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Jamie LePage (1953-2002)
http://www.spectropop.com/Jamie.htm
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There are 3 messages in this issue.
Topics in this digest:
1. Re: The Parade
From: Allen Roberds
2. Re: The Clintons
From: Simon White
3. Re: Lori Burton
From: Phil Milstein
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Message: 1
Date: Sun, 08 Dec 2002 14:11:33 -0800 (PST)
From: Allen Roberds
Subject: Re: The Parade
Justin McDevitt:
> Paul, Some months ago, I purchased a copy of the Japaneese release
> of the Parade CD from a purveyor of all things CD, located in Canada.
> The name of the site escapes me now, though I have their email
> address at work and can email it to you this Monday.
Justin, Just saw your response to Paul about locating a copy of The
Parade CD! I would also like to find a copy and would appreciate you
forwarding the information to me, which you offered to Paul.
Thanks and My Best To You.
Smokey Roberds, The Parade
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Message: 2
Date: Sun, 08 Dec 2002 22:59:00 +0000
From: Simon White
Subject: Re: The Clintons
Artie Wayne wrote:
> Simon.....Phil......George Clinton without the S. usually identifies
> the "Funkmeister"....while George S. Clinton identifies the film
> composer ["Mortal Combat"..."Austin Powers 1, 02 and 3"].
Hmmm. "Please Dont Run" is George 'S' - less, but not the The
Parliaments, Funkadelic, Revilot, Golden World man , the writer and
producer [look out for "Geo-Si-Mik" productions - George Clinton /
Sidney Barnes / Mike Terry] of amongst others "I'll Bet You" by Billy
Butler or Theresa Lindsey and "Our Love Is In The Pocket" by either J.J.
Barnes or Darrel Banks, both Northern soul classics and great records
no matter how you label them.
So, is it George S. without his 'S' or another Clinton entirely? I feel
I should know who he is because this came up on another list but I
seem to have a maggot [in my] brain.
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Message: 3
Date: Sun, 08 Dec 2002 18:03:50 +0000
From: Phil Milstein
Subject: Re: Lori Burton
Guy Lawrence wrote:
> for Mercury in '67? I bet there's someone on the group who
> can tell me all about it!
It's entitled Breakout, Mercury 61136. Song titles are:
Gotta Make You Love Me / Since I Lost Your Lovin' / There Is
No Way (To Stop Lovin' You) / The Hurt Won't Go Away / Gotta
Get Over You / Bye Bye Charlie / Love Was / Let No One Come
Between Us / Only Your Love / Nightmare
All cuts are Burton-Sawyer collaborations. Nightmare is The
Whyte Boots cut -- not a cover, not an alt., but the exact
same version, underscoring its provenance pretty
definitively.
I want to like this album more than I actually do. I believe
it is a collection of songwriting demos, which would explain
both its stylistic eclecticism and its underproduction.
Pretty cool cover, though -- talk about your panda-bear eye
makeup!
--Phil M.
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