________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ See label for correct playing order: ------------------------------------------------------------------------ There are 25 messages in this issue of Spectropop. Topics in this Digest Number 286: 1. One last Sam's memory From: Stewart Mason 2. RE: Misc from Digest Number 285 From: "Paul Payton" 3. SV: ELLIE IN THE FLESH From: Kristensen Jan Kristen 4. Re: Mirrors Of Your Mind From: Mike Rashkow 5. Tony Passalacqua From: "Don Charles" 6. Re: Tony Pass From: Mike Rashkow 7. Correction From: Mike Rashkow 8. Re: Robin Ward From: Alan Gordon 9. Re: Rydell's backing singers From: Jane Wade 10. Re: Rydell's backing singers From: "Don Charles" 11. RE: Robin Ward From: Mike Rashkow 12. Intentionally Deleted By: "Spectropop Administration" 13. What was the first ever girl-group compilation? From: Frank Youngwerth 14. S.O.S. From: "Spector Collector" 15. Re: Skirt the Issue From: LePageWeb 16. Re: Skirt the issue From: Carole Gibson 17. Brill Building article From: Peter van Dam 18. The Songmakers Collection DVDis terrific !! From: "Claudia Wilson" 19. S.O.S. From: John Clemente 20. Intentionally Deleted By: "Spectropop Administration" 21. RE: L.A. Spector Lovers From: "gregg luvoxx" 22. Del Shannon's girl group and more From: Tom Waters 23. Re: Dusty's miniskirt From: "Don Charles" 24. Re: L.A. Spector Lovers From: "Ken Levine" 25. The Liquid Room-10/28/01 From: "David Ponak" ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Mon, 05 Nov 2001 14:20:10 -0700 From: Stewart Mason Subject: One last Sam's memory >And as for the cigar smoking clerks, that's one aspect >they've left far behind. Now it's a tatooed and pierced >crowd behind the counters, who surprisingly are >non-judgemental. Example; once sheepishly buying a >volume of 'Here Come the Girls' CD, the Gen Y clerk, told >me how cool he thought the series was! Amazing, and I >expected him to sneer because I wasn't buying something a >little more au courant. Only last year, while I was getting my (huge) purchase rung up, the 21-year-old female cashier with the pink hair and labrett pierce and I realized about simultaneously that we were both singing along to the Sweet's "Little Willy" as it blasted on the speakers above our heads. I've *never* met a hipper-than-thou clerk at Sam's, and have been more often than not sincerely complimented on at least one of my purchases. This is as opposed to the average HMV clerk, who has no clue what you're buying if it hasn't been on Total Request Live in the last six months. Also, according to Paul Myers' new biography of the group, the Yonge Street Sam's is the record store Steven Page is singing about in the first verse of the Barenaked Ladies' "Brian Wilson": "Drove downtown in the rain/9:30 on a Tuesday night/Just to check out the late night record shop..." I would be thrilled if the Yonge Street Sam's could stay open. Stewart --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Mon, 05 Nov 2001 17:56:05 -0500 From: "Paul Payton" Subject: RE: Misc from Digest Number 285 > Dynette Setter Christy McWilson is married to head > Fellow and Ian Hunter lookalike Scott McCaughey). She also had an excellent primarily country-rock album out last year with a gorgeous version of Brian Wilson's "'Til I Die." Which reminds me, among many collectible treasures at the WFMU Record Fair was a Wilson Sisters CD on Mercury exec-produced by Brian (with some production and singing >from him too). Didn't even know it existed! Also a version of "'Til I Die" here - sorta discofied, but interesting. (I was told this was essentially abandoned on release by Mercury.) > Babs Cooper "Honest I Do" as an inspiration for > [Marshall Crenshaw's] 1982 track "Our Town" from his > "Field Day" LP ..anyone familar with this song? It was a later Indigo 45; sort of a "Running Scared"-tempo and much more heavily orchestrated track than the Innocents' original. Very nice if not flat-out hit material. Anyone know if any of the Innocents are still recording? There's a wonderful CD on Ace (UK) (I think) of most of their non-Kathy Young material including some superb demos unavailable elsewhere. NOT on this CD is the Transworld 