________________________________________________________________________ ______________ ______________ ______________ ______________ ______________ S P E C T R O P O P ______________ ______________ ______________ ________________________________________________________________________ Entertainment for everyone ------------------------------------------------------------------------ There are 10 messages in this issue of Spectropop. Topics in this Digest Number 291: 1. Go AIP with Robin Ward (and Donna Loren) From: "Jack Madani" 2. five questions From: Jeff Lemlich 3. Girl Group Gems "Soul to Surf" From: LePageWeb 4. Sal Trimachi From: "Don Charles" 5. Fifth Estate question From: Jeff Lemlich 6. Noses Run In The Family From: James Botticelli 7. Susie Forgive Me From: Jeff Lemlich 8. Intentionally deleted By: "Spectropop Administration" 9. Re: Gary Usher and Joanie Sommers From: "Frank Wright" 10. Re: Joanie Sommers, actress From: Frank Wright ________________________________________________________________________ ________________________________________________________________________ Message: 1 Date: Sat, 10 Nov 2001 10:19:48 -0500 From: "Jack Madani" Subject: Go AIP with Robin Ward (and Donna Loren) >Robin Ward was the singing voice of >Linda Evans in the 1965 A.I.P. movie Beach Blanket Bingo. >Thank God!! The future Dynasty star lip-synced to >Robin's recordings of "New Love" and "Fly Boy". >Unfortunately these performances were never commercially >released but Donna Loren's versions of both songs can be >found on her recently released Collectables CD "The Very >Best Of Donna Loren". Yeah, but I'm afraid Donna's after-the-fact recordings don't nearly do justice to the movie versions. Even her own track from BBB, "It Only Hurts When I Cry," is a re-recording with a different instrumental arrangement from what was in the movie. And while the lp version of "Cry" is pretty damn hip (it very much has the air of the T-Bones' "No Matter What Shape Your Stomach's In"), it pales when compared with the glorious wall of sound that was in the movie. Hey, the movie version can practically bring me to tears--and I'm not even peelin' onions! BTW, I used to think that the movie Beach Blanket Bingo has the very best set of recordings of any of the AIP flicks. I still think that the highlights of BBB are the best ever (New Love, Fly Boy, It Only Hurts When I Cry, I Think You Think, I'll Never Change Him, and the title song), but I now think that, for overall high quality--and this includes all the incidental background music, not just the sung songs--Ski Party would have to take the prize. The songs are good, the Hondells sing several of the featured tunes, and Gary Usher takes care of all the incidental music with what sounds like the Wrecking Crew doing all the playing. Plus (IIRC) there's a Bob Crewe tune thrown down in the middle of the flick for good measure. Pulling out all the great music from Beach Blanket Bingo and Ski Party, and putting it onto one cd. Now, THERE'S a task worthy of some good bootlegger's time. >This information comes from Stephen J. McParland's >beachtastic book "It's Party Time: A Musical >Appreciation of the Beach Party Film Genre". What a beacherrific book. Well worth owning. Covers not just the AIP flicks, but the similarly beachy/hotroddy/teen-oriented flicks put out by other studios. jack --------------------[ archived by Spectropop ]-------------------- Message: 2 Date: Sun, 11 Nov 2001 06:16:34 -0000 From: Jeff Lemlich Subject: five questions (1) Who were the Brigands? Artie and Kris Resnick share writer's credits, and I have a feeling it's them on the record, perhaps joined by Kenny "Seagulls/Squirrels/San Francisco Earthquake" Young. (2) Who were the Pepsi-Tones... and how did a Van McCoy tune end up on a Pepsi-Cola giveaway record, on a St. Louis label? (3) Who is the female voice on "How Can I Ever Find A Way" by the Fifth Estate? (4) Were The Zebra on Philips really the Lemon Pipers? The Paul Leka connection is a hint, but the vocals sound similar to my ears as well. "MISS ANNE" was a hit song in Sarasota, Florida in 1968! (5) One more Van McCoy question -- who was THE STATE DEPT. on Abbott Records? Jeff Lemlich --------------------[ archived by Spectropop ]-------------------- Message: 3 Date: Mon, 12 Nov 2001 11:04:08 +0900 From: LePageWeb Subject: Girl Group Gems "Soul to Surf" Hello all, Many of us have seen Girl Group Gems "Soul to Surf" advertised on Donna Loren's website. It's released by "Red-Bird Entertainment" and features the Red Bird record company logo. It's not in the local Tower or Virgin. Red Bird??? I'm pretty sure none of the tracks on the CD are/were Red Bird masters. What gives? Has anyone got this CD yet? If so, how about a little review? The CD only has 15 tracks on it. One has to wonder why. The total time of the disc must only be about 36:00 or so. Well, the price is only $15, the same as an autographed glossy 8X10 of Donna Loren with NO music, so I guess it's fair enough. Here is the line up: Because of You - Erlene and Her Girlfriends Dream World - Donna Loren Cryin' On My Pillow - Dorothy Berry He's My Boyfriend - Kriss Anderson Better Be Ready - Annette He's A Big Deal - Renee Medina You're So Fine - Dorothy Berry Muscle Bustle - Donna Loren The Perfect