices, and with the right backing, he felt they could hit the charts. RCA, however wasn't so sure and passed on them. Enter Ringling Bros. They had been trying to get into the record business, but for some reason they were not able to make it work. They offered Joe's dad a fantastic deal to run Wheel Records (get it, Circus Wheel...) The guy who owned the label was Irving Feld. So Joe's dad quit RCA and started Wheel Records. The first act he tried to sign was Charlie Rich, but RCA came in and re-signed him to an enormous contract. Rich had lots of hits for RCA Nashville, and one wonders what would have happened if he had signed with Wheel. So, next, they contacted the Rockflowers agent (who, I *think* was Jerry Petrocino), and signed the group. They brought Producer Wes Farrell in to produce (he had done The Partridge Family and TONS of other POP hits) and got the LA Session players (Hal Blaine, Joe Osborn, etc.) to record the music. Other artists on the label were The Klowns (Barry Bostwick!!) and I think that Andy Kim was also briefly on the label. The first single (if i remember right) was "Number Wonderful", a total slice of '60s Girl Pop. Great record, actually, and sounded like a Partridge Family song (big surprise there, right??). I think it did chart in the lower 60s or something like that. They also released an LP with the song on it. I think they released a couple more singles, but the song that they were banking on to finally hit the top 40 was a song called "You Always Call Me Up When You're Lonely". However, I do not think it was ever released, although I could be wrong. The reason is coming up next. Matte Toys and Ringling Bros either merged, or RB bought a TON of Mattel stock, I'm not sure. That's where the Rock Flowers dolls came in. It was supposed to be a marketing strategy to sell more records and give the group some needed exposure (kinda dumb, tho...do 6 year old girls buy records?). After the video game crash, Mattel stock tanked, and it took RB down with it. They pulled the plug on Wheel Records, and that was it. Now the good part. Joe's dad gave me a few things from Wheel Records as gifts. One was the Rockflowers LP, and a copy of the "Number Wonderful" 45 with a picture sleeve!! He ALSO gave me....a 1/4 reel to reel dub of some of the songs that would have been on the second LP, which I believe was never released. "You Always Call Me Up" is on it. I think that this reel still exists in my tape trunk, which has been in storage since I moved. If it is, it's probably the only place these songs exist, because I'm quite sure that the multis were thrown out years ago. Joe jr says his dad never had them in the house, and the studio that recorded them has been out of business since the early 1980s. Joe also does not remember ever seeing the second LP. If it had been released, I'm pretty sure they would have had it. By the way, Joe's dad was a wonderful man, he was very good to me, and sadly, passed away in the mid 1980s. Joe Jr recorded an LP called "Ladykiller" in the 80s that I worked on , and he is still my friend today. Whew!! Sorry for the long post, but I thought this would help clear up the mystery of The Rockflowers. My question is...where are they today?? Mikey --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Tue, 12 Jun 2001 06:53:26 -0700 (PDT) From: Christopher Davidson Subject: Re: Rock Flowers & Goodees I know a little about the Rock Flowers. Apparently they were a live group assembled by Partridge Family producer Wes Farrell as a tie-in to the toy line. I believe they cut two albums, both on Wheel. I have the first, which is great girl sound/light pop. I think one of the vocalists was one of the awesome Clinger sisters. Don't have the LP in front of me. They also had a couple of singles. I've always wanted to know if the little records that came with the dolls were the same songs that were on the albums/singles. I've seen some of the dolls at toy shows, but they never have the records w/ them, although Ebay always has a bunch for sale. As for the Goodees, wasn't there a good article about them in Scram not too long ago? Kim, are you there? CAD ===== Chris Davidson CAD Records --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Tue, 12 Jun 2001 05:59:29 -0700 From: Kim Cooper Subject: Re: Goodees & Rock Flowers Patrick asked about the Goodees & the Rock Flowers. We ran an appreciation of the former group--comparing and contrasting them with the Shangri-Las, who seem to have been producer Don Davis's model--in Scram #9. Unfortunately I was able to find very little factual information available about the band, though I did discover their names, which appear nowhere on the record: Kay Evans, Sandra Johnson, and Judy Williams. Copies of Scram #9 are still available. This issue also features Chad & Jeremy's psychedelic records, Scott Miller (Game Theory/Loud Family) on his favorite guilty musical pleasures, and a tribute to Dusty Springfield. Re: Rockflowers, stay tuned for the upcoming publication of "Bubblegum Music is the Naked Truth"--promised since May, they should ship from the printer in the next couple of weeks. Lisa Sutton has done a great job reporting on this amazing marketing scheme and the Wes Farrell-produced records. Yup, that's the Wrecking Crew backing up Rindy Dunn (later replaced by Jacquie Wiseman), Ardie Tillman, and Debby Clinger on the astonishing "Mother You, Smother You" and other great pop-soul confections. Kim Cooper Editrix --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Tue, 12 Jun 2001 19:45:48 +0100 (BST) From: Mick Patrick Subject: THE ROCK FLOWERS GREETINGS, I could be wrong but I reckon there's a good chance that DEBBIE CLINGER of the Rock Flowers was previously a member of mid-'60s Tollie label girl-group the CLINGER SISTERS ("The Lipstick Song", anyone?). The group subsequently waxed as THE CLINGERS with KIM FOWLEY in the producer's chair. Debbie Clinger also wrote some songs for the PARTRIDGE FAMILY. By the way, I don't know if JEFF BARRY or ELLIE GREENWICH get to see Spectropop posts but I spent a little time with their old Red Bird/Blue Cat colleague SIDNEY BARNES reecently. He was full of great stories about his BRILL BUILDING days and requested that his admiration and respect be passed on to his old friends. Hopefully someone will forward Sidney's message to Jeff and Ellie. If I could master this miniscule keyboard I'd bore you all rigid with my review of Sidney's first ever live UK gig. But I can't. So I won't. See some of you at the LEIBER & STOLLER documentary screening, perhaps. MICK PATRICK --------------------[ archived by Spectropop ]-------------------- End