45, "Tick Tock," my all-time fave Innocents track, or "Bobby James'" [Jim West's] solo "5000 Tears Ago," another masterpiece (with great girl-group backing). Anyone know if these are available on CD? Or - be still, my heart - in stereo?!? Thanks, Mick Patrick, for the Robin Ward info. I guess she's in there with the "black grandmothers" on the Bobby Rydell records as sounding teenage while not being same! :-) Will be checking out her info. Cass, thanks for www.geocities.com/yellownoollab. I've gotten heavily into Gary Zekley lately, especially the Ragamuffins' "The Fun We Had" (Tollie) - a quest for many years, finally found last year. Two related Zekley questions: (1) We all know he passed on, but I've never seen the circumstances of his passing; does anyone know who is willing to share the information? (2) There was another artist - a duo - on Canterbury called The New Wave ("Where Do We Go From Here"); does anyone have any background on them? Personal notes: being a late addition to this list, I may be asking stuff that's already been covered. In fact, re: the Bobby Rydell back-up singers, I was referred to an earlier digest, where I noticed a few of the same but many diferent correspondants. So if I'm re-hashing for some, it seems there are a lot of fresher faces around (like myself) who really want to know, and I appreciate the "old timers'" indulgence. Also, many thanks for posting so many songs as they're discussed. I'll be listening real soon (slow downloads here in the "countrified 'burbs"). --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Mon, 05 Nov 2001 14:04:49 +0100 From: Kristensen Jan Kristen Subject: SV: ELLIE IN THE FLESH I just had a look in Terry Hounsome New Rock Record book. According to him Ellie also sang background on Blondies LP "Eat to the beat". Does anybody know anything of the Shel Talmy produced "Teenage Heartbeat" with the Sorrows (US) from 1980? Ellie sang background with among others Mikie Harris, Karla DeVito and Ellen Foley. Mikie Harris had a part to play in Gary US Bonds: "Dedication" together with Bruce Springsteen & the E-Street Band and one John Clemente on bass (?) Hilda Harris on her part sang with some interesting people during the 70's. Gregg Allman's "Laid back" from 1973, David Bromberg: "Demon in disguise" (1972), Judy Collins "Hard time for lovers" (1979), Elephant's Memory with John Lennon, Yoko Ono, Toni Wine and Martha Velez from 1972, also with Al Kooper, Jimi Hendrix and Esther Phillips among others. A last quest: Jimi Hendrix + the Ronettes - true or false? Jan K > -----Opprinnelig melding----- > Fra: Mick Patrick > Sendt: 4. november 2001 11:47 > Til: Spectropop Group > Emne: Spectropop - ELLIE IN THE FLESH > > The tracks "IN THE FLESH" and "MAN OVERBOARD" on the > eponymous 1976 debut album by BLONDIE feature > backing-vocals by Ellie Greenwich, Hilda Harris and Micki > Harris. One cannot help but presume that "Micki" Harris > and Ellie's 1960s pal "Mikie" Harris of the Rag Dolls/Les > Girls are one and the same person. --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Mon, 05 Nov 2001 01:10:50 EST From: Mike Rashkow Subject: Re: Mirrors Of Your Mind In a message dated 11/4/2001, Phil writes: > >The recent contact with the Spectropop group motivated me > >to go back to the archives and confirm some information. > > So did I, and came up with your DRC recording of > "Mirrors Of Your Mind", an uncharacteristic Teddy > Randazzo tune. It may have taken 34 years, but it has > really grown on me! It always annoyed me that you didn't > fix the bass glitch on the first repeat chorus. Neat > phasing though. Who are all the vocals? Flipside > arranged by Sy Klopps, really!! - that's the one eyed > like to know more about? Thanks for your kind comments. Yes, the tune was completely uncharacteristic of Randazzo at that time. Probably the influence of the co-writer Vicki Pike who I think he later married (Last I heard they were in Florida). I later handled the board on a very cute thing they wrote called "Close The Door". Little Anthony and The Imperials did the background voices. Anybody own that one? I've got an acetate of the rough mix. The vocals on Mirrors were everybody I