________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Keep surface clean - Use lightweight pick up ------------------------------------------------------------------------ There are 11 messages in this issue of Spectropop. Topics in this Digest Number 287: 1. [girl] singers and their accents From: "Jack Madani" 2. Randazzo & Pike From: "Jeff Lemlich" 3. Re: Various From: Mike Rashkow 4. The Bon-Bons From: "Ian Chapman" 5. Re: Halos From: "Don Charles" 6. GG Comps From: "Vlaovic B" 7. The Songmakers Collection DVDs- any EXTRA footage?? From: Charles Ellis 8. The Glider From: "Jack Madani" 9. Christopher Robbin(s)? From: "Paul Payton" 10. Re: Ellie "In The Flesh" From: John Clemente 11. SOS Heart In Distress From: "Ian Chapman" ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Tue, 06 Nov 2001 23:59:09 -0500 From: "Jack Madani" Subject: [girl] singers and their accents regarding Bobby "Wildwood Days" Rydell's backing signers, Ron Buono writes: > I too was quite surprised to hear about the >black trio of matrons who always sounded like white >teeny-boppers to me! Now, can anyone tell us who the girl >group was on Del Shannon's "Little Town Flirt", "Too Many >Teardrops" and other tracks? They were as good or better >than many of the gal groups of that time. Dont'cha think? [pinch nose, sing real high] here she comesssssss.......] Yeah, those Del Shannon girl singers had it going on too. But you know, when it comes to getting a really good, tight, TIGHT, big harmony blend, I don't know if the Angels and the Chiffons can be beat. But that doesn't mean that the other girl groups weren't great. Personally, I have a REALLY soft spot in my heart (some say it's my head) for the groups that have big time regional accents. Like the Dixie Cups with that N'Yawk thing, or (this one really slays me) the Tammys with that Western Pennsylvania thing (as in "whawts sew sweet abaht sweet sixteen..."). And I've been thinking about this for a while, and wondered if those in the know might be able to confirm or deny: is there a discernable Southern California accent? Specifically, I'm thinking of the pronunciation of the short "e" that comes out more like a short "i." E.g., "send" comes out more like "sind." Seems like Mike Love and Darlene Love both had it pretty strong. jack who grew up in the Delaware Valley and likes a lunch consisting of a cayke and a haygie and a daynut. (coke, hoagie, donut) --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Wed, 07 Nov 2001 01:15:40 -0500 From: "Jeff Lemlich" Subject: Randazzo & Pike Mike wrote: > Thanks for your kind comments. Yes, the tune was > completely uncharacteristic of Randazzo at that time. > Probably the influence of the co-writer Vicki Pike who > I think he later married (Last I heard they were in > Florida). Randazzo and Pike were behind some wonderful whacked-out music in 1967 and 1968. Pike co-wrote Third Bardo's great "I'm Five Years Ahead of My Time" on Roulette... and Randazzo produced "The Mechanical Man" by Bent Bolt and the Nuts! Jeff Lemlich --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Tue, 06 Nov 2001 09:44:16 EST From: Mike Rashkow Subject: Re: Various Re: Del Shannon's girl group and more > I'd love to hear them (along > with the Reparata recordings from the same period which I > also can't find). > I believe that Ellie and Mikie were involved in several of those records-shoring up the background parts. Not certain of this but I do think so. Subject: Re: Joannie Sommers > whatever happened to Joannie Sommers?? Had a sex change operation and became Johnny Winter???? re: Christine Cooper's "S.O.S (Heart In Distress)" > That track was recycled onto Teri Nelson's version for > her Kama Sutra LP. Very interesting stuff. Re: playing musica files unfortunately for me, all I have available at this time is a little laptop without even a good player. Can you recommend the best player I can download free--I can then possibly use phones as a listening medium. No space for decent speakers in our RV. If anyone can help please contact me off-list. Thanks. Rashkovsky --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Wed, 07 Nov 2001 02:13:41 -0000 From: "Ian Chapman" Subject: The Bon-Bons David said: > Peter Lerner asked about The Bon Bons' "Each Time" last > time around. I've heard before that there was supposedly > some Shangri-Las involvement, but I don't believe that's > been confirmed, has it? Back in '76, a guy called Billy Miller wrote to Bomp magazine in response to the Shangs/Bon-Bons query. He sent them a photo of the Bon-Bons which had originally been featured in the Aug. '64 issue of Teen Life magazine with the following caption:- "The Bon-Bons - and did you ever see such four living, breathing, singing, dancing DOLLS. "Come On Baby", their first recording on the Coral label, skyrocketed them to overnight fame. You'll be hearing lots about these teens." Yes, well....... Uploaded to the photos file is scan of the reprint of the copy(!) Despite the ropey quality, you can see that none of these four living, breathing, singing, dancing dolls are Shangri-Las. Ian --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Tue, 06 Nov 2001 17:14:56 +0000 From: "Don Charles" Subject: Re: Halos Anybody looking for rare Angels records