Boy - Annette Big Talkin' Jim - The Blossoms Cassanova - Erlene and her Girlfriends Little Bit Of Soap - Yvonne Carroll Hard To Get - The Blossoms Cross My Heart - Yvonne and the Violets I Gotta Tell It - The Blossoms Redbird Entertainment RB-CD-1960 Jamie --------------------[ archived by Spectropop ]-------------------- Message: 4 Date: Sat, 10 Nov 2001 18:56:26 +0000 From: "Don Charles" Subject: Sal Trimachi >Can anyone tell me more about Sol Trimachi? I know he >also wrote "123 Red Light" for the 1910 Fruitgum Company, >but that's about it. He was one of the Kasentetz-Katz stable of writer/ producers. One other song I know of that he wrote was "Here She Comes," which was recorded by Dusty Springfield. Don Charles --------------------[ archived by Spectropop ]-------------------- Message: 5 Date: Mon, 12 Nov 2001 00:36:48 -0000 From: Jeff Lemlich Subject: Fifth Estate question Last night I asked who the female voices were, on the Fifth Estate track "How Can I Ever Find A Way". According to the notes on the CD, it was an unissued single... but just this morning I saw a playlist from a Northern soul event, and a song with that title was listed. It turns out to be that very song. So that "unissued" song is actually "How Can I Ever Find A Way" by Carol & Gerri on MGM. Now if we can find out who Carol & Gerri were - - perhaps Carol Drobnicki from Reparata & The Delrons??? Does anyone know? Jeff Lemlich --------------------[ archived by Spectropop ]-------------------- Message: 6 Date: Sat, 10 Nov 2001 10:18:06 EST From: James Botticelli Subject: Noses Run In The Family In a message dated 11/10/01, Jan K writes: > "Your nose is gonna grow" can be found on Marginal:Girls > girls girls vol 15. Theme "if you lie the bogeyman will > get you and your nose is gonna grow" Jan K perhaps lifted from Johnny Crawford's "Your Nose Is Gonna Grow" which contains the exact same lyric --------------------[ archived by Spectropop ]-------------------- Message: 7 Date: Sun, 11 Nov 2001 06:30:27 -0000 From: Jeff Lemlich Subject: Susie Forgive Me --- In Spectropop, "Spector Collector" wrote: > Al Quaglieri calls Kenny Karen's "Susie Forgive Me" "one > of the most hilarious teen death records ever made," and > although even I loosely categorize it in the "death > records" category, it fits more neatly into the > "near-death" genre a la "Endless Sleep": not only does > Kenny not kill Susie here, even his crippling her turns > out to be only temporary. --- I just came across this in the archives, so sorry about being months late in replying, but... this IS a death song... since the police officer shoots "Johnny", and quoting the lyrics: "she ran right out into the street, and Johnny cried out, dying at her feet". I featured this on a countdown of some of my favorite death songs last year. Number one was that death-by-lightning, everyone-thinks- it's-a-wedding-but-it's-really-a-funeral tune, "Jimmy Love" by Cathy Carroll... edging out the ever-popular death by marijuana classic "Johnny Ander" by Gayle Haness. Jeff Lemlich --------------------[ archived by Spectropop ]-------------------- Message: 8 Intentionally deleted. --------------------[ archived by Spectropop ]-------------------- Message: 9 Date: Mon, 12 Nov 2001 03:21:53 -0000 From: "Frank Wright" Subject: Re: Gary Usher and Joanie Sommers --- In spectropop "Ron Weekes" wrote: > Working with Joanie Sommers was the first thing Gary did > when he arrived at Columbia Records in late 1966. He > finished up two songs, It Doesn't Matter Anymore and > Take A Broken Heart (both started by Bob Mersey) that > wound up being Joanie's last single at Columbia. As > Usher states in Stephen J McParland's biography, "it was > just a matter of finishing off what he [Bob] had already > started." The single was released on Columbia 4-43950 > in December 1966. Thanks for the info. I have been trying to track down this disc to complete my Joanie Sommers collection for years. I tried ordering it when it was released, but was told that it was unavailable. I never saw it listed in any auctions or set sales in Goldmine. I finally came to the conclusion that it was unreleased, or at best, a very limited release. If anybody owns a copy, I would sure love to hear it. Please contact me. BTW, both of these songs are songs that Rick Nelson sang in the soundtrack of the ABC Stage 67 TV production of "On The Flip Side". All songs in the show were written by Bacharach/David. I have always wanted to hear Joanie's versions of these songs. --------------------[ archived by Spectropop ]-------------------- Message: 10 Date: Mon, 12 Nov 2001 03:37:07 -0000 From: Frank Wright Subject: Re: Joanie Sommers, actress --- In Spectropop, Jane Wade wrote: > Who produced Joanie Sommers "One Boy"? Anyone know? > > Heaven! "One Boy" was produced by The Big Sound of Don Ralke. Ralke is credited for doing the instr. overdubs on Jan & Arnie's "Jennie Lee", before moving to Warner Bros. to produce some of that label's early hits by Ed Kookie Byrnes, Connie Stevens, Tab Hunter, Dick & Dee Dee, and of course Joanie Sommers. I like his Big Sound. Not quite as big as Spector achieved, but pretty cool for 1959-60. --------------------[ archived by Spectropop ]-------------------- End
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