knew, but a lot of Ellie and Mikie and Jeannie and maybe Tommy West, Gene Pistilli, Terry Cashman, Billy Carr, and any drunk that was sleeping in the stairwell - the very stairwell we used as our echo chamber! We may have done vocals two or three different times on different days. I really can't remember. I was a studio sound man at the little demo studio and we'd do this stuff late at night when the paying work was done. The reason we couldn't fix anything that was wrong on the rhythm is this. The track was Randazzo's demo and it was mono. I got it from him "as is" to try and make a record--and I did by transfering it to 4 track (the best available at that time) adding the voices and the percussion and the horns--all in a little 8 in 4 out demo studio--and accidently got the phase shift noise in the bargain--no one had developed a phaser yet. It happened from me trying to run two old Ampex four track machines in sync (without sync tone) in order to get more of something (like drums for instance) into the final mix--most of the basic had been lost as we kept going down several generations mixing to single tracks to free up space for additonal voices, etc. It probably took three O.D's to get those tambourine shots. It was tougher in those days. We couldn't even bounce tracks to adjacent tracks--had to have one track in between. No wonder the record sounds like it is coming through an athletic sock. So anyway, the machines wouldn' stay in sync, and as they shifted against each other, that weird sound happened. I didn't know what it was. It was the middle of the night and on the big speakers it sounded like the Martians were landing. Once it happened I wanted to try and control it, but not one of the techies I just left it the way it was. The B side was done as a favor to Merle and Fred Parker who were Mikie Harris's manager (and wife) who wrote it with a young guy who's stage name was Christopher Robbin. Later on he did TV commercials and soaps. Don't remember his real name. Nice guy. Last time I saw him was when Leader Of The Pack was first staged off Broadway. I haven't listened to the side in years and years. Sy Klopps was a joke of course---it was a head arrangement done in 15 minutes or so. This was the first record that Ellie and I worked on together. It was my second production. Les Girls was the first. We probably made this record for $400 and sold the master for $1,000. Wheeeeee, big time music business, huh? --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 05 Nov 2001 18:44:55 +0000 From: "Don Charles" Subject: Tony Passalacqua > And folks who know '50's music as well will pick up > that Tony Pass[alaqua] was the lead voice of the > Fascinators ("Chapel Bells"/"Oh, Rose Marie"), wasn't > he? Two NYC group harmony classics! Must have singles by Tony Passalacqua: "Shout My Name" on Colpix as Tony Richards; "Caravan Of Lonely Men"/"Wind-Up Toy" on Carlton as Tony Richards; "A Million Drums"/"Candle In The Wind" and "Write Me A Letter" on Canadian-American as Tony Mitchell; and "Spring Fever"/"True, True Love" as Tony Pass on Atco. Jeff Barry involvement on all of these as writer and/or producer. Tony was one hell of a singer! Don Charles --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Mon, 05 Nov 2001 01:14:53 EST From: Mike Rashkow Subject: Re: Tony Pass > Nice to have you aboard, Mike Rashkow. And folks who > know '50's music as well will pick up that Tony > Pass[alaqua] was the lead voice of the Fascinators > ("Chapel Bells"/"Oh, Rose Marie"), wasn't he? > Thanks for this. I only knew him through Ellie. Nice guy. Nice voice. Just did this one thing with him. Good job I thought. --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Mon, 05 Nov 2001 09:20:17 EST From: Mike Rashkow Subject: Correction A quick correction to my post on Teddy Randazzo. I previously wrote that Little Anthony, et al sang on "Close The Door". However, the Randazzo track they sang on which I was trying to reference was called "Trick Or Treat" (also by Teddy and Vicki Pike and also a fine piece). To clarify, Little Anthony did NOT sing on Close the Door. Close The Door was released I think, but Trick Or Treat never escaped to my