should put their sides as The Halos on Congress Records at the top of their list of must-haves. The production values on "Keep On Lovin' Me," not to mention Toni Mason's dynamite vocal, are tailor-made for Spector knockoff fanatics. Your toes WILL tingle! Don Charles Tom Waters segued: >why are [the Angels'] mid to late 60's >recordings so hard to find? I'd love to hear them (along >with the Reparata recordings from the same period which I >also can't find). --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Tue, 06 Nov 2001 13:08:34 -0500 From: "Vlaovic B" Subject: GG Comps Hang on, was it not Big Maybelle' singing 'Big Trouble'? It was on the Girls About Town Compilation. I recall buying the Charly records Red Bird compilation 'Charlys Angels' (what a terrible name!) in 1981. And I the first Rhino records GG compilation came out in 1983 (as a companion piece to the book and eventually video). It had the groovy switch-pic of the Shangri-Las and the Dixie cups on the cover. So I guess 'Where the Girls Are' wasn't the first GG compilation. But as it focussed on impossible to find recordings its arrival was most welcome! N --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Tue, 06 Nov 2001 23:21:22 -0000 From: Charles Ellis Subject: The Songmakers Collection DVDs- any EXTRA footage?? Does anyone know if there is any footage/music in the DVD version of the A&E Songmakers Collection as opposed as to what we saw on TV in August? I taped the 2-hour special, and would like to know...... --- In spectropop Claudia Wilson wrote: > > Brill Building era heaven !! --------------------[ archived by Spectropop ]-------------------- Message: 8 Date: Tue, 06 Nov 2001 23:44:48 -0500 From: "Jack Madani" Subject: The Glider spectropop writes: >It was good to hear that Frank Wright had confirmed that, >as I've always believed, Phil Spector was the producer of >Troy Shondell's "The Glider." Okay, I fully concede the truth of this fact. But would I be considered a dolt if I say that it at least SOUNDS like it was a Joe Meek production, not Spector? jack --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Tue, 06 Nov 2001 23:57:47 -0500 From: "Paul Payton" Subject: Christopher Robbin(s)? To Mike Rashkow: Christopher Robbin - could that have an "s" at the end, and is he the same artist who did a virtually acapella version of the Beatles' "Here There And Everywhere" on an RCA 45? I've always loved the arrangement, with its exquisite full chorus, although he sounded a bit "night-clubby" on his lead. Nonetheless, it's a record I frequently go back to and enjoy. Paul --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Tue, 06 Nov 2001 23:50:50 -0500 From: John Clemente Subject: Re: Ellie "In The Flesh" Hello All, This excerpt from the last issue: > Mikie Harris had a part to play in Gary US Bonds: > "Dedication" together with Bruce Springsteen & the > E-Street Band and one John Clemente on bass (?) doesn't refer to me, John Clemente, author of "Girl Groups". Regards, John --------------------[ archived by Spectropop ]-------------------- Message: 11 Date: Wed, 07 Nov 2001 03:30:53 -0000 From: "Ian Chapman" Subject: SOS Heart In Distress Mike Rashkow said: > I would also offer that if you want to hear them at their > background best, find a copy of "S.O.S. Heart In Distress" > on Cameo, it was produced by Richie Cordell (later of > Joan Jett fame) and Beau Gentry (who seems to be off the > radar for a long time). Artie Butler did the charts. When > you listen to "the girls" on this one check out Jeannie > up in the stratosphere nailing some notes that only dogs > usually can hear. The parts were overdubbed in Bell > Sound Studio C. I was the button pusher on the date, and > it is etched in my memory. > > S.O.S. is still one of my all time personal top ten records. Mine too! Mike, I assume the version of "S.O.S. (Heart In Distress)" you're referring to is by Christine Cooper on Parkway? The production on this record is a killer, and even though it didn't chart, it was picked up by the UK's Northern Soul scene in the 70s where it always filled the dancefloors. So much so, in fact, that it was heavily bootlegged at the time, as genuine original copies were so hard to track down. I've loved this record for years, and had no idea that "the girls" were on back-ups! Ritchie Cordell and Sal Trimachi produced Christine's follow-up, a very Motownesque tune called - sticking with the nautical theme - "Heartaches Away My Boy", heavily influenced by the Supremes' "Back In My Arms Again". That one was an even bigger northern soul hit and even now currently fetches in excess of ?150 for an original copy! Mike, do you recall if this was done at the same session as "S.O.S", and were the girls also on back-ups? Footnote: Another version of "S.O.S." later appeared on the Kama Sutra album, "Sweet Talkin' Teri" by the Teri Nelson Group. This was the group that contained two ex-Crystals, Barbara Alston and Mary Thomas. The album was another Super K production and "S.O.S" used the same backing track as Christine Cooper's. Check out the Billboard ad for Christine's version at the photo files area. Ian --------------------[ archived by Spectropop ]-------------------- End
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