======================================================= ___ ___ ___ __ ____ ___ __ ___ __ ___ / __)( ,\( _) / _)(_ _)( ,) / \( ,\ / \( ,\ \__ \ ) _/ ) _)( (_ )( ) \( () )) _/( () )) _/ (___/(_) (___) \__) (__) (_)\_)\__/(_) \__/(_) ======================================================= Volume #0095 June 9, 1998 ======================================================= Dedicated to the World's Greatest General AmusementSubject: At the record store Sent: 06/08/98 1:06 am Received: 06/09/98 1:19 am From: le_page_XXX@XXXXXXies.com To: Spectropop List, spectroXXX@XXXXXXies.com Just wanted to ask if anyone has picked up either of these discs and can advise on the quality. I saw a CD by John Carter called The Denmark Street Demos. For those who might not know, Denmark Street is a little alleyway at Charing Cross in London where music-related businesses set up shop. Denmark Street is still music oriented, but mostly instrument shops now, I believe. Anyway, I rather like Ivy League and Flowerpot Men; has anyone heard this John Carter release? I also recently saw the new Odessey and Oracle release with the long lost mono mix, the stereo mix and some alternate mixes (I think). Does anyone on the list know about this release? Please do fill us in. As far as I knew, as of Zombies Heaven release the original mono O&O masters were still missing. -- le_page_XXX@XXXXXXies.com RodeoDrive/5030 ====================[ archived by Spectropop ]==================== Subject: Chiffons Sent: 06/08/98 12:02 am Received: 06/09/98 1:15 am From: Jack Madani, Jack_MadXXX@XXXXXX2.nj.us To: Spectropop List, spectroXXX@XXXXXXies.com It suddenly struck me that we've had precious little mention of the Chiffons, and yet on any short list of favorite girl-group songs, One Fine Day and Sweet Talking Guy always make it for me. One Fine Day has the sweetest, most perfectly balanced " aaaahh" vocal wash, during the instrumental break. Every time I hear it I get goosebumps. And Sweet Talking Guy has the most outrageous ending, with every extant theme from earlier in the song being reprised all at once during the fadeout. I mean, you could have them stop singing and simply chant out the varying rhythmic patterns, and it would still be an amazing thing. You got yer Crystals and Ronettes, for obvious (spector) reasons. And in the non-Spector category, Shangri-Las and Shirelles seem to be consensus choices for greatest girl groups. Then you got yer various cult faves, like the Pixies 3 and Reparata and Cookies and so forth. But the Chiffons seem to get lost in the gaps. ------------------------------------------------------------------------ Jack Madani - Princeton Day School, The Great Road, Princeton, NJ 08540 Jack_MadXXX@XXXXXX2.nj.us "It is when the gods hate a man with uncommon abhorrence that they drive him into the profession of a schoolmaster." --Seneca, 64 A.D. ------------------------------------------------------------------------- ====================[ archived by Spectropop ]==================== Subject: the vaudeville fad of '66 & '67 Sent: 06/08/98 11:33 am Received: 06/09/98 1:15 am From: Big L, biXXX@XXXXXXmail.com To: Spectropop List, spectroXXX@XXXXXXies.com I have been thinking about the vaudeville fad of 1966 and 1967. Without doing a lot of research, it seems that it was kicked off by the record "Winchester Cathedral." Or was it? Records that also featured vaudeville elements: Hello Hello - Sopwith Camel Words Of Love; Creeque Alley - Mamas & Papas Anything Goes - Harper's Bizarre Mammy; I Got Rhythm; - The Happenings Related records: A Girl Like You - Rascals (big band) Possibly related: The "Snoopy" records by The Royal Guardsmen (the World War 1 flying ace) Or, was it possible that some cultural trend, maybe something on TV, triggered the fad? I would welcome any comments, and identification of other songs from the period that I have missed. == Big L ====================[ archived by Spectropop ]==================== Subject: Re: BOUNCE spectroXXX@XXXXXXies.com: Non-member Sent: 06/08/98 1:28 pm Received: 06/09/98 1:15 am From: Spectropop List, spectroXXX@XXXXXXies.com To: Spectropop List, spectroXXX@XXXXXXies.com ========== Start of forwarded message ============== Subject: Re: the vaudeville fad of '66 & '67 From: Rick Lewis, rickXXX@XXXXXXet.com Big L, I'm a bit vague on this (haven't heard it since then), but the Association had a song on one of their albums called something like "1923 (Wasn't It A Bit Like Now"). I think it was on the same album as "Requiem for the Masses". Another song with old-style elements (that may have fooled some folks for a while about its content) was "Acupolco Gold"9sp? by the Rainy Daze. There's "Honey Pie' by the Beatles; "When I'm 64"; the Dixieland sounds of the Kenny Ball Jazz Band with their 1962 hit "Midnight In Moscow" and the Village Stompers' "Washington Square". And yes, even Guy Marks' "Loving You Had Made Me Bananas", but I may be going too far here.--Rick ====================[ archived by Spectropop ]==================== Subject: Stereo Unchained Melody Sent: 06/03/98 3:58 am Received: 06/04/98 1:45 am From: Jack Madani, Jack_MadXXX@XXXXXX2.nj.us To: Spectropop List, spectroXXX@XXXXXXies.com Hey, today I heard a stereo version of Unchained Melody by the Righteous Brothers. Is this a big deal or not? ------------------------------------------------------------------------ Jack Madani - Princeton Day School, The Great Road, Princeton, NJ 08540 Jack_MadXXX@XXXXXX2.nj.us "It is when the gods hate a man with uncommon abhorrence that they drive him into the profession of a schoolmaster." --Seneca, 64 A.D. ------------------------------------------------------------------------- ====================[ archived by Spectropop ]==================== Subject: Thank You John Sent: 06/08/98 11:19 am Received: 06/09/98 1:15 am From: Big L, biXXX@XXXXXXmail.com To: Spectropop List, spectroXXX@XXXXXXies.com A few issues back, Dicky G mentioned "Thank You John" by Willie Tee. Oh yeah! That thing must have hit Top 10 in Carolina. You had it all right but the year: it was out in fall 1966, and was a near carbon copy of "Teasin' You," which Willie had out in fall '65. What a macabre song: Come in baby Who did you fool tonight? Was it my friend John? He thinks you're outasite. I know that you've been ballin' You're as high as you can be But I knew, baby, you'd come home to Willie Tee She was just teasin' you What did he say when you told him you were goin' home? I know he wanted to handle you I could tell by the bruises on your arm I told him once he was a shuck time stud If he tries this again He's gotta shed some blood It's gonna be all right Now I don't blame you baby For tryin' to swell his head Cause after all baby He's givin' us his bread Now it's all right for you to go out all night long But when he spreads that bread Be sure he spreads it right I wanna thank you John For being a good time come You done proved yourself to me You're as jive as you can be Now it's all right to keep her out all night But when she leaves you alone Send your paycheck home It's gonna be all right Oh thank you John You been a boss time come You ain't nothin' but a jive Shuck time monkey town stud It's gonna be all right You lollypop, you sucker John The alley man, you thought you were raisin' sand.... And me, the teenager who never heard song lyrics right, thought this was some guy's tribute to his best friend! == Big L ====================[ archived by Spectropop ]==================== End