knowledge, thought again, I have an acetate of it in the vault. MCR --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Mon, 05 Nov 2001 13:05:07 -0800 From: Alan Gordon Subject: Re: Robin Ward Mick Patrick wrote: > Robin Ward's smash hit of the winter of 1963/4, > "Wonderful Summer", was one of the most heavenly > pieces of pop music ever recorded. "Winter's Here" > was even better. "Johnny, Come And Get Me": superior > still. "In His Car": perfection on wheels. Robin > Ward's records were wonderfully produced at Gold Star > by Perry Botkin who usually wrote the songs too. The > playing was faultless. I agree. Wonderful Summer is a fantastic song. But I've never heard anything else by her that was issued on any compilations. Didn't Robin do the singing voice of What'sHerName from The Big Valley in one of those AIP Beach movies as well? al babe --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Mon, 05 Nov 2001 09:43:56 -0800 (PST) From: Jane Wade Subject: Re: Rydell's backing singers I have long been a fan of those girls who made Bobby sound so great. He, in fact, gave them credit on a long ago t.v. show..He said he'd been nowhere without them and how great they were. He called them fondly, "my girls"...They had a great set of pipes! Jane --- Jack Madani wrote: > A search of the Spectropop Archives came up with the > answer: > [ http://www.spectropop.com_archive/digest/m425.html ] --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Mon, 05 Nov 2001 18:53:56 +0000 From: "Don Charles" Subject: Re: Rydell's backing singers > >P.S. Odd thought - does anyone know who were - or > >anything about - the three female back-up singers who > >were on so many Bobby Rydell records on Cameo in the 60's > >(like "Swingin' School" and "Volare")? Was it always > >the same group? Recalling my own interview with Kal Mann, and a Dee Dee Sharp interview that was published in Discoveries some years ago, I can tell you that it was usually the same group of ladies, though I don't know their names. They were middle-aged black gospel singers, probably associated with the Clara Ward organization, as was Dee Dee Sharp before she signed with the Cameo label. Don Charles --------------------[ archived by Spectropop ]-------------------- Message: 11 Date: Mon, 05 Nov 2001 21:48:51 EST From: Mike Rashkow Subject: RE: Robin Ward It sounds to me like I better get some Robin/Jackie Ward music before I die clueless. --------------------[ archived by Spectropop ]-------------------- Message: 12 Intentionally Deleted --------------------[ archived by Spectropop ]-------------------- Message: 13 Date: Mon, 05 Nov 2001 02:09:47 EST From: Frank Youngwerth Subject: What was the first ever girl-group compilation? > That (Where the Girls Are!) was the first LP I > compiled, Jack. It was the brainchild of my colleague > Andy Croasdell and might have been the first ever > girl-group compilation album. Anyone know for sure? It was the second one I bought, first being Dream Babies on Capitol UK--I just dug that out from my closet and it's copyright '85, the year after WTGA. By the way, Mick, were you involved with the early reissue containing the "Lookin' for Trouble" track that was listed as being by Big Maybelle, only later to be corrected? Frank Youngwerth --------------------[ archived by Spectropop ]-------------------- Message: 14 Date: Mon, 05 Nov 2001 23:06:53 +0000 From: "Spector Collector" Subject: S.O.S. Greetings, music lovers! In his last post, Mike Rashkow advised us to look for a single called "S.O.S. (Heart in Distress)," but without mentioning the artist. For the benefit of anyone whose appetite he whetted, it's by Christine Cooper, on Parkway 971, and Mike's right; it's well worth finding. David A. Young --------------------[ archived by Spectropop ]-------------------- Message: 15 Date: Tue, 06 Nov 2001 13:17:27 +0900 From: LePageWeb Subject: Re: Skirt the Issue "Phil Chapman" wrote: > SENSATIONAL POP MINI-SKIRT > EXCLUSIVE TO THE PURCHASERS OF > "I'LL TRY ANYTHING" Records or Music > A maximum skirt length of 24" precluded placing an > order... Just the thought of that is funny enough, but after reading the coupon I am struck by the following: "We regret that we cannot supply mini-skirts to buyers who send in a remittance without completing the coupon." Does this mean "Don't forget to send us the shipping address, otherwise we won't know where to send it"? Strange! I love it - the title of the song "I'll Try Anything" printed on a skirt. Great conversation opener... "Pardon me, I couldn't help but notice. Is it really true that you'll try anything or is that just the title of your skirt?" ...and now of course everyone around here wants to see a photo...I wonder if the publisher got paid a print license fee. Jamie --------------------[ archived by Spectropop ]-------------------- Message: 16 Date: Mon, 05 Nov 2001 08:39:13 +0000 From: Carole Gibson Subject: Re: Skirt the issue Those skirts did indeed exist and I had one. Of course I lost it sometime way back when but then met up with an old friend this past year and she still had hers. So I now have a photo of me and the skirt again. Just pretending to wear it this time though, being that I've put on a couple of inches since I was sixteen! And does anyone remember the story of Dusty turning up at Mark Barkans flat wearing a skirt with the lyrics of Pretty Flamingo on it? Carole --------------------[ archived by Spectropop ]-------------------- Message: 17 Date: Mon, 05 Nov 2001 15:56:59 -0000 From: Peter van Dam Subject: Brill Building article Dear Folks, I was just informed about Brill Building "oral history" article in the latest issue of the Vanity Fair Magazine. alas not available to me, so awaits futher information on this. thanks, Peter van Dam p.s. Any other Dutch collector on this list? e-mail me privately on vandampeter@planet.nl --------------------[ archived by Spectropop ]-------------------- Message: 18 Date: Mon, 05 Nov 2001 16:09:18 -0800 From: "Claudia Wilson" Subject: The Songmakers Collection DVDis terrific !! http://store.aetv.com/html/catalog/vp01.jhtml?id=70320 Brill Building era heaven !! --------------------[ archived by Spectropop ]-------------------- Message: 19 Date: Tue, 06 Nov 2001 00:03:09 -0500 From: John Clemente Subject: S.O.S. Hello All, Thanks to Mike Rashkow for the validation of the backing vocals on Christine Cooper's "S.O.S (Heart In Distress)" on Parkway Records. That track was recycled onto Teri Nelson's version for her Kama Sutra LP. Regards, John Clemente --------------------[ archived by Spectropop ]-------------------- Message: 20 Intentionally Deleted --------------------[ archived by Spectropop ]-------------------- Message: 21 Date: Mon, 05 Nov 2001 22:38:15 -0800 From: "gregg luvoxx" Subject: RE: L.A. Spector Lovers I'm in Hollywood. What about Canters on Fairfax? It has a long history of rock clientele (Brian Wilson is often spotted there). And I'm not just saying this because I'm playing an acoustic gig there this Friday. Brian Chidester wrote: > > Who besides me lives in LA? > > I live in the Valley. > > > Any interest in a Spectropop get together? > > Very much so. Didn't Spector live behind Ben Franks on > the Sunset Strip? It is called Mel's Diner now. I think > out of the "American Grafitti"/"Happy Days" nostalgia, > more than anything, but that would be a cool place to > have some lunch -- at the foot of the old Spector mansion. --------------------[ archived by Spectropop ]-------------------- Message: 22 Date: Tue, 06 Nov 2001 00:47:58 -0500 From: Tom Waters Subject: Del Shannon's girl group and more Del Shannon's backing singers, that is a good question! I read somewhere the Ronettes backed him on "The Wamboo" and the singers on that recording always sounded the same to me as on the others. Could it be them? If it isn't, I don't really have any other guesses. What about the background singers on Johnny Cymbal's records, like MarshMallow and some others? To me, they sound like the Angels. Speaking of the Angels, (don't you love these segues?) why are their mid to late 60's recordings so hard to find? I'd love to hear them (along with the Reparata recordings from the same period which I also can't find). Tom --------------------[ archived by Spectropop ]-------------------- Message: 23 Date: Tue, 06 Nov 2001 17:17:57 +0000 From: "Don Charles" Subject: Re: Dusty's miniskirt Mark Barkan told me this story when I interviewed him. Dusty Springfield came to his apartment in order to hear his new song "I'll Try Anything." It wasn't the lyrics of the song on her skirt, though, it was just the title. Don Charles Carole Gibson wrote: > And does anyone remember the story of Dusty turning up > at Mark Barkans flat wearing a skirt with the lyrics > of Pretty Flamingo on it? > >Carole --------------------[ archived by Spectropop ]-------------------- Message: 24 Date: Tue, 06 Nov 2001 08:07:07 -0800 From: "Ken Levine" Subject: Re: L.A. Spector Lovers For all the LA Spectropop members interested in a get-together, my email address is veen@earthlink.net. Let's coordinate something. And while I'm here....whatever happened to Joannie Sommers?? --------------------[ archived by Spectropop ]-------------------- Message: 25 Date: Mon, 05 Nov 2001 17:07:25 -0800 From: "David Ponak" Subject: The Liquid Room-10/28/01 The Liquid Room, (usually) hosted by David Ponak (me), airs every Saturday night from Midnight to 3AM (PDT) on 90.7FM KPFK Los Angeles, as well as streaming at http://kpfk.org. Mad props to the talented, suave, and attractive Toni Tucci for filling in for me this past weekend. Coming up next weekend, Debbie Diamond from the Januaries will be my guest, and then on 11/18, I'll have the priviledge of being joined in the studio by none other than Money Mark! The Liquid Room-11/4/01 (The Tucci Mix) 1. The Association/Come On In Birthday (WB) 2. Odd Nosdam/Track 28 Mush Filmstrip Frame 1 (Shadow) 3. Margo Guryan/Something's Wrong With The Morning 25 Demos (Franklin Castle) 4. Gak Sato/Green City Tangram (Temposphere-Italy) 5. Kumar Sanu + Alka Yagnik/Ladki Badi Anjani Hai The Very Best Of Bollywood Songs (Outcaste-UK) 6. Dave Mackay + Vicky Hamilton/Blues For Hari The Bombay Jazz Palace (Outcaste-UK) 7. Rubin Steiner/Lo-Fi Nu Jazz #6 Lo-Fi Nu Jazz Volume 2 (Platinum-France) 8. E + E Sounds/Clowns (Send In The Clowns) New Testament Of Funk Volume 3 (Acid Jazz-UK) 9. Saint Etienne/Only Love Can Break Your Heart Smash The System (Heavenly-UK) 10. Bertrand Burgalat/TSOM The SSSound Of Music (Emperor Norton) 11. Brigitte Fontaine/God's Nightmare Kekeland (Virgin-France) 12. Money Mark/Use Your Head Change Is Coming (Emperor Norton) 13. Mo Horizens/Hit The Road Jack (Pe Na Estrada) Remember Tomorrow (Stereo Deluxe-Germany) 14. The Mamas & The Papas/Boys And Girls Together All The Leaves Are Brown: The Golden Era Collection (MCA) 15. Mickey 3D/2-3 Jour a Paris La Treve (Virgin-France) 16. Terminal 3/Blue Eyed Beat Banging Soul Latin Travels (Six Degrees) 17. The Miracles/Ain't Nobody Straight In L.A. Mojo Club Volume 10 (Universal-Germany) 18. Pulser SG Meets Johnny Hallyday/Noir C'est Noir The Remix Album Part 2 (Universal-Germany) 19. DJ Spiller/Batucada (Elusive Samba Vocal) Groovejet EP (Atlantic) 20. Scott Walker/The Old Man's Back Again Scott 4 (Fontana) 21. The Troublemakers/Hum Hum Doubts & Convictions (Guidance) 22. Benjamin Biolay/Les Ceris Volants Rose Kennedy (Virgin-France) 23. Kid Koala & Dynomite D/Third World Lover Bombay 2: Electric Vindaloo (Motel) 24. Shawn Lee/Happiness (Ashley Beedle's Secret Beach Bossa Mix) Future Sounds Of Jazz Volume 8 (Compost-Germany) The Liquid Room Love Hour 25. Tokyo Ska Paradise Orchestra/The Look Of Love Pioneers (Epic/Sony-Japan) 26. Los Chicharrons/Summer Fever Blow For Me Blow For You (Tummy Touch-UK) 27. Ohio Players/Sweet Sticky Thing Gold (Mercury) 28. Clementine/Pillow Talk En Prive (Sony-Japan) 29. Maxwell/For Lovers Only Now (Columbia) 30. Titan/Honey Elevator (Virgin) 31. The Magnetic Sounds/Flash Super Erotica (EMI-Brazil) 32. Soulstance/Riding The Mambo Truth, Simplicity & Love (Shakti) 33. Belvedere Meets Marcos Valle/Crickets Sing For Anamaria The Remix Album Part 2 (Universal-Germany) 34. Kalliopi Vetta/Concert For One Voice Excusion 2 (Virgin-France) 35. Fantastic Plastic Machine/Closing Theme~Je T'aime...Moi Non Plus A life Of Cityboys (1997 Soundtrack) (Trattoria-Japan) 36. Paul Williams/Mornin' I'll Be Movin' On Someday Man (Reprise) --------------------[ archived by Spectropop ]-------------